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Ladataan... Kozelkép (vuoden 2014 painos)Tekijä: Iain M. Banks (Tekijä), Nóra Gálla (Kääntäjä)
TeostiedotPintakuvio (tekijä: Iain M. Banks)
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I think I’ve read six Culture novels now and only really liked the first two. This one has one sick idea at its core — with infinite processing power, hells can be actually instantiated as virtual worlds nonetheless all too real to those who end up in them — but there’s no way it had to be over six hundred pages. At least one of the core narratives seems to have been no more than a sandbox for Banks’s imagination and could have been cut entirely. I like Space Opera in theory but so often it falls down into tiresome battle scenes and action sequences and there’s a lot of that here. The pacing is whack, too. Banks spends 550 pages floating around the galaxy with his sentient (and always enjoyable) ships and grab bag of aliens and pan-humans, then wraps things up hastily and somewhat anti-climactically. Surface Detail, set in Banks's Culture universe, tells the story of a small-time spacefaring civilization, the Sichultian Enablement, and its wealthy magnate Veppers. Having completely dominated his own society through capitalistic machinations, Veppers aims higher and negotiates with much more advanced civilizations involved on both sides of a galaxy-wide war, manipulating and backstabbing his way to even more wealth. The Culture itself is not involved in this war but definitely has a preferred outcome, and after picking up Vepper's escaped slave, alternately emphasizes with her plight and tries to use her to influence the war. The book focuses on how much of a despicable and capricious person Veppers is, drawing obvious parallels to billionaires in our own society. Filled with realpolitik between many galactic civilizations, the overbearing personality of Veppers, and all of the Culture accoutrements we know from Banks's novels, Surface Detail was a fascinating read.
Those who love the Culture will know the best lines often go to the artificial intelligences. In Surface Detail the stand-out character is a sadistic Abominator class ship called the "Falling Outside the Normal Moral Constraints". The warship's barely concealed glee when, after centuries of waiting, it finally gets to blow some other ships up, is hilarious, and its motives remain intriguingly mysterious. Some other characters, particularly the Special Circumstance agent Yime Nsokyi, remain a little underdrawn. But this is a minor quibble – the novel's real power lies in the absorbing questions it poses about the value of the real, as opposed to the virtual, about who or what is expendable, and whether a society is better held together by threats or by promises. Kuuluu näihin sarjoihinKulttuuri (9) Sisältyy tähän:The Culture, Books 1-9 (Consider Phlebas, The Player of Games, Use of Weapons, The State of the Art, Excession, Inversions, Look to Windward, Matter, Surface Detail) (tekijä: Iain M. Banks) The Culture Series (tekijä: Iain M. Banks) Lyhennelty täällä:Surface Detail, Part 1 (tekijä: Iain M. Banks) Surface Detail, Part 2 (tekijä: Iain M. Banks)
When sex slave Lededje Y'breq is murdered by a politician on the planet Sichult, the artificial intelligence running one of the Culture's immense starships resurrects her so she can seek revenge. Meanwhile, the Culture is uneasily watching the conflict over whether to preserve virtual Hells for the souls of "sinners" or give them the release of death. Kirjastojen kuvailuja ei löytynyt. |
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Feel it's worth warning that the book contains some rape stuff and there are some descriptions of kind of grotesque over the top gore/body horror type stuff. No rape scenes, just mentions of it.
Very ending thing
Oh and the epilogue gets a dig in at right wing revisionist historians so hell yeah (