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Ladataan... Emma (1816)Tekijä: Jane Austen
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EMMA by Jane Austen. Easily my favorite Jane Austen book. No matter how many times I read it or how many adaptions I watch. Shenanigans! Misunderstandings! Complicated feelings! Family loyalty! Dashing Gentlemen! Love it. ( ![]() I thoroughly enjoyed this re-reading of Emma. No one can quite match Jane Austen for re-readability, because there is always something new to discover or think about in her writing. This time through, I saw clearly how awesome Jane Austen would have been as a writer of Golden Age whodunnits. Seriously, the entire plot of Emma is so layered, with clues seeded throughout that most readers won't latch onto until at least the second time through. It's brilliant! There are at least three "mysteries" of varying sizes (of course, they're not mysteries in the traditional sense, but are relationship conundrums). To borrow phraseology from an Agatha Christie podcast I listen to, Austen, like a good mystery writer, always presents "the world as it appears to be," and then shifts the kaleidoscope to give you "the world as it actually is." And then you're left saying, "Of course! It was right in front of us the whole time!" I also learned a bit more about Emma than I knew before. She is always touted as a matchmaker. But that's an overly simplistic view of what she's trying to do. She says she wants to make matches, but let's be real, she's not much of a romantic. She is not all about the love. Her actions make more sense to me when I realize that she is desperately trying to hold on to people that give her life meaning. She is on the verge of extreme LONELINESS. And her "matchmaking" efforts coincide neatly with the fact that her former governess is getting married to a guy who lives half a mile away, and that she wants her new friend Harriet to marry into her social class and also live, like, just down the road. Jane Austen skillfully gives us a mirror reflection of the worst parts of Emma. It's a bit painful to read, because it's...Mrs. Elton. When I read these passages about Mrs. Elton, I was so taken aback because of how closely they align with what we are told about Emma as well: Mrs. Elton's vanity and sheltered life Mrs. Elton was a vain woman, extremely well satisfied with herself, and thinking much of her own importance; that she meant to shine and be very superior...all her notions her drawn from one set of people, and one style of living; that if not foolish she was ignorant. Emma's vanity and sheltered life The real evils, indeed of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself. The Woodhouses were first in consequence there [Highbury]. All looked up to them. 'I must beg you not to talk of the sea. It makes me envious and miserable;--I who have never seen it!'--Emma Woodhouse Mrs. Elton's need to patronize Mrs. Elton took a great fancy to Jane Fairfax; and from the first...she was not satisfied with expressing a natural and reasonable admiration--but without solicitation, or plea, or privilege, she must be wanting to assist and befriend her. Emma's need to patronize Does PRECISELY the same thing with Harriet Smith. She would notice her; she would improve her; she would detach her from her bad acquaintance, and introduce her into good society; she would form her opinions and her manners. It would be an interesting, and certainly a very kind undertaking. Mrs. Elton's expectations from female friends Her feelings altered towards Emma.--Offended, probably, by the little encouragement which her proposals of intimacy met with, she drew back in her turn and gradually became much more cold and distant." Emma's expectations from female friends Takes offense towards Jane Fairfax for EXACTLY the same reason. Why she did not like Jane Fairfax might be a difficult question...she could never get acquainted with her: she did not know how it was, but there was such coldness and reserve--such apparent indifference whether she pleased or not...She was disgustingly, was suspiciously reserved. In other words, for both Mrs. Elton and Emma, how dare you not reciprocate my friendly overtures, do you know who I am?! Emma really despises Mrs. Elton for all of these things. Which brings up an interesting truth about human nature...sometimes we don't like people whose flaws are uncomfortably close to our own. It's just a lot easier to see and condemn those flaws in someone else. So, what's the difference between Emma and Mrs. Elton? It's a big one: self-awareness. Although Emma has a lot of unlikable tendencies (as Jane Austen well knew), once she gets schooled in just how wrong she can be, she learns from it. She backtracks, she humbles herself, and she spends some time with her errors. She gains a healthy dose of authenticity, and learns to value people, not for how they compare to her, but for what they really are. Life lessons from Jane Austen! Never in short supply. I am now ready and waiting for the March 6 release of Emma in theaters. :D This book took me way longer than it should. I ended up enjoying it in the end. A lot of the characters annoyed me, but I did enjoy Emma’s character development even though she started off awful. Mr. Knightley was my favorite because he’s the voice of reason. The age gap between Emma and Mr. Knightley was weird to me especially when he says he had been in love with her since she was at least 13…because that means he would’ve have been 29 years old at that time. And a 29 loving a 13 year old is a big no for me. I felt bad for Harriet. Emma seemed like she took for granted that Harriet was basically a puppy dog that would do anything Emma wanted her to do. Frank Churchill I think was forgiven to easily. Now, people would think the way he behaved extremely toxic. Jane Fairfax was fine. She didn’t have much character development, but I don’t think she was meant too. She was just there. Miss Bates was annoying. The Westons reminded me of the Dashwoods’ relations who let them live in the cottage in Sense and Sensibility, but they were fine. I hated the Eltons. They were pompous pricks. Her father reminded me of Mrs. Bennett from Pride and Prejudice except he didn’t want Emma to be married. The plot itself would pick up and then be slow or full of pointless stuff and then it would pick up again. I still think the book itself could have been shorter. I kind of enjoyed the plot of Sense and Sensibility more, however, I am giving Emma a higher rating because Jane Austen’s writing had greatly improved since Sense and Sensibility; the characters are better written and developed, I think. And the overall plot was written better even if I find Sense and Sensibility’s plot more interesting. This book took me way longer than it should. I ended up enjoying it in the end. A lot of the characters annoyed me, but I did enjoy Emma’s character development even though she started off awful. Mr. Knightley was my favorite because he’s the voice of reason. The age gap between Emma and Mr. Knightley was weird to me especially when he says he had been in love with her since she was at least 13…because that means he would’ve have been 29 years old at that time. And a 29 loving a 13 year old is a big no for me. I felt bad for Harriet. Emma seemed like she took for granted that Harriet was basically a puppy dog that would do anything Emma wanted her to do. Frank Churchill I think was forgiven to easily. Now, people would think the way he behaved extremely toxic. Jane Fairfax was fine. She didn’t have much character development, but I don’t think she was meant too. She was just there. Miss Bates was annoying. The Westons reminded me of the Dashwoods’ relations who let them live in the cottage in Sense and Sensibility, but they were fine. I hated the Eltons. They were pompous pricks. Her father reminded me of Mrs. Bennett from Pride and Prejudice except he didn’t want Emma to be married. The plot itself would pick up and then be slow or full of pointless stuff and then it would pick up again. I still think the book itself could have been shorter. I kind of enjoyed the plot of Sense and Sensibility more, however, I am giving Emma a higher rating because Jane Austen’s writing had greatly improved since Sense and Sensibility; the characters are better written and developed, I think. And the overall plot was written better even if I find Sense and Sensibility’s plot more interesting. paperback
The institution of marriage, like the novel itself, has changed greatly since Austen’s time; but as long as human beings long for this kind of mutual recognition and understanding, “Emma” will live. “Perhaps the key to Emma’s perfection, however, is that it is a comic novel, written in a mode that rarely gets much respect. It’s exquisitely ironic.” “The presiding message of the novel is that we must forgive Emma for her shortcomings just as she can and does learn to excuse the sometimes vexing people around her. There is, I believe, more wisdom in that than in many, many more portentous and ambitious novels. Emma is flawed, but ‘Emma’ is flawless." It’s a small but striking and instructive demonstration, the careful way Emma appraises the character of the various men who jockey for her attentions and those of the women around her. We could all learn from her example. "In January 1814, Jane Austen sat down to write a revolutionary novel. Emma, the book she composed over the next year, was to change the shape of what is possible in fiction." "The novel’s stylistic innovations allow it to explore not just a character’s feelings, but, comically, her deep ignorance of her own feelings. " "Those who condemn the novel by saying that its heroine is a snob miss the point. Of course she is. But Austen, with a refusal of moralism worthy of Flaubert, abandons her protagonist to her snobbery and confidently risks inciting foolish readers to think that the author must be a snob too" Kuuluu näihin kustantajien sarjoihinD'ací i d'allà (39) Airmont Classics (CL102) Amstelboeken (90-91) — 50 lisää Collins Pocket Classics (190) Everyman's Library (24) Flipback (Classics 1) insel taschenbuch (0511) The Novel Library (10) Oneworld Classics (10) Oxford English Novels (1816) Penguin Clothbound Classics (2009) Penguin English Library, 2012 series (2012-07) Prisma Klassieken (42) Virago Modern Classics (341) The World's Classics (129) Zephyr Books (130) Sisältyy tähän:Emma ; Lady Susan ; Mansfield Park ; Northanger Abbey ; Persuasion ; Pride and Prejudice ; Sense and Sensibility (tekijä: Jane Austen) Emma ; Mansfield Park ; Northanger Abbey ; Persuasion ; Pride and prejudice ; Sense and sensibility (tekijä: Jane Austen) Folio Society Jane Austen Set (tekijä: Jane Austen) Emma AND Lady Susan (tekijä: Jane Austen) Jane Austen: The Complete Novels (tekijä: Jane Austen) Emma: An Annotated Edition (tekijä: Jane Austen) Jane Austen - 8 Books In 1 (tekijä: Jane Austen) Word Cloud Box Set: Lavender (tekijä: Charlotte Brontë) Œuvres romanesques complètes I, II (tekijä: Jane Austen) (epäsuora) The Cambridge Edition of the Works of Jane Austen (9 Volume Hardback Set) (tekijä: Jane Austen) (epäsuora) 90 Masterpieces You Must Read (Vol.1): Novels, Poetry, Plays, Short Stories, Essays, Psychology & Philosophy (tekijä: Various) Tämä on uudelleenkerrottu:Emma (tekijä: Alexander McCall Smith) Mr. Knightley's Diary (tekijä: Amanda Grange) Tällä on sarjaan kuulumaton jatko-osaEmma & Knightley: Perfect Happiness in Highbury: A Sequel to Jane Austen's Emma (tekijä: Rachel Billington) Charity Envieth Not (tekijä: Barbara Cornthwaite) The Highbury Murders (tekijä: Victoria Grossack) Mukaelmia:Clueless [1995 film] (tekijä: Amy Heckerling) Emma [1996 film] (tekijä: Douglas McGrath) Emma [1996 TV movie] (tekijä: Diarmuid Lawrence) Emma [Marvel Illustrated] (tekijä: Nancy Butler) Emma (2020 film) (tekijä: Autumn De Wilde) Emma [2009 TV Mini-Series] (tekijä: Jim O'Hanlon) Emma [Penguin Readers, level 4] (tekijä: Jane Austen) The Jane Austen Collection [BBC] (tekijä: Giles Foster) Emma [1972 TV mini series] (tekijä: John Glenister) Emma (tekijä: Yoko Hanabusa) Lyhennelty täällä:Laajennettu täällä:Emma [Dover Thrift Study Edition] (tekijä: Jane Austen) Tähän on vastattu täällä:James Fairfax (tekijä: Jane Austen) Innoitti:Tällä on käyttöopas/käsikirja:Emma (Reader's Companion) (tekijä: SparkNotes Editors) Tutkimuksia:Emma, and Persuasion (tekijä: Roger Gard) Tämän tekstillä on selostus:Emma [Norton Critical Edition] (tekijä: Jane Austen) Bitch In a Bonnet: Reclaiming Jane Austen from the Stiffs, the Snobs, the Simps and the Saps (Volume 2) (tekijä: Robert Rodi) Jane Austen: "Emma": A Casebook (tekijä: David Lodge) Sisältää opiskelijan oppaan
Classic Literature.
Fiction.
HTML: Emma stands a little apart from Jane Austen's other novels. It is perhaps the most self-aware, socially critical and ironic of all her works. Her protagonist, Emma Woodhouse, is a beautiful, rich girl who is also spoiled, proud and blinded by her own situation in life. She begins to understand herself and life a little better when her romantic schemes - charitable good works to those around her - become entangled in tensions of class and of the heart. Austen wrote of Emma, "I am going to take a heroine whom no-one but myself will much like." .Kirjastojen kuvailuja ei löytynyt. |
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![]() LajityypitMelvil Decimal System (DDC)823.7Literature English & Old English literatures English fiction Early 19th century 1800-37Kongressin kirjaston luokitusArvio (tähdet)Keskiarvo:![]()
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