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The Order of Things: An Archaeology of the Human Sciences (alkuperäinen julkaisuvuosi 1966; vuoden 1994 painos)

Tekijä: Michel Foucault (Tekijä)

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When one defines "order" as a sorting of priorities, it becomes beautifully clear as to what Foucault is doing here. With virtuoso showmanship, he weaves an intensely complex history of thought. He dips into literature, art, economics and even biology in The Order of Things, possibly one of the most significant, yet most overlooked, works of the twentieth century. Eclipsed by his later work on power and discourse, nonetheless it was The Order of Things that established Foucault's reputation as an intellectual giant. Pirouetting around the outer edge of language, Foucault unsettles the surface of literary writing. In describing the limitations of our usual taxonomies, he opens the door onto a whole new system of thought, one ripe with what he calls "exotic charm". Intellectual pyrotechnics from the master of critical thinking, this book is crucial reading for those who wish to gain insight into that odd beast called Postmodernism, and a must for any fan of Foucault.… (lisätietoja)

▾Kirjan tiedot

Jäsen:	Erel_Mich
Teoksen nimi:	The Order of Things: An Archaeology of the Human Sciences
Kirjailijat:	Michel Foucault (Tekijä)
Info:	Vintage (1994), Edition: Reissue, 416 pages
Kokoelmat:	Philosophy, Oma kirjasto
Arvio (tähdet):
Avainsanoja:	Critical theory, Philosophy

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Sanat ja asiat : eräs ihmistieteiden arkeologia (tekijä: Michel Foucault) (1966)

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Näyttää 1-5 (yhteensä 17) (seuraava | näytä kaikki)

First of all, this book is... opaque. The writing style is very verbose, even flowery in places, full of rhetorical questions and repetition, etc. There may be no accounting for taste, and, true, styles change, but the style of this book leaves a lot to be asked for.

dcunning11235 | Aug 12, 2023 |

PENDIENTE

p. 45
La semejanza era la forma invisible de lo que, en el fondo del mundo, hacía que las cosas fueran visibles; sin embargo, para que esta forma salga a su vez a la luz, es necesaria una figura visible que la saque de su profunda invisibilidad.

p.48
Buscar el sentido es sacar a luz lo que se asemeja. Buscar la ley de los signos es descubrir las cosas semejantes.

p. 65
Don Quijote encuentra personajes que han leído la primera parte del texto...El texto de Cervantes se repliega sobre sí mismo... Don Quijote es la primera de las obras modernas, ya que se ve en ella la razón cruel de las identidades y de las diferencias juguetear al infinito con los signos y las similitudes; porque en ella el lenguaje rompe su viejo parentesco con las cosas para penetrar en esta soberanía solitaria de la que ya no saldrá...

enriques | Jun 14, 2021 |

Foucault examina en detalle la evolución de la economía, la biología y l lingüística, el psicoanálisis y la etnología. ¿es del hombre de quien hay que hablar? (

)

hernanvillamil | Sep 6, 2020 |

I don't get it. Or perhaps there's no it to get. Between I and it there's a get but also a don't and if there's no I, perhaps it doesn't get not it. If I gets not it and it doesn't get I, does not I get not it, perhaps not. (

)

anandrajan | Apr 10, 2018 |

I think this might be Foucault's Foucaultest book (that I've read), which is to say he just kind of goes, "What is science?" and freewheels from there; it's a lot less focused than some of his other work like The Birth of the Clinic or Discipline and Punish, and less readable as a result. I find it easiest to work with Foucault on the level of individual parts, so I hope you'll forgive me if I don't address any "big picture" issues except as they come up in random points of individual interest: (this approach is perhaps ironic given that The Order of Things is in part about our tendency to break complicated things into parts at least in part)

Foucault says (I think) that the study of language had to take something that really functions in terms of relationships and break it down into objects in order to make analysis possible: "it was a matter of dividing nature up by means of a constant table of identities and differences for which language provided a primary, approximative, and rectifiable grid" (296). That is to say, such an activity is artificial when it comes to complicated, living things, but necessary regardless if one is to analyze them.
Related to this, he also argues that one has to fix everything in place and imagine its transformation... at the same time: "The solidity, without gaps, of a network of species and genera, and the series of events that have blurred that network, both belong, at the same level, to the epistemological foundation that made a body of knowledge like natural history possible [...]. They are not two ways of perceiving nature, radically opposed [...]; they are two simultaneous requirements in the archaeological network that defines the knowledge of nature [...]. [T]hese two requirements are complementary" (150). I think here that Foucault demonstrates are more nuanced understanding of the classificatory vision of science than many others who would study science (or demean/caricature it).
One of Foucault's conclusions from all this is that the big change in science in the nineteenth century (my period of special study) is that way that fixed classifications were merged with evolution-based explanations: "the analysis of production, as the new project of the 'political economy', has as its essential role the analysis of the relation between value and prices; the concepts of organisms and organic structure, the methods of comparative anatomy – in short, all the themes of the 'biology' – explain how structures observable in individuals can have validity as general characters for genera, families, sub-kingdoms; and lastly, in order to unify the formal arrangements of a language (its ability to establish prepositions) and the meaning belonging to words, 'philology' would no longer study the representative functions of discourse, but a totality of morphological constants subject to a history. Philology, biology, and political economy were established, not in the places formerly occupied by general grammar, natural history, and the analysis of wealth, but in an area where those forms of knowledge did not exist" (207). Phew. Previously science looked at what things were like (classification), but the new sciences of the nineteenth century didn't replace the old ones, but supplemented them by looking at the same objects (words, life, money) from a new angle: by asking how things came to be arranged the way they were. So, weirdly, biology is more interested in history than natural history is.
This leads to a further change in ways of thinking, in that classification itself is changed: "the link between one organic structure and another can no longer, in fact, be the identity of one or several elements (a relation in which visibility no longer plays a role) and of the functions they perform; moreover, if these organic structures happen to be adjacent to one another, on account of a particularly high density of analogies, it is not because they occcupy proximate places within an area of classification; it is because they have both been formed at the same time, and the one immediately after the other in the emergence of the successions" (218). Right, so I know the most about biology because my wife is a biologist, and I know that organisms get reclassified on the genetic tree all the time because DNA and such can reveal the evolutionary logic underlying the classification, and now we prioritize that over the visual understanding of resemblances that gave rise to the original tree of life to begin with. (Probably you could analogize this to the reclassification of planetary sciences that dislodged Pluto from its place in the pantheon, but someone else can pursue that if they want.)
Foucault is (probably predictably) interested in those moments where consciousness must work to analyze itself, and this is reflected in his particular definition of the "human sciences": "a 'human science' exists, not wherever man is in question, but wherever there is analysis [...] of norms, rules, and signifying totalities which unveil to consciousness the conditions of its forms and contents. To speak of 'sciences of man' in any other case is simply an abuse of language" (364-65). Strongly worded, perhaps, but I take his point, which is that if you're not dealing with consciousness studying consciousness (or unconsciousness), what sets it apart from consciousness studying anything?

Yikes, that's some complicated stuff, or at least some complicated sentences; The Order of Things is definitely one of those Foucault books where one comes away thinking that surely there must have been a more comprehensible way to say it than was said by Foucault (and his translator) because the ideas are there, but man if digging through that syntax isn't a form of archaeology all its own.

Stevil2001 | Feb 9, 2018 |

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Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.

The order of things: an archaeology of the human sciences

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Les mots et les choses

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Alkuperäinen julkaisuvuosi

1966

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Este libro nació de un texto de Borges. De la risa que sacude, al leerlo, todo lo familiar al pensamiento —al nuestro: al que tiene nuestra edad y nuestra geografía—, trastornando todas las superficies ordenadas y todos los planos que ajustan la abundancia de seres, provocando una larga vacilación e inquietud en nuestra práctica milenaria de lo Mismo y lo Otro. Este texto cita "cierta enciclopedia china" donde está escrito que "los animales se dividen en a] pertenecientes al Emperador, b] embalsamados, c] amaestrados, d] lechones, e] sirenas, f] fabulosos, g] perros sueltos, h] incluidos en esta clasificación, i] que se agitan como locos, j] innumerables, k] dibujados con un pincel finísimo de pelo de camello, l] etcétera, m] que acaban de romper el jarrón, n] que de lejos parecen moscas". En el asombro de esta taxinomia, lo que se ve de golpe, lo que, por medio del apólogo, se nos muestra como encanto exótico de otro pensamiento, es el límite del nuestro: la imposibilidad de pensar esto.

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The Order of Things

▾Kirjojen kuvailuja

When one defines "order" as a sorting of priorities, it becomes beautifully clear as to what Foucault is doing here. With virtuoso showmanship, he weaves an intensely complex history of thought. He dips into literature, art, economics and even biology in The Order of Things, possibly one of the most significant, yet most overlooked, works of the twentieth century. Eclipsed by his later work on power and discourse, nonetheless it was The Order of Things that established Foucault's reputation as an intellectual giant. Pirouetting around the outer edge of language, Foucault unsettles the surface of literary writing. In describing the limitations of our usual taxonomies, he opens the door onto a whole new system of thought, one ripe with what he calls "exotic charm". Intellectual pyrotechnics from the master of critical thinking, this book is crucial reading for those who wish to gain insight into that odd beast called Postmodernism, and a must for any fan of Foucault.

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