"For his part, the Gaviero had begun to receive regular visits from a dark-skinned young woman with black, very expressive eyes and a strong, sinewy, but slim and well-proportioned body. Her name was Amparo María . There was something of a Circassian princess about her that he found extraordinarily attractive."

Un Bel Morir - The third in a series of seven novellas forming The Adventures and Misadventures of Maqroll by the great Columbian author Álvaro Mutis, the only one in the series not written in intimate first person.

Why the switch in voice? Maqroll is an older man in this tale – a specific age is not given but one can infer the Gaviero is in his sixties. Perhaps an objective third person narrator provides a more panoramic lens, an opportunity to step back and view the arc of Maqroll’s entire life from a distance.

In similar spirit, perhaps also it is no coincidence Un Bel Morir returns to the landscapes of Maqroll's childhood - in and around a river town near coffee plantations nestled in the Andes Mountains, a small town by the name of La Plata (not the city south of Buenos Aires in Argentina). This is a tale of high adventure, a thriller with a cast of colorful characters. Here are several:

Doña Empera: Blind old woman who runs the boardinghouse where Maqroll spends an entire two months lolling about, paying visits to the local tavern or in his room overlooking the gently murmuring, tobacco colored river where he occasionally reads about the life of Saint Francis of Assisi or from a two volume set containing letters of the Prince of Ligne. On occasion the Gaviero will even read aloud to Doña Empera, a trusted and knowledgeable source of information on all matters relating to La Plata, including the young women who come down from the mountains to provide companionship for men.

Anparo Maria: Columbian Aphrodite with a stern, fierce Gypsy air, a lady of few, well-chosen words who hungers for affection. And she receives what she’s after every time she pays a visit to the Gaviero. Is it any surprise this sensual lovely and the aging adventurer form a bond of the heart? At times Anparo Maria reminds Maqroll of Flor Estévez and at others Ilana Grabowska (Readers will be familiar with Flor from The Snow of the Admiral; Ilana from Ilana Comes with the Rain). The Gaviero considers Anparo Maria a gift from the gods, in all likelihood at this point in his life, the last he will receive.

Jan van Branden: Over the course of several evenings between drinks down at the town tavern, this burly red-bearded Belgium talks Maqroll into transporting equipment up a mountain as part of a railroad project. The Galviaro smells a rat. Is van Branden really Belgium? Does he, in fact, have a background in engineering? Are those crates loaded with railroad equipment or something highly illegal and maybe even dangerous? He initially vacillates but ultimately surrenders and accepts the proposition. Hey, the Gaviero might be old but he still has the fire of risk and adventure in his soul. After all, sitting around the boardinghouse reading books to an old blind woman strikes him as a less appealing alternative. He reflects: “The real tragedy of aging lay in the fact that an eternal boy still lives inside us, unaware of the passing of time.”

The Helpers: Rancher Don Anibal offers hospitality and seasoned advice as the Gaviero makes his way up the mountain. There’s danger around every bend. Maqroll is joined by Zuro, a young man who proves an invaluable sidekick, an expert mule driver, desperately needed as mules are carrying the load. On one trek up Zuro warns Maqroll, “Be careful of your sleep, Señor. You need to stay alive. In the barrens altitude the exhaustion make you dream a lot. It’s not good for you. You don’t get your strength back, and they’re never good dreams. Just nightmares. I know what I’m talking about: the foreigners who came to try mining all went crazy and tried to murder each other in the tavern or drowned themselves in the whirlpools in the river.”

Men in Uniform: The Gaviero usually has had to deal with both the police and the military at one point or the other during the misadventure part of his adventures. Never a totally satisfying or pleasant experience but Maqroll knows the drill only too well – either cooperate or in all likelihood lose your freedom or even your life. On this mountain adventure it isn’t any different. He’s seen it many times before. He is brought before a Captain Segura who demands his orders be followed without exception and a Captain Ariza who demands he repeat his story over and over without deviating from the truth. Follow orders? Repeat the truth? Fortunately Maqroll the Gaviero comes through as Maqroll the Gaviero – a most satisfying reading experience.

Lastly, permit me to underscore the sumptuous language and exquisite storytelling. There's good reason fans of Maqroll cherish Álvaro Mutis' cycle of seven novellas. And I'm sure Un Bel Morir is high on the list.


Columbian author Álvaro Mutis, 1923-2013

"As a consequence, all the van Brandens in the world only verified his ineluctable solitude, his impregnable skepticism when faced with the intractable vanity of all human enterprise, of everything undertaken by those unfortunate blind creatures who come to death without ever having suspected the marvel of the world or felt the miraculous passion which fires our knowledge that we are alive and that death, without beginning or end, a pure, limitless present, is part of that life." ( )

Este libro es el último de un trilogía, pero no lo sabía cuando lo encontré en un hostel en Costa Rica cuando estaba de vacaciones. Tal vez habría agarrado mas detalles si hubiera leído los otros dos, pero el tercer se puede disfrutar sin leerlos . A mi parecer, El Gaviero es como un version más filosófico, más complejo, más poetica y mucho menos violento del personaje deJack Reacher (por Lee Childs), lo que disfruté mucho.
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This book is the third in a trilogy, but I didn't know that when I found this in a hostel in Costa Rica while I was on vacation. Perhaps I would have picked up more details if I had read the first two, but the third can be enjoyed without reading the others. To me, El Gaviero is like a more philosophical, complex, poetic and much less violent version of the Jack Racher (Lee Childs) character, which I enjoyed a lot. ( )