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Nomad Codes: Adventures in Modern Esoterica

Tekijä: Erik Davis

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioMaininnat
694383,658 (3.5)3
In these wide-ranging essays, Erik Davis explores the codes -- spiritual, cultural, and embodied -- that people use to escape the limitations of their lives and enrich their experience of the world. These include Asian religious traditions and West African trickster gods, Western occult and esoteric lore, postmodern theory and psychedelic science, as well as festival scenes such as Burning Man. Whether his subject is collage art or the "magickal realism" of H. P. Lovecraft, Davis writes with keen yet skeptical sympathy, intellectual subtlety and wit, and unbridled curiosity. The common thread running through these pieces is what Davis calls "modern esoterica," which he describes as a no-man's-land located somewhere between anthropology and mystical pulp, between the zendo and the metal club, between cultural criticism and extraordinary experience. Such an ambiguous and startling landscape demands that the intrepid adventurer shed any territorial claims and go nomad.… (lisätietoja)
Viimeisimmät tallentajatrobep, ecdawson, Apstahl, _thgie, Greenfae, piegraf, izzy_my, Montague
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näyttää 4/4
Erik Davis is a really good writer but then, bam, there it was, an essay on "The Matrix". ( )
  uncleflannery | May 16, 2020 |
You know that any book with chapters on Sun City Girls and the chainsmoking rumguzzling transvestite spirit mediums of Burma will be worth your while. ( )
1 ääni HectorSwell | Oct 9, 2015 |
Erik Davs' Nomad Codes is a beefy collection of mostly-short articles and essays written during the decades on either side of Y2K, in contemplation of music, drugs, literature, magick, and all manner of cultural weirdness. For the most part, these are biographical studies of creative figures and popular anthropology of countercultures, but there are a couple of movie reviews, and other less identifiable literary forms.

I was pleased to see Davis employ the category of ludibrium in his "Shards of the Diamond Matrix," but the result wasn't nearly as compelling to me as the personal anecdotes that surface in various various travelogue passages, in the prefatory "Teenage Head" memoirette, and the two brief essays "Diamond Solitaire" and "Remote Control." These latter pieces seem to be signposts for the two (complementary?) spiritual conditions that Davis is most concerned to indicate: mystical engagement and paranoid alienation. Unlike his ludibrium, the more theoretical piece on "Tantric Psychedelia" uses tantra to refer to the Asian religious tradition, not the popularized sex mysticism of neo-tantra.

With dozens of pieces broken out into five sloppily thematic sections, there's quite a bit of variety here. Davis approaches his material intelligently, but he doesn't condescend to his subjects or his readers, and the book is a pleasure to read. I seem to share his interests sufficiently that, in many cases, his exposition didn't show me anything new, but I enjoyed it anyway. And there were certainly a few ideas and people I was grateful to encounter for the first time.
3 ääni paradoxosalpha | Apr 30, 2013 |
When you shake this psychedelic snowglobe of a compilation, what do you set in motion? Ideas, books, music, drugs, people & things, times & places, beliefs & delusions, rituals & spectacles; the whole panoply of Modern Esoterica, chronicled with the impeccable sensibility of this Meistersinger of the Strange. Always erudite, but never obscure, Davis can wax academic without talking down or over your head. His first book, Techgnosis, is still required reading.

While the Yeti edition lacks the scholarly amenity of a list of first appearances, and the pricey nicety of an index, I'll still be packing this tasty tome on that generation ship to the stars, for when I want to remember my home planet, so inexhaustibly weird.

http://www.amazon.com/review/R394N83TOGBNLN/ ( )
  yeschaton | Feb 4, 2013 |
näyttää 4/4
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In these wide-ranging essays, Erik Davis explores the codes -- spiritual, cultural, and embodied -- that people use to escape the limitations of their lives and enrich their experience of the world. These include Asian religious traditions and West African trickster gods, Western occult and esoteric lore, postmodern theory and psychedelic science, as well as festival scenes such as Burning Man. Whether his subject is collage art or the "magickal realism" of H. P. Lovecraft, Davis writes with keen yet skeptical sympathy, intellectual subtlety and wit, and unbridled curiosity. The common thread running through these pieces is what Davis calls "modern esoterica," which he describes as a no-man's-land located somewhere between anthropology and mystical pulp, between the zendo and the metal club, between cultural criticism and extraordinary experience. Such an ambiguous and startling landscape demands that the intrepid adventurer shed any territorial claims and go nomad.

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