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Ladataan... The Book of Lost Things: A Novel (alkuperäinen julkaisuvuosi 2008; vuoden 2006 painos)Tekijä: John Connolly (Tekijä)
TeostiedotThe Book of Lost Things (tekijä: John Connolly) (2008)
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This was a re-read for me in preparation for the recently published sequel (of sorts), The Land of Lost Things. Because I devoured the book last time, I couldn't remember many of the particulars, so this time round I was able to pay the story a great deal more attention, and pick up subtleties that had escaped me last time. Before I would likely have given the book five stars; because I picked up more nuances this time, my overall opinion is a bit more mixed. The narrative in The Book of Lost Things very much emulates the voice in which these fairy tales were told, which is both one of the book's strengths and its ultimate weakness. Where we follow the main character David on his journey to adolescence, particularly where he struggles to come to terms with the death of his mother and the subsequent arrival of his stepmother and half-brother, the narration is engaging and heartfelt, and rings very true; on the other hand, the voice that depicts events in Elsewhere largely appears rather detached, so that I struggled at times to engage with what was happening on the page, even while I was able to appreciate David's character development and admire the author's inventiveness and ability to add a different spin on well-known tales. The author has appended a number of fairy tales and myths that influenced the story, along with his thoughts, which makes for very intriguing and illuminating reading. It'll be interesting to see how the follow-up compares to the original. I'm still trying to decide what I think this book is about. On the surface, it's sort of in the vein of Maguire's [b:Wicked|37442|Wicked The Life and Times of the Wicked Witch of the West (Wicked Years, #1)|Gregory Maguire|http://ecx.images-amazon.com/images/I/51WuYKK3vEL._SL75_.jpg|1479280]: the reader enters a fairy tale world that is much more sinister and grown-up than the way we imagined it as children. Just from this angle, it's a really interesting, imaginative, sort of disturbing yarn. Snow White becomes this obese menace who roars at the poor dwarves. Sleeping Beauty is your worst nightmare with fangs. Prince Charming seems to be tragically in love with another knight. And within these retellings of familiar stories, there are new, creepy fairy tales told by the characters. In addition to this, you have a coming-of-age story about a boy who's suffered the death of a beloved parent. His journey is moving and realistic. So I guess this book is a twofer. You get bowled over by the eery imagination of the author and you get that warm tingle from the growth and development of the boy. Maybe they seem contradictory, but that's life: wondrous and scary.
This is an adult novel steeped in children's literature that cannily makes its 1940s junior protagonist credibly ignorant of aspects which the grown-up reader, or any modern kid, will catch at once. Written in the clear, evocative manner of the best British fairy tales from JM Barrie to CS Lewis, The Book of Lost Things is an engaging, magical, thoughtful read. Good ideas, these afterthoughts, every one; but rather than go back and write them in, he sticks them down in the pluperfect and hurries on. The result is less a novel in any genre than a catalogue, a dispiritingly detailed outline for something Connolly might like to write, if he only had the time, or the talent, or a decent editor. Kuuluu näihin sarjoihinKuuluu näihin kustantajien sarjoihinPalkinnotNotable Lists
Taking refuge in fairy tales after the loss of his mother, twelve-year-old David finds himself violently propelled into an imaginary land in which the boundaries of fantasy and reality are disturbingly melded. Kirjastojen kuvailuja ei löytynyt. |
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Google Books — Ladataan... LajityypitMelvil Decimal System (DDC)823.914Literature English English fiction Modern Period 1901-1999 1945-1999Kongressin kirjaston luokitusArvio (tähdet)Keskiarvo:
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Very well written, though sometimes the prose is very-- weighty, shall we say? It left me very thoughtful in the end, and I like that about it. ( )