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Ladataan... Valkoinen tiikeri (2008)Tekijä: Aravind Adiga
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Booker Prize (8) » 32 lisää Asia (5) Best Satire (52) All Things India (16) 2000s decade (15) Epistolary Books (14) Top Five Books of 2022 (470) First Novels (29) Contemporary Fiction (33) Books Read in 2022 (4,297) Animals in the Title (31) AP Lit (181) My TBR (50) Five star books (1,403) Contemporary Fiction (13) Books About Murder (310) Ei tämänhetkisiä Keskustelu-viestiketjuja tästä kirjasta. This review does NOT contain spoilers. The story is well written, but I often wondered whether it was a story at all. Did it even belong in the fiction category? The author is writing several long essays about the problems in India. He is then putting an extremely thin wrapper around it to call it a "story", by writing his essay in the guise of a letter to the Chinese premier. I could cherry pick perhaps half of the book, give it to you, and you would think you're reading non-fiction. I didn't rate it low as it is well written. I never got bored. As an essay (or a collection of essays), it is quite good. But as a story, it is very weak. I’m giving this one a strong three stars. While it was really well-written and somewhat literary, I had a hard time overlooking the fact that the whole thing is glorifying murder and the mistreatment of women. I enjoyed the glimpse of Indian culture and the way Adiga used landscapes to move the narrative along – but I hated that Balram’s stepping stones were women and fellow servants. In all – I would recommend giving this one a read. It’s a quick one, and entertaining – and if you find bits of it to be extremely problematic, then you have an opportunity to engage in some meaningful dialogue about why. This winner of the 2008 Man Booker Prize was a real surprise for me. I understand that this book was Aravind Adiga's first book, and it is a masterpiece in the satire genre. It's fresh, hilarious and very different, with one of the most likeable narrators you'll ever meet--Balram Halwai introduces himself in his letters to the Prime Minister of China, Wen Jiabao, as an entrepreneur and then proceeds to tell him of his rise from a poor boy in a very poor village in northern India, and how he made his rise to be a gentleman of substance in Bangalore. We never hear about Mr. Jiabao's reaction to these letters, or if he even received them, but we do learn all about Balram's remarkable life. Balram spares no punches as he describes the grubby and corrupt underground of his country, and the depravities that people of power partake in. He also doesn't shy away from explaining how he, a poor Indian boy from a small village, made it to the big time in Bangalore, and how he stopped at nothing to get there. The main force that drove him was that he did not want to be a servant all his life. The narrative is outlandish, irreverent and unsparing in his descriptions of the injustices that he observes and endures. But it also heartwarming and endearing as we see all sides of Balram. It certainly describes a lot about India and its politics and religions. And illustrates how a quest for power can change a human being. The language and the satire are exquisite in this book. A brilliant tour-de-force. PalkinnotNotable Lists
Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Over the course of seven nights, by the scattered light of a preposterous chandelier, Balram tells the terrible and transfixing story of how he came to be a success in life -- having nothing but his own wits to help him along. Kirjastojen kuvailuja ei löytynyt. |
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It's a really compelling book, with a great, complex charactor in Balram Halwai. It's an unusually - and refreshingly - excoriating attack on the corruption and, most of all, the massive class divides within modern India. It's a quite deliberate antitdote against the growing hype surrounding the nascent super-economy - and Adiga is not sugaring the pill. It was somewhat reminiscent of Vernon God Little - hugely enjoyable, with its likeable and down-trodden but unreliable narrator, who succeeds in drawing you into a well realised world view; but The White Tiger has a far more biting political edge, and delivers much more on its ambitions, than its fellow Booker winner.
The only real disappointment was that it didn't really address the culture of entrepeneurship in India, nor the emerging tech sector in Bangalore. They are promoted as central to the book from the very beginning, but it actually focuses much more on the huge cultural gaps and clashes between the very poor and the extremely rich, only touching on those themes in the last stages. Maybe, hoepfully, Adiga will turn the spotlight in that direction in his future work.
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