"Through his judicious alteration of scale and function, Canadian based artist, Kim Adams, playfully manipulates everyday objects, toys, vehicles and mass-produced shelters into an art all his own. This tiny but action packed catalog opulently illustrates through extensive color reproductions two concurrent exhibitions: a major survey of Adam's work from 1983-2001 sponsored at The Power Plant and Bruegel-Bosch Bus, at Oakville Galleries. Featured essays by Tomas Pospiszyl and Marnie Fleming, along with an interview by curator Marc Mayer."