Picture of author.

Inés Arredondo (1928–1989)

Teoksen Underground River and Other Stories (Latin American Women Writers) tekijä

17+ teosta 86 jäsentä 3 arvostelua

Tietoja tekijästä

Image credit: By Erna Pfeiffer - Own work, https://commons.wikimedia.org/w/index.php?curid=6846390

Tekijän teokset

Associated Works

Other Fires: Short Fiction by Latin American Women (1985) — Avustaja — 122 kappaletta
The Vintage Book of Latin American Stories (2000) — Avustaja — 105 kappaletta
A Necklace of Words: Short Fiction by Mexican Women (1997) — Avustaja, eräät painokset11 kappaletta

Merkitty avainsanalla

Yleistieto

Kanoninen nimi
Arredondo, Inés
Virallinen nimi
Arredondo, Inés Camelo
Syntymäaika
1928-03-20
Kuolinaika
1989-11-02
Sukupuoli
female
Kansalaisuus
Mexico
Syntymäpaikka
Culiacán, Sinaloa, Mexico
Kuolinpaikka
Mexico City, Mexico

Jäseniä

Kirja-arvosteluja

Edición especial con motivo del día del libro en noviembre de 2019.
"Voy a hablar de lo otro, de lo que generalmente se calla, de lo que se piensa y lo que se siente cuando no se piensa". I. Arredondo en Río Subterráneo.

"No salgas de tu ciudad. No vengas al país de los ríos. Nunca vuelvas a pensar en nosotros, ni en la locura. Y jamás se te ocurra dirigirnos un poco de amor." I. Arredondo en Río Subterráneo.
 
Merkitty asiattomaksi
darioha | Dec 4, 2019 |
A collection of gothic short stories by a mid-20th century Mexican writer. These were intense, economical, and often very beautiful. Although Arredondo often set up stories in which sexual degredation was the fate of young women and men, she writes with such a light touch that I found them to be equally erotic as horrific -- in such stories as Shadow in the Shadows and The Noctural Butterflies. These might have been written to blur the line between shame and pleasure (although I read some glee at times in the cruelty faced by the characters). These are very physical, vivid stories in which pleasure overwhelms (and later shames) the characters; and in fact, pleasure and love are both unfathomable, and separates mind from body from emotion. Take the example of The Sign, where Pedro, sitting quietly in a church for respite from the heat, is approached by another man, who asks if he could kiss Pedro's feet:

"[...] in the first instance, as the man's hot mouth barely brushed him, he had thought it an aberration. He had gone so far as that, so he would later feel more tormented...no, no, both of them felt disgusted, except in addition to that there was love. It had to be said, you had to dare think once, just once, about the Crucifixion.

The man stood up and said, 'Thank you'; he looked at Pedro, with his cleansed eyes, and left.

Pedro stayed there, alone with his bare feet, so very much his and yet so alien now."
… (lisätietoja)
2 ääni
Merkitty asiattomaksi
allison.sivak | Aug 17, 2008 |

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Tilastot

Teokset
17
Also by
3
Jäseniä
86
Suosituimmuussija
#213,013
Arvio (tähdet)
½ 3.7
Kirja-arvosteluja
3
ISBN:t
17
Kielet
3

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