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Ladataan... KitchenTekijä: Banana Yoshimoto
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Japanese Literature (20) Female Author (90) » 15 lisää Female Protagonist (130) 1980s (59) Top Five Books of 2017 (487) Five star books (586) Magic Realism (240) Books Read in 2018 (3,241) 20th Century Literature (731) Schwob Nederland (170) Books tagged "feel good" (113) Ei tämänhetkisiä Keskustelu-viestiketjuja tästä kirjasta. There is so much heart in this book. So many emotions. made me sad and not in a good way. not here for the portrayal of trans women and killing her for the character development of the cis protagonist. Honestly, a lot of contemporary Japanese fiction leaves me cold. All authors operate in the realm of wish-fulfillment - fiction as an idealized version of the world, so that even the tragedies and hardships have an appealing melancholy sheen. A lot of Japanese authors, from Mishima to Kawabata, are rather self-indulgent in this area. Kitchen strikes me as a more acceptable version of Murakami, in that Yoshimoto allows fetishes to bubble up from her subconscious - food, chaste boyfriends, and gender ambiguity being three - but does not allow these to dominate the tone of the narrative. È proprio un "librino", questo Kitchen. Si legge in un attimo e non ti lascia quasi nulla, se non quel sapore dolciastro di autocommiserazione melodrammatica che mi pare di poter riconoscere, ora che sono arrivato a leggere due suoi libri (quest'ultimo senz'altro fuori tempo massimo), come il marchio di fabbrica della Banana.
For English-language readers, the appeal of "Kitchen" lies in its portrayal of the lives of young Japanese. Banana Yoshimoto won immediate fame in Japan with the publication of this pair of novellas about two bold and guileless women grappling with emotional loss. Yoshimoto's oriental concision is sometimes idiosyncratic and haiku-like ..., but it's a quality of poignant, dignified resilience that makes this little work worthwhile... PalkinnotNotable Lists
Fiction.
Literature.
HTML:The acclaimed debut of Japan's "master storyteller" (Chicago Tribune). With the publication of Kitchen, the dazzling English-language debut that is still her best-loved book, the literary world realized that Banana Yoshimoto was a young writer of enduring talent whose work has quickly earned a place among the best of contemporary Japanese literature. Kitchen is an enchantingly original book that juxtaposes two tales about mothers, love, tragedy, and the power of the kitchen and home in the lives of a pair of free-spirited young women in contemporary Japan. Mikage, the heroine, is an orphan raised by her grandmother, who has passed away. Grieving, Mikage is taken in by her friend Yoichi and his mother (who is really his cross-dressing father) Eriko. As the three of them form an improvised family that soon weathers its own tragic losses, Yoshimoto spins a lovely, evocative tale with the kitchen and the comforts of home at its heart. In a whimsical style that recalls the early Marguerite Duras, Kitchen and its companion story, Moonlight Shadow, are elegant tales whose seeming simplicity is the ruse of a very special writer whose voice echoes in the mind and the soul. "Lucid, earnest and disarming . . . [It] seizes hold of the reader's sympathy and refuses to let go." ??Michiko Kakutani, The New York Times Kirjastojen kuvailuja ei löytynyt. |
Suosituimmat kansikuvat
![]() LajityypitMelvil Decimal System (DDC)895.635Literature Literature of other languages Asian (east and south east) languages Japanese Japanese fiction 1945–2000Kongressin kirjaston luokitusArvio (tähdet)Keskiarvo:![]()
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In retrospect I realize that fate was a ladder on which, at the time, I could not afford to miss a single rung. To skip out on even one scene would have meant never making it to the top, although it would have been by far the easier choice. What motivated me was probably that little light still left in my half-dead heart, glittering in the darkness. Yet without it, perhaps, I might have slept better.
The short story, Moonlight Shadow, concerns another young woman. After her lover's death, Satsuki is lost in grief, until an encounter with a stranger encourages her to believe that she will enjoy life again.
Both stories concern characters dealing with grief and sudden death, but are both hopeful and even whimsical in tone. This book manages to be charming without being saccharine. Yoshimoto's characters are well-drawn and the stories have an impact despite their brevity. (