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Black Ice

Tekijä: Hans Werner Kettenbach

Muut tekijät: Katso muut tekijät -osio.

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioMaininnat
564462,847 (3.42)1
"A natural storyteller who, just like Patricia Highsmith, is interested in teasing out the catastrophes that result from the banal coincidences of daily life."--Weltwoche When Erika, an attractive local heiress, falls to her death near her lakeside villa, the police conclude it was a tragic accident. Scholten, a longtime employee of Erika's, isn't so sure. He knows a thing or two about the state of her marriage and suspects an almost perfect crime. Scholten's maverick investigation into the odd, inexplicable details of the death scene soon buys him a ticket for a most dangerous ride. This beautifully crafted thriller, set in a European world of small-town hypocrisy, was a bestseller made into the filmGlatteis. In 2009Hans Werner Kettenbach won the Glauser award (Germany's most prestigious crime writing prize) for lifetime literary achievement.… (lisätietoja)
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näyttää 4/4
3.5 rounded up to 4.

A bit dated but really enjoyable. ( )
  LizzySiddal | Dec 20, 2021 |
BLACK ICE is the first of German author Hans Werner Kettenbach's novels to be translated into English, and it's taken me from it's original publication date of 2005 to read it. Which is good in one way as there appears to have been more books since then. Which are now on my immediate buy list and I know that is probably going to sound very strange, as this isn't a particularly straightforward book.

Scholten, the long-time employee of Erica Wallman, isn't a pleasant man. He's probably one of the most unpleasant characters I've encountered in crime fiction for quite a while. And the book is told from his perspective so a lot of time is spent in the head of an unpleasant person. Whilst his redeeming feature seems to be that he is the only person who doesn't believe that Erica's death was accidental and he is prepared to do what it takes to prove that, his overall demeanour makes you wonder if anybody would ever care what he thought. But other people's opinions don't really matter to Scholten and he's absolutely obsessed with solving how Erica's husband killed his wife. It's quite a puzzle too as it appears that she has simply slipped into the lake near her holiday villa - her husband nowhere nearby, the victim totally on her own at the time. Yet Scholten painstakingly builds up a picture in his mind, and finds the pieces that he believes show that there was nothing accidental about the fall at all.

The tone that the book uses is very much set by Scholten's own voice. Grumpy, self-opinionated, self-obsessed, unhappily married to a disapproving wife, dour and surly, the book proceeds in a low-key, dour styling as a result. Having said that, there are some funny moments, as is there fragility and profound touches of melancholy. These are people for whom life, as they made it, hasn't lived up to expectations. But there's a single-minded purposefulness to everything that Scholten does that's claustrophobic, so personal to Scholten that the reader is left in a very uncomfortable position. There's no clear "hero" to barrack for. Just this unpleasant man who, aside from how much you dislike him, may, over and above everything else, just may have a point.

And then this man, this "hero", the one person that believes totally in justice for Erica Wallman gets distracted from the path of exposing the truth and ties himself up in a knot of catastrophic proportions. And the reader is left. Unable to decide whether a seriously unpleasant man has got exactly what he deserved. Or a woman's fate has been unjustly served because her hero turns out to be no hero at all. Either way - it's an extremely clever ending, full of meaning and immensely satisfying. But a warning, it's not neatly tied up in a bow and delivered up on a plate. Thankfully. ( )
  austcrimefiction | Jan 20, 2011 |
The protagonist is a lout, which makes for an interesting experience. More noir than crime fiction. I found it to be a fast read and, at times, strangely poetic. ( )
  100experiments | Dec 25, 2007 |
I read this because it's a German mystery and the title is intriguing. It started off well enough, but to be honest, as I read on, I didn't like it at all. It's not a standard mystery, the detective isn't a detective at all. He's a man who has been having affairs and discovers the the boss' wife (I believe) died. He can't believe she killed herself and so he takes it unto himself to find out what really happened. It's a good premise, but I didn't like the characters or the writing (which could have been the translation, but I'm not sure).

I would not read this again, or try anything else by Kettenbach. ( )
  callmecayce | Oct 11, 2007 |
näyttää 4/4
ei arvosteluja | lisää arvostelu

» Lisää muita tekijöitä (1 mahdollinen)

Tekijän nimiRooliTekijän tyyppiKoskeeko teosta?Tila
Hans Werner Kettenbachensisijainen tekijäkaikki painoksetlaskettu
Bell, AntheaKääntäjämuu tekijäeräät painoksetvahvistettu
Sinun täytyy kirjautua sisään voidaksesi muokata Yhteistä tietoa
Katso lisäohjeita Common Knowledge -sivuilta (englanniksi).
Teoksen kanoninen nimi
Alkuteoksen nimi
Teoksen muut nimet
Alkuperäinen julkaisuvuosi
Henkilöt/hahmot
Tärkeät paikat
Tärkeät tapahtumat
Kirjaan liittyvät elokuvat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Epigrafi (motto tai mietelause kirjan alussa)
Omistuskirjoitus
Ensimmäiset sanat
Sitaatit
Viimeiset sanat
Erotteluhuomautus
Julkaisutoimittajat
Kirjan kehujat
Alkuteoksen kieli
Kanoninen DDC/MDS
Kanoninen LCC

Viittaukset tähän teokseen muissa lähteissä.

Englanninkielinen Wikipedia

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"A natural storyteller who, just like Patricia Highsmith, is interested in teasing out the catastrophes that result from the banal coincidences of daily life."--Weltwoche When Erika, an attractive local heiress, falls to her death near her lakeside villa, the police conclude it was a tragic accident. Scholten, a longtime employee of Erika's, isn't so sure. He knows a thing or two about the state of her marriage and suspects an almost perfect crime. Scholten's maverick investigation into the odd, inexplicable details of the death scene soon buys him a ticket for a most dangerous ride. This beautifully crafted thriller, set in a European world of small-town hypocrisy, was a bestseller made into the filmGlatteis. In 2009Hans Werner Kettenbach won the Glauser award (Germany's most prestigious crime writing prize) for lifetime literary achievement.

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