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Whispers in the Dark

Tekijä: Jonathan Aycliffe

Muut tekijät: Katso muut tekijät -osio.

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioMaininnat
673393,615 (3.76)3
At the end of the nineteenth century Charlotte Metcalf is a child of good fortune: a prosperous father, a loving mother, a loved brother all cocoon her from the fears of the outside world. But then her father dies... and she is plunged into poverty and the workhouse becomes her miserable home. Yet Charlotte escapes, determined to find her lost brother, and her search brings her to Barras Hall, home of unknown relations where fine clothes, good food and wealth seem to promise her all she desires. But at night the horror begins - of sound and sense, surpassing all earthy terror. And Charlotte finds that daytime comfort comes at a price...and she must fulfil her terrible destiny. Praise for Jonathan Aycliffe: 'Aycliffe has a fine touch' Independent 'Aycliffe conjures up a feeling of dread that deepens with each unsettling incident' Time Out 'Naomi's Room must rank among the finest of English ghost stories... They certainly don't come more dark or fearsome.' Newcastle Evening Chronicle… (lisätietoja)
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näyttää 3/3
The book starts with a letter from a man named John Simpkins to his friend Norman telling him that he has found a strange journal among his deceased fathers posessions.



His father was a country doctor and one of his patients suffered from severe depression so he asked her to write about what troubled her. Simpkins is forwarding the journal because he believes it to be true even if the recollections are very disturbing.



Then we switch to the journal of the woman Charlotte Metcalf she was born in 1887 and two years later her beloved brother.




Together with their parents they live a charmed Life- her family is very wealthy her mother a heiress but without close relatives since her grandparents,parents and cousins all drowned in a horrific accident.



Her father does have relatives but he is estranged from them and one the one ocassion when Charlotte brings it up he becomes very angry and upset. But this is only a minor thing in her life and she soon forgets about it.



But then her father dies and there are enormous debts,even her mothers fortune had been spent.




They are ruined and the few friends and distant relatives they have either are unable or refuse to help,so in the end there is no other place for them to go but the workhouse. The final disgrace is that the few posessions they have left is taken away from them locked away in a chest. Even the doll of Charlotte.




But worst of all she and her mother are separated from Arthur who is taken away to the mens wing of the workhouse. Their mother doesnt last long and soon dies.Charlotte consoles herself with that as long as her brother is alive and she will be able to see him again some day she can endure.




She goes into training to be a maid and when she is assigned a place on the outside she asks to see her brother but is told he "is gone"At first she thinks it means he died but the cruel woman who runs the workhouse tells her that:




“Brother? What brother? Your brother’s gone long ago,” she said.

Her words hit me like one of the blows she liked to deal out. The blood rushed from my face. I do not know why I did not faint, for the fear I had felt that first moment of her arrival had returned with redoubled force. I was certain for a moment that she meant he was dead.

“Gone?” It was all I could do to force the question out.

“Yes, of course. Did you think he’d stay on here forever, maybe just to wait for his big sister? This isn’t a hotel, you know. Our inmates don’t pay for their keep like decent folks. Your brother was found a place and sent to it like any other lad his age.”




Charlotte is sent away to find her own way to her new employers house but her faint hope that it will be any better is soon squashed and her station in Life cruelly driven into her when she notices a photograph with her decased father on a mantlepiece.Tearfully she reveals who she is to the lady of the house who appears symphatetic but in the end does nothing for her.





Charlottes old friend from the workhouse arrives to be ladies maid at the same houseand tells Charlotte that she know where her brother is. Instead of going to the metal foundry where he was supposed to work he ran away to seek out their fathers distant relatives-the Ayrton at Barras Lodge.




After learning this she start to have strange dreams about her brother where he is asking for her help and trying to get to her. Soon she makes her escape.

She has bad feelings about going there but she has to find her brother!




When she arrives at Barras Lodge she expects to be driven away and her claim to be a relative disbelieved.Instead she is embraced by her cousins,a pair of siblings named Anthony and Antonia.





At first everything is wonderful but then Charlotte starts to notice things,how there are no birds in the garden around the house,footsteps passing by her door at night and the scratching at doors at night.




I could not wholly dispel a growing fear that there was something unnatural about Barras Hall and its grounds.




And why are the clothes given to her by her kind cousin Antonia ten years out of date?




This was a really scary book,the creeping kind of horror wich is apperant even if the inhabitants of Barras Lodge try to make logical explanations for things.




The ending is aa downer. You want good or at least the protagonist to prevail against evil I was made very uncomfortable with the idea that the evil was still out there ready to

emerge.




If you are looking for a book where the maincharacters overcome all her

This is a recollection of someone who just survived a brush with evil and who despite making a new life for herself with a loving husband and children,still suffered severe PSTD from the events taking place in the book.

If this book has any message at all its probably that the most evil things arent perpetrated by something supernatural but is what humans can do to each other. A very bleak outlook

The diary format at first was a bit offputting because Charlotte complains about modern times and how spoiled her grandchildren are but things got going when she started on the actual story-

Overall I did find myself engrossed in this book and wouldnt mind reading something else from this author. ...preferably in broad daylight though.

Maybe someone cleverer than me would have figured out how things would end before me especially as the last name of Charlotte (wich is Metcalf) is so foreshadowing. I didnt even think about her name until I googled it.

I cant feel I spoil anything in revealing this because its revealed early in the book.


And finally I want to adress this books cover.

Oh my god this book cover....at first glance the cover looks extremely cheesy but when I came to a certain scene in the book I had to admit it didnt seem nearly so cheesy anymore...



One Word though

TERRIFYING.

My thoughts about the cover before I read it "looks pretty generic for a book from the 90s,but not that scary.

My thoughst after I finished it.

"Well I am glad to see some cover artists read the book"

"That is seriously disturbing"

"I am freaking out over this cover.Its made by some kind of diabolical genius and now it will haunt me forever" OO






Do you want to know what is so disturbing about the cover?

( )
  Litrvixen | Jun 23, 2022 |
This was the second excellent and horrifically tense novel I have read by this author. Like the first one (The Silence of Ghosts), this was told through a framework narrative, in which a man in the present day (early 1990s when this was written) looks through the papers of his recently deceased doctor father, and finds an account written by one of his elderly patients, Charlotte Metcalfe, twenty years before, detailing what happened to her as a young girl at the turn of the century. Those chilling events, involving a dark secret in her family, largely centre on a remote country house, Barrass Hall in Northumberland, where she lived for a time with some of her relatives. The author is very good at slowly building up an atmosphere of creeping horror and the final ending of Charlotte's narrative and the exposure of the devilish family secret is truly horrifying. This is gothic horror writing at its very best, relying on atmosphere and suggestion, not blood and gore. At a different level of horror, Charlotte's bleak experiences in the workhouse in her childhood are also very sobering. A real corker of a novel. ( )
2 ääni john257hopper | Dec 24, 2016 |
Few so called horror novels are frightning. This isn't one of those, I was truly shaken. ( )
1 ääni neurokarma | Jul 15, 2006 |
näyttää 3/3
ei arvosteluja | lisää arvostelu

» Lisää muita tekijöitä (1 mahdollinen)

Tekijän nimiRooliTekijän tyyppiKoskeeko teosta?Tila
Jonathan Aycliffeensisijainen tekijäkaikki painoksetlaskettu
Lee, AlanKansikuvataiteilijamuu tekijäeräät painoksetvahvistettu
Sinun täytyy kirjautua sisään voidaksesi muokata Yhteistä tietoa
Katso lisäohjeita Common Knowledge -sivuilta (englanniksi).
Teoksen kanoninen nimi
Alkuteoksen nimi
Teoksen muut nimet
Alkuperäinen julkaisuvuosi
Henkilöt/hahmot
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Tärkeät paikat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Tärkeät tapahtumat
Kirjaan liittyvät elokuvat
Epigrafi (motto tai mietelause kirjan alussa)
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
They shall inherit it ... forever.

Exodus 6:8
Omistuskirjoitus
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
For Beth

Who Has Always Haunted Me

And Always Will
Ensimmäiset sanat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
June 1970
When I was a little girl, they told me that God was good, that God was love. (Chapter 1.)
Sitaatit
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
... it was only a notebook, though a rather expensive one. Most of its pages were covered in a fine, elegant hand. Flicking through them, my eye fell on one line:
I lock my door at night now, but the footsteps never cease, and I still hear whispers where there should be no whispers.
Viimeiset sanat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Erotteluhuomautus
Julkaisutoimittajat
Kirjan kehujat
Alkuteoksen kieli
Kanoninen DDC/MDS
Kanoninen LCC

Viittaukset tähän teokseen muissa lähteissä.

Englanninkielinen Wikipedia

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At the end of the nineteenth century Charlotte Metcalf is a child of good fortune: a prosperous father, a loving mother, a loved brother all cocoon her from the fears of the outside world. But then her father dies... and she is plunged into poverty and the workhouse becomes her miserable home. Yet Charlotte escapes, determined to find her lost brother, and her search brings her to Barras Hall, home of unknown relations where fine clothes, good food and wealth seem to promise her all she desires. But at night the horror begins - of sound and sense, surpassing all earthy terror. And Charlotte finds that daytime comfort comes at a price...and she must fulfil her terrible destiny. Praise for Jonathan Aycliffe: 'Aycliffe has a fine touch' Independent 'Aycliffe conjures up a feeling of dread that deepens with each unsettling incident' Time Out 'Naomi's Room must rank among the finest of English ghost stories... They certainly don't come more dark or fearsome.' Newcastle Evening Chronicle

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