Picture of author.

Edward J. Dent (1876–1957)

Teoksen Opera tekijä

25+ teosta 311 jäsentä 6 arvostelua

Tietoja tekijästä

Sarjat

Tekijän teokset

Opera (1940) 102 kappaletta
Mozart's Operas: A Critical Study (1946) 76 kappaletta
Dido and Aeneas (vocal score) (1925) — arranger — 40 kappaletta
The Rise of Romantic Opera (1976) 21 kappaletta
Ferruccio Busoni (1933) 16 kappaletta
Handel (2004) 10 kappaletta
A Theatre for Everybody (1945) 9 kappaletta
DON GIOVANNI (1943) 3 kappaletta
The Future of Music (1965) 3 kappaletta
Mozart's Così fan tutte (1945) 3 kappaletta
Ferruccio Busio 1 kappale

Associated Works

Il Barbiere di Siviglia [catchall] (1816) — Kääntäjä, eräät painokset84 kappaletta
English National Opera Guide : Rossini : The barber of Seville + Moses (1985) — Kääntäjä, eräät painokset19 kappaletta
Handel: A Symposium (1954) — Avustaja — 10 kappaletta
Overture Opera Guides : Mozart : Don Giovanni (2010) — Avustaja — 2 kappaletta

Merkitty avainsanalla

Yleistieto

Syntymäaika
1876-07-06
Kuolinaika
1957-08-22
Sukupuoli
male
Kansalaisuus
UK
Koulutus
Eton College
University of Cambridge (King's College)
Lyhyt elämäkerta
E. J. Dent was a musicologist and translator. His Mozart's Operas:
a Critical Study was first published in 1913. He was particularly
influential in making neglected areas of eighteenth-century opera
more widely known. He died in 1957.

Jäseniä

Kirja-arvosteluja

Marvellous. In an age when baroque and classical operas were curiosities (at best), Dent was one of the figures who foresaw their rise. Mozart, naturally, is a cut above any of his revived contemporaries but nevertheless he had to wait for his renaissance. Of course this book has been superseded and outweighed by a century's worth of commentary and research, but it's still a thorough and energising read.
 
Merkitty asiattomaksi
therebelprince | 3 muuta kirja-arvostelua | Apr 21, 2024 |
I'm not a fan of opera but found this at a used bookstore and realized I needed to know more about the basics. This is a short history of opera, written in 1940 by a Cambridge professor of music and opera devotee. I expected it to be dry and didactic, but it is witty and deprecating. The author freely admits to many of the reasons that the average person might be repelled by opera: terrible acting, self-important singers, long recitatives in a foreign language, conductors who think they are the most important person in the theater, pompous critics, etc. But he makes a case for opera as a a medium to be enjoyed by the "common man" and insists, reasonably, that opera always be performed in the language of the audience.… (lisätietoja)
½
 
Merkitty asiattomaksi
quokka70 | Aug 4, 2020 |
 
Merkitty asiattomaksi
VPALib | Mar 6, 2019 |
La riqueza del mundo de Mozart alcanza la plenitud en sus óperas. En ellas, las almas de los hombres se traducen en música, y nunca quizá compositor alguno ha logrado que las notas hablaran con tanta lucidez, con tanta penetración, de la psicología humana.
Edward J. Dent, el ilustre historiador de la música, especialista sin igual en la obra del músico que tanto amara, nos brinda en las luminosas páginas de este libro la mejor de las claves para penetrar aquel mundo.
 
Merkitty asiattomaksi
ampapulcinella | 3 muuta kirja-arvostelua | Nov 20, 2015 |

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Tilastot

Teokset
25
Also by
5
Jäseniä
311
Suosituimmuussija
#75,820
Arvio (tähdet)
4.2
Kirja-arvosteluja
6
ISBN:t
36
Kielet
2

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