Michael Scott Moore
Teoksen The Desert and the Sea: 977 Days Captive on the Somali Pirate Coast tekijä
Tietoja tekijästä
Michael Scott Moore is a European correspondent for Miller-McCune magazine and the author of a novel, Too Much of Nothing. He's written on politics and travel for publications such as The Atlantic Monthly, State, the Financial Times, and Spiegel Online International, where he also serves as näytä lisää editor-at-large. He lives in Berlin, Germany-oddly, for a surfer-and runs a Web site at radiofreemike.com. näytä vähemmän
Tekijän teokset
Merkitty avainsanalla
Yleistieto
- Sukupuoli
- male
- Ammatit
- journalist
Jäseniä
Kirja-arvosteluja
The Desert and the Sea: 977 Days Captive on the… Tekijä: Michael Scott Moore
What a remarkable story. Particularly interesting how... I won't say boring, but maybe mundane it gets through the middle. As it lulled my brain into the monotony of days I would suddenly be reminded that this was a normal day, for a hostage. Of pirates. Definitely worth the read.
So, so, so good!! Not only was it a compelling true adventure story and a great primer on how the situation in Somali came about, it was also an amazing look at the psychology of both captive and captor. Excellent!!
As the subtitle reveals, journalist Michael Scott Moore spent almost three years as a hostage held by Somali pirates. This book is his account of the uncertain, desperate, and at times violent days spent hiding out in dilapidated houses and on board a hijacked tuna fishing boat with an international crew of captives. Moore spends his time thinking about his rescue, escape and/or suicide, pondering spiritual issues, and remembering his fraught relationship with his deceased father. The impoverished pirates, who want 20 million dollars in ransom for their prized American hostage, are repeatedly disappointed when this kind of funding does not come through. Eventually, largely through the efforts of his indomitable German mother, he is freed.
I chose to read this book because I heard the author interviewed on NPR. I enjoyed the interview more than the book, which is impressively written but at times captures the tedium and confusion of life as a hostage a little too well. Still, I recommend this book to those who like true stories of survival in difficult circumstances.… (lisätietoja)
I chose to read this book because I heard the author interviewed on NPR. I enjoyed the interview more than the book, which is impressively written but at times captures the tedium and confusion of life as a hostage a little too well. Still, I recommend this book to those who like true stories of survival in difficult circumstances.… (lisätietoja)
1 
akblanchard | 2 muuta kirja-arvostelua | Aug 8, 2018 |
akblanchard | 2 muuta kirja-arvostelua | Aug 8, 2018 | 
Too Much of Nothing by Michael S. Moore is a ghost story written from the perspective of the ghost. He died in a car accident several years before the time of the writing. We slowly learn about his life, likes and dislikes and eventually about the circumstances of his death.
I stumbled upon the book as I was browsing the science fiction section of the local public library. I never heard of the author, but I immediately decided to borrow it as I love books that mixes various interests of mine. The book was categorized as sci-fi one of my favorite genre. (I don't read too many ghost stories though as I don't consider them belonging to the core of sci-fi literature.) The protagonist would be more or less my age, which means he was a teenager during the mid 1980's. Therefore he was immersed in the temporary youth culture and as I noticed there were a lot of overlaps in our taste in music and films. Some of his experiences described in the book were similar to mine, although I grew up in a rather different part of the world: Eastern Europe vs. Los Angeles.
The above points would have been enough to convince me to read the book, but the fact that it also contains musing about the Zohar, the central text of Kabbalah (Jewish mysticism) made it an instant need. I was not disappointed in this last aspect. Most of the six major parts open with a discourse about how Kabbalah looks upon the soul of people. The ghost used to take classes in preparation for his bar-mitzvah with an esoterically inclined rabbi. He learned from the teacher about the Zohar and the three levels of the souls. Here is a short quote from page 6:
Having this in the back of the mind of a ghost as he tells his life story makes the whole book a twisted existential drama. As the story progresses so does his understanding of the above concepts gets more and more nuanced in particular how it relates to his own existence as a non-material entity. This was the most interesting part of the book for me. The plot itself wasn't too original, but the perspective and commentary around it made it worth reading. That and the description of the teenage life in Los Angeles, which made me feel that I grew up I an alternative reality of it.
Nevertheless I don't really know who to recommend the book. Kabbalah enthusiast may find too little in their area of interest in the book, ghost story aficionados may fin the story too similar to other books in the genre, teenagers of the 1980's may not find enough of their own youth in it. For me, as a combination of these it was a fun read.
P.s. As you can read on the author's site the title comes from a Bob Dylan song.… (lisätietoja)
I stumbled upon the book as I was browsing the science fiction section of the local public library. I never heard of the author, but I immediately decided to borrow it as I love books that mixes various interests of mine. The book was categorized as sci-fi one of my favorite genre. (I don't read too many ghost stories though as I don't consider them belonging to the core of sci-fi literature.) The protagonist would be more or less my age, which means he was a teenager during the mid 1980's. Therefore he was immersed in the temporary youth culture and as I noticed there were a lot of overlaps in our taste in music and films. Some of his experiences described in the book were similar to mine, although I grew up in a rather different part of the world: Eastern Europe vs. Los Angeles.
The above points would have been enough to convince me to read the book, but the fact that it also contains musing about the Zohar, the central text of Kabbalah (Jewish mysticism) made it an instant need. I was not disappointed in this last aspect. Most of the six major parts open with a discourse about how Kabbalah looks upon the soul of people. The ghost used to take classes in preparation for his bar-mitzvah with an esoterically inclined rabbi. He learned from the teacher about the Zohar and the three levels of the souls. Here is a short quote from page 6:
He [the rabbi] was obsessed with the Zohar's three levels of the soul—nefesh, ruach, and neshamah—which he believed corresponded to measurable wavelengths, or levels of consciousness, in the brain. The Zohar says the neshamah belongs to God and goes to God when the body fails. The ruach is a kind of umbilical cord or conductor for the breath of life. And the nefesh is the human shape or spirit that wanders the world after death. Rabbi Gelanter thought these levels of the soul ruled certain functions of the mind. (Nefesh felt the pleasure and pain, ruach chose between good and evil, neshamah engaged in philosophy and Torah study, and so on.) The point of making these distinctions was to understand what the self consisted of, and nefesh was just the tip of an island that plunged for miles into the sea.
Having this in the back of the mind of a ghost as he tells his life story makes the whole book a twisted existential drama. As the story progresses so does his understanding of the above concepts gets more and more nuanced in particular how it relates to his own existence as a non-material entity. This was the most interesting part of the book for me. The plot itself wasn't too original, but the perspective and commentary around it made it worth reading. That and the description of the teenage life in Los Angeles, which made me feel that I grew up I an alternative reality of it.
Nevertheless I don't really know who to recommend the book. Kabbalah enthusiast may find too little in their area of interest in the book, ghost story aficionados may fin the story too similar to other books in the genre, teenagers of the 1980's may not find enough of their own youth in it. For me, as a combination of these it was a fun read.
P.s. As you can read on the author's site the title comes from a Bob Dylan song.… (lisätietoja)
Tilastot
- Teokset
- 4
- Jäseniä
- 139
- Suosituimmuussija
- #147,351
- Arvio (tähdet)
- 3.6
- Kirja-arvosteluja
- 4
- ISBN:t
- 17
- Kielet
- 1