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Ladataan... The Cambridge Introduction to Postmodern Fiction (Cambridge Introductions to Literature)Tekijä: Bran Nicol
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Postmodern fiction presents a challenge to the reader: instead of enjoying it passively, the reader has to work to understand its meanings, to think about what fiction is, and to question their own responses. Yet this very challenge makes postmodern writing so much fun to read and rewarding to study. Unlike most introductions to postmodernism and fiction, this book places the emphasis on literature rather than theory. It introduces the most prominent British and American novelists associated with postmodernism, from the 'pioneers', Beckett, Borges and Burroughs, to important post-war writers such as Pynchon, Carter, Atwood, Morrison, Gibson, Auster, DeLillo, and Ellis. Designed for students and clearly written, this Introduction explains the preoccupations, styles and techniques that unite postmodern authors. Their work is characterized by a self-reflexive acknowledgement of its status as fiction, and by the various ways in which it challenges readers to question common-sense and commonplace assumptions about literature. Kirjastojen kuvailuja ei löytynyt. |
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Google Books — Ladataan... LajityypitMelvil Decimal System (DDC)809.3Literature By Topic History, description and criticism of more than two literatures FictionKongressin kirjaston luokitusArvio (tähdet)Keskiarvo:
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In Kant's time that dogma was usually of a religious type. In our time, it's more likely to be of a scientific, or rather scientist type, e.g., that neuroscience and evolutionary theory prove that competition, rather than collaboration, is the natural state of mankind. And that therefore Darwinian competition is self-evidently the best way forward for both individuals and organisations, whether they be (free) schools or global corporations. The political right hate postmodernism because it's inherently critical of this kind of traditional dogma and regularly refers to late capitalism, as if it's on the verge of collapse, which it probably is. The political left hate it because postmodernist thinkers regularly view the left's founding ideology, Marxism, as one of the Utopian but perniciously misguided 'grand narratives' that has tragically blighted millions of people's lives. People don't like exposing their most deeply held and bred-in-the-bone beliefs to skeptical doubt and interrogation, so no wonder postmodernism has become such a whipping boy for both the left and the right. To use postmodernist philosophy as a tool you have to be skeptical of post modernism itself, something one seldom witnesses of post modernists. If you believe in postmodernist philosophy is to be intellectually dishonest, which I suspect most post modernists are. You certainly see the cynicism in postmodern visual art where irony is the excuse for lack of belief in the artist and a perpetual excuse for rubbish. Postmodernist architecture is really neo-modernism, modernism without the belief in modernism. One also gets the impression from postmodernist novels of a lack of belief in the story/narrative being told, which is fine if the irony and jokes are good enough but they seldom are. Even from the supposed good authors, you don't so much escape into another world as laugh at the world half constructed with one foot in and one foot out. Though I see postmodernist fans claim a lot to be post modernism that I would argue isn't. To me, postmodernism is more like punk, more an attitude than a philosophy, something that makes you stop and think, reassess before moving on. Postmodernism is intellectually tiresome and I came to that conclusion when I read a postmodernist text deconstructing physics. Well, even Portuguese intellectuals when they jump off a very tall building are subject to gravity and will fall at 9.8 m/sec/sec. Maybe when they splat on the ground, they will realise we are all subject to the same physical laws.
And here’s my attempt at being postmodern as well…
A dire jump-out from a cul-de-sac?
A big Yippy-eh! Mixed with a "couldn't care less"
(Oh yeah! a huge ego trip as well...)
The thing is, I do not recall anyone involved at the time being able to construct a solid profile or solid comprehension of the postmodern tag... it was a big, huge stream, some swimmers ahead of the rest, but not everyone trying to, consciously, have good ropes to hang from...
Am I implying almost everyone could not make much sense of it and followed and enjoyed?
Yes, indeed!
Spot-on on the mockery!
As often, we could be picked by today's distance and perspective...
Long time no read, no hear no see. I like the Nicol’s book. Was busy and I sold a Painting!
Envious Artists told me Overpaid....
I replied Oversexed and if you do not Go Overyou.
To those who tried to call me and got the answering machine it was a Joke....
Sincerely Apologies.
For the record
Peep. If it is the P.M. tell him I will call back. If it is, someone else tell them to F.O....
Sorry. Silly me, forgot to Change the Voicemail. Long Time as well no hear of Spielberg's Work. Looking Forward to. ( )