Tämä sivusto käyttää evästeitä palvelujen toimittamiseen, toiminnan parantamiseen, analytiikkaan ja (jos et ole kirjautunut sisään) mainostamiseen. Käyttämällä LibraryThingiä ilmaiset, että olet lukenut ja ymmärtänyt käyttöehdot ja yksityisyydensuojakäytännöt. Sivujen ja palveluiden käytön tulee olla näiden ehtojen ja käytäntöjen mukaista.
Few American television series are as deeply entrenched in twentieth-century popular culture as M*A*S*H, a Korean War medical comedy characterized by its dark tone and finesse in tackling serious social and political issues. By the end of its run, M*A*S*H had been a mainstream hit for several seasons and won fourteen Emmys, leading it to be called "the most popular pre-Seinfeld series in television history." In this comprehensive study of M*A*S*H, David Scott Diffrient analyzes the series' contextual issues-such as its creation, reception, and circulation-as well as textual issues like its formal innovations, narrative strategies, and themes. While numerous episode summaries, cast interviews, trivia books, and even recipe guides have been inspired by M*A*S*H, only one other scholarly study of the series exists. Diffrient breaks new ground by fully addressing the wealth of complexities and contradictions in the series and exploring how they are rooted in the cultural ethos of the Vietnam War era. He examines the origins of M*A*S*H and the history surrounding its original broadcast, eventual syndication, and its reception, and he unpacks its narrative strategies, thematic motifs, and questions of identity and identification. In particular, Diffrient explores how the series was able to transcend the traditional boundaries of the sitcom and tackle issues like racial injustices, gender biases, bureaucratic mismanagement, and military snafus. In his exhaustive analysis, Diffrient draws extensively on archival materials including original scripts, memos, and personal correspondence of the show's writers. He also considers the show's links to antiwar fiction and its influential and critically overlooked representation of Koreans and the Korean War. Students and teachers of film and television studies, as well as readers interested in M*A*S*H will enjoy this installment in the TV Milestones Series.… (lisätietoja)
I enjoyed getting a wide range of perspectives on M*A*S*H, since it's one of my favorite TV shoes. This book takes a more academic approach to the show---interesting. ( )
Tiedot englanninkielisestä Yhteisestä tiedosta.Muokkaa kotoistaaksesi se omalle kielellesi.
Although twenty-five years have elapsed since "Goodbye, Farewell, and Amen" aired on February 28, 1983, time has done little to diminish the significance and influence of CBS's M*A*S*H (1972-83), a groundbreaking television series that struggled during its first season (finishing forty-seventh in the ratings for 1972-73) but soon thereafter claimed a mainstream following that ensured success for the next ten seasons.
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Viimeiset sanat
Tiedot englanninkielisestä Yhteisestä tiedosta.Muokkaa kotoistaaksesi se omalle kielellesi.
Concluding with the statement "It could undo all the good that you did for those of us who have never experienced the terror called war," the audience member—in very simple, very direct words—reminds us that M*A*S*H indeed made a difference in how we see the world, how we deal with death, and how we cope with loss in our daily lives.
Few American television series are as deeply entrenched in twentieth-century popular culture as M*A*S*H, a Korean War medical comedy characterized by its dark tone and finesse in tackling serious social and political issues. By the end of its run, M*A*S*H had been a mainstream hit for several seasons and won fourteen Emmys, leading it to be called "the most popular pre-Seinfeld series in television history." In this comprehensive study of M*A*S*H, David Scott Diffrient analyzes the series' contextual issues-such as its creation, reception, and circulation-as well as textual issues like its formal innovations, narrative strategies, and themes. While numerous episode summaries, cast interviews, trivia books, and even recipe guides have been inspired by M*A*S*H, only one other scholarly study of the series exists. Diffrient breaks new ground by fully addressing the wealth of complexities and contradictions in the series and exploring how they are rooted in the cultural ethos of the Vietnam War era. He examines the origins of M*A*S*H and the history surrounding its original broadcast, eventual syndication, and its reception, and he unpacks its narrative strategies, thematic motifs, and questions of identity and identification. In particular, Diffrient explores how the series was able to transcend the traditional boundaries of the sitcom and tackle issues like racial injustices, gender biases, bureaucratic mismanagement, and military snafus. In his exhaustive analysis, Diffrient draws extensively on archival materials including original scripts, memos, and personal correspondence of the show's writers. He also considers the show's links to antiwar fiction and its influential and critically overlooked representation of Koreans and the Korean War. Students and teachers of film and television studies, as well as readers interested in M*A*S*H will enjoy this installment in the TV Milestones Series.