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Reflex – tekijä: Dick Francis
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Reflex (alkuperäinen julkaisuvuosi 1980; vuoden 2007 painos)

– tekijä: Dick Francis

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioMaininnat
1,2203211,624 (3.91)57
A classic mystery from Dick Francis, the champion of English storytellers. Jockey and amateur photographer Philip Nore knows all too well how it feels to take a tumble from a horse. He also knows what it's like to feel the wrath of furious owners and trainers. You can't always be a winner. George Millace hated winners. As a photographer he specialized in taking pictures that exposed the failings of riders. But now he's dead - and no one seems very sorry. But when Millace's home is broken into during his funeral and Nore finds himself helping clear up, he finds something unexpected. Millace had other pictures - ones people will go to desperate lengths to possess. Now he must find out who wants them - and fast. Because if George Millace's death was no accident then his killers are getting closer... Praise for Dick Francis: 'As a jockey, Dick Francis was unbeatable when he got into his stride. The same is true of his crime writing' Daily Mirror 'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph 'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman 'Francis writing at his best' Evening Standard 'A regular winner . . . as smooth, swift and lean as ever' Sunday Express 'A super chiller and killer' New York Times Book Review Dick Francis was one of the most successful post-war National Hunt jockeys. The winner of over 350 races, he was champion jockey in 1953/1954 and rode for HM Queen Elizabeth, the Queen Mother, most famously on Devon Loch in the 1956 Grand National. On his retirement from the saddle, he published his autobiography, The Sport of Queens, before going on to write forty-three bestselling novels, a volume of short stories (Field of 13), and the biography of Lester Piggott. During his lifetime Dick Francis received many awards, amongst them the prestigious Crime Writers' Association's Cartier Diamond Dagger for his outstanding contribution to the genre, and three 'best novel' Edgar Allan Poe awards from The Mystery Writers of America. In 1996 he was named by them as Grand Master for a lifetime's achievement. In 1998 he was elected a fellow of the Royal Society of Literature, and was awarded a CBE in the Queen's Birthday Honours List of 2000. Dick Francis died in February 2010, at the age of eighty-nine, but he remains one of the greatest thriller writers of all time.… (lisätietoja)
Jäsen:darquette
Teoksen nimi:Reflex
Kirjailijat:Dick Francis
Info:Jove (2007), Kindle Edition, 304 pages
Kokoelmat:Oma kirjasto
Arvio (tähdet):****
Avainsanoja:-

Teoksen tarkat tiedot

Tappava heijastus (tekijä: Dick Francis) (1980)

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» Katso myös 57 mainintaa

englanti (29)  tanska (2)  ranska (1)  Kaikki kielet (32)
Näyttää 1-5 (yhteensä 32) (seuraava | näytä kaikki)
picking up the threads of a photographic blackmail leads to danger
  ritaer | May 1, 2020 |
I just really like Francis. I've never read anything by him that wasn't well-written with good characters and a solid plot with ending that aren't telegraphed. Just a good enjoyable mystery! ( )
  AliceAnna | Sep 7, 2019 |
Philip Nore is a middle-talent steeplechase jockey, coming to the end of his career. Thanks to a very unconventional childhood, he spent time with a couple who were gifted photographers and Philip has been exploring his own gift in that direction.

He’s aware of, but does not admire a successful track photographer named George Millace, whose cynical photos always manage to show embarrassing moments. But then Millace drives his car into a tree; Millace’s wife is beaten, and Millace’s house is burned down. Can Millace’s photographs be the cause?

Phillip takes up the challenge and works with arcane developing techniques to try to solve riddles in blank negatives.

While the techniques are even more arcane and outdated since the development of digital photography, this adds even more to the story – such hidden information would require even more rare knowledge to discover today.

But I’m finding Francis’s mysteries to be a bit formulaic. I love the ties to horses, steeplechasing and racing. I like the fact that the hero is a good guy, although this also makes the heroes less nuanced – no noir or anti-heroes for Mr. Francis. But although each book has unique details, the stories tend to blend together in my head due to their similarities.3.5 stars. ( )
  streamsong | Jul 3, 2019 |
Main character Philip Nore is a steeplechase jockey nearing the end of his career. He does have a possible new career as a photographer but lacks the confidence to give up his present for a potential future. He is a very intriguing character who is the product of a very unusual childhood. Philip's seventeen-year-old mother would frequently leave him with friends for various lengths of time. His few times with his mother were spent in a drug culture. He was exposed to marijuana and LSD as a preschooler. He saw his mother infrequently and never after the age of fifteen. He received birthday and Christmas gifts until his eighteenth birthday when he assumed she died - probably of a heroin overdose.

Two of the homes where he was left have influenced his present. He spent a couple of years with a gay couple named Charlie and Duncan who developed his interest in photography. He was with them for a couple of years until Duncan left and his mother swept him away to friends at a racing stable who developed his interest in being a jockey.

Now 30, he's more or less drifting in his life. Then a few things happen that change him. The trainer and owner he works for most often have asked him to throw a race. He had done this for them in the past but not for the last three years. And famous racing photographer George Millace died in a single car accident. Millage was an excellent photographer but not much liked because he had an unerring eye for photos that most didn't want to see. He was filled with ill will. His son Steve is a fellow jockey with Philip.

When Steve has a fall and breaks his collarbone, Philip offers him a ride home. Steve's mother's house had been burgled while they were at the funeral and again a couple of days later. The second time Mrs. Millace was beaten up by the burglars who were looking for a safe. Steve gives Philip a box of his father's mistakes that he had carefully kept and Philip was intrigued to find out why he had saved them. His common interest in photography and love of puzzles drew him in - and led him into danger.

Another change is also coming to Philip's life. The grandmother who threw her daughter out when she was a teen wants to see him. She's sent a lawyer from the firm who does her business to bring him to her. The lawyer guilts Philip into visiting the grandmother he hates for her treatment of his mother. She drops a bombshell and wants him to find his sister Amanda - a sister he didn't know he had.

Philip works with the lawyer to look for his sister while trying to solve George Millace's puzzles. The puzzles lead to Millace's possible side job as a blackmailer and put Philip in great danger from those Millace had blackmailed when they learn that he has the photographic files.

This was an excellent story with an intriguing main character and very interesting photographic puzzles. I really liked the descriptions of the characters which illuminated them in a few short sentences. I liked Philip learning more about his family and his past. I also liked that it led him to a new future and a woman to love. ( )
  kmartin802 | Jun 26, 2019 |
Philip Nore, who earns his living as a jockey, but incidentally with his camera many photos of racing places in places where the normal public has no access fights on different fronts. On the one hand he is harassed by a lawyer, that he should visit his dying grandmother and should fulfill her last wish. He gets to know his past, which was not always pleasant to him. On the other hand, he receives from a jockey colleague a box that his dead father has filled with various photo puzzles. Thanks to his experience as a photographer, he gets to the bottom of the various mysteries. Not only he, but also important persons are in danger.
In addition to all this, he is being pressured by a horse owner to manipulate races.
It was a very exciting read and kept me guessing until the end. ( )
  Ameise1 | May 19, 2019 |
Näyttää 1-5 (yhteensä 32) (seuraava | näytä kaikki)
One hesitates to criticize a Francis novel, but Reflex displays in a less extreme form a defect of its predecessor Whip Hand, in which three themes proved in the end to have nothing to do with each other. Francis usually observes Chekhov’s dictum that if there is a pistol hanging on the wall, sooner or later someone in the story must fire it, but in fact the sister search is irrelevant to the photography problem, and when she is found in unhappy circumstances the hero does nothing to rescue her. Although this outcome is supposed to change Philip Nore’s attitude to life (‘I had roots’) his final resolution (one can’t give the game away) is not altogether convincing.
lisäsi SnootyBaronet | muokkaaTimes Literary Supplement, Philip Larkin
 
''Reflex'' contains more interesting characterizations than most of Mr. Francis's books, particularly in Philip's poignant recollections of his shadowy butterfly mother, who used her charm to dump her small boy on one friend after another over the years. But there are limits to Mr. Francis's talent. His heroines are present simply to fill a few pages and sometimes to share a bed, and the characters who lie outside the racing world he knows so well are often drawn perfunctorily. Mr. Francis might reply that a writer of his kind of thriller cannot afford psychological intricacies, and very likely he would be right. In the end, action is the name of the Dick Francis game. In writing scenes of action, not all of them violent, and blending them into a mystery adventure, he is now a long way ahead of the rest of the field.
lisäsi SnootyBaronet | muokkaaNew York Times, Julian Symons
 

» Lisää muita tekijöitä (9 mahdollista)

Tekijän nimiRooliTekijän tyyppiKoskeeko teosta?Tila
Dick Francisensisijainen tekijäkaikki painoksetcalculated
Knol Ottenhof, C.Kääntäjämuu tekijäkaikki painoksetvahvistettu
Raivio, JyriKääntäjämuu tekijäeräät painoksetvahvistettu
Sinun täytyy kirjautua sisään voidaksesi muokata Yhteistä tietoa
Katso lisäohjeita Common Knowledge -sivuilta (englanniksi).
Kanoninen teoksen nimi
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Alkuteoksen nimi
Teoksen muut nimet
Alkuperäinen julkaisuvuosi
Henkilöt/hahmot
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Tärkeät paikat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Tärkeät tapahtumat
Kirjaan liittyvät elokuvat
Palkinnot ja kunnianosoitukset
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Epigrafi (motto tai mietelause kirjan alussa)
Omistuskirjoitus
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
My thanks to the Photographers
Bernard Parkin and David Hastings
and especially RON MASSEY
who made me the puzzles.
Ensimmäiset sanat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Winded and coughing, I lay on one elbow and spat out a mouthful of grass and mud.
Sitaatit
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
His talent had been stupendous. Seeing his pictures there together, one after the other, and not scattered in books and newspapers and magazines across a canvas of years, I was struck continually by the speed of his vision. He had caught life over and over and over again at the moment when a painter would have composed it: nothing left out, nothing disruptive let in. An absolute master.
I was rather deeply aware that I was never going to see the world in quite the same way again: that George’s piercing view of things would intrude when I least expected it and nudge me in the ribs. But George had had no compassion. The pictures were brilliant. Objective, exciting, imaginative and revealing; but none of them kind.
Viimeiset sanat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
(Napsauta nähdäksesi. Varoitus: voi sisältää juonipaljastuksia)
Erotteluhuomautus
Julkaisutoimittajat
Kirjan kehujat
Alkuteoksen kieli
Canonical DDC/MDS

Viittaukset tähän teokseen muissa lähteissä.

Englanninkielinen Wikipedia

-

A classic mystery from Dick Francis, the champion of English storytellers. Jockey and amateur photographer Philip Nore knows all too well how it feels to take a tumble from a horse. He also knows what it's like to feel the wrath of furious owners and trainers. You can't always be a winner. George Millace hated winners. As a photographer he specialized in taking pictures that exposed the failings of riders. But now he's dead - and no one seems very sorry. But when Millace's home is broken into during his funeral and Nore finds himself helping clear up, he finds something unexpected. Millace had other pictures - ones people will go to desperate lengths to possess. Now he must find out who wants them - and fast. Because if George Millace's death was no accident then his killers are getting closer... Praise for Dick Francis: 'As a jockey, Dick Francis was unbeatable when he got into his stride. The same is true of his crime writing' Daily Mirror 'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph 'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman 'Francis writing at his best' Evening Standard 'A regular winner . . . as smooth, swift and lean as ever' Sunday Express 'A super chiller and killer' New York Times Book Review Dick Francis was one of the most successful post-war National Hunt jockeys. The winner of over 350 races, he was champion jockey in 1953/1954 and rode for HM Queen Elizabeth, the Queen Mother, most famously on Devon Loch in the 1956 Grand National. On his retirement from the saddle, he published his autobiography, The Sport of Queens, before going on to write forty-three bestselling novels, a volume of short stories (Field of 13), and the biography of Lester Piggott. During his lifetime Dick Francis received many awards, amongst them the prestigious Crime Writers' Association's Cartier Diamond Dagger for his outstanding contribution to the genre, and three 'best novel' Edgar Allan Poe awards from The Mystery Writers of America. In 1996 he was named by them as Grand Master for a lifetime's achievement. In 1998 he was elected a fellow of the Royal Society of Literature, and was awarded a CBE in the Queen's Birthday Honours List of 2000. Dick Francis died in February 2010, at the age of eighty-nine, but he remains one of the greatest thriller writers of all time.

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