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Gertrude – tekijä: Hermann Hesse
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Gertrude (alkuperäinen julkaisuvuosi 1910; vuoden 1990 painos)

– tekijä: Hermann Hesse (Tekijä)

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioMaininnat
8891117,836 (3.72)13
With Gertrude, Herman Hesse continues his life-long exploration of the irreconcilable elements of human existence. In this fictional memoir, the renowned composer Kuhn recounts his tangled relationships with two artists—his friend Heinrich Muoth, a brooding, self-destructive opera singer, and the gentle, self-assured Gertrude Imthor. Kuhn is drawn to Gertrude upon their first meeting, but Gertrude falls in love with Heinrich, to whom she is introduced when Kuhn auditions them for the leads in his new opera. Hopelessly ill-matched, Gertrude and Heinrich have a disastrous marriage that leaves them both ruined. Yet this tragic affair also becomes the inspiration for Kuhn's opera, the most important success of his artistic career.… (lisätietoja)
Jäsen:strangedata
Teoksen nimi:Gertrude
Kirjailijat:Hermann Hesse (Tekijä)
Info:PENGUIN BOOKS LTD (1990), Edition: New Ed, 160 pages
Kokoelmat:Penguin Twentieth Century Classics, Oma kirjasto
Arvio (tähdet):
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Gertrud : romaani (tekijä: Hermann Hesse) (1910)

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» Katso myös 13 mainintaa

Näyttää 1-5 (yhteensä 11) (seuraava | näytä kaikki)
Nel tratteggiare la storia di un triangolo amoroso sublimato dalla musica onnipresente, nel porre in evidenza come nessuno dei protagonisti riesca a conseguire quanto si era prefisso o, una volta ottenuto, altro non colga che un profondo senso di disincanto, Hesse sembra ribadire un vecchio detto popolare e suggerire sia attenzione verso ciò che si desidera sia consapevolezza verso le potenziali disillusioni. Una storia velata da un'evanescente malinconia. Che, smarrita tra le ciniche evidenze della vita adulta, sembra anelare, con nostalgia, agli orizzonti spensierati di una perduta giovinezza. ( )
  Carlomascellani73 | Oct 30, 2020 |
E' il secondo libro di Hesse che leggo (Siddartha l'ho letto almeno 20 anni fa...) e non mi ha fatto impazzire.
La storia di per sè avrebbe potuto essere bellissima perchè parla di musica, che è una cosa che amo tantissimo, ma è troppo frettolosa e scontata.
Le narrazioni sono fredde e non si riesce ad immaginarsi la dolcezza e la passione dei momenti di composizione e canto perchè sono descritti poco e velocemente.
Mi aspettavo qualcosa di molto più struggente e passionale e per questo sono rimasta delusa.
Bellissima però la riflessione del padre su giovani e anziani, l'ho messa nelle citazioni del mio profilo :) ( )
  Feseven78 | Apr 17, 2019 |
Speaking with a friend here in Ireland about my well-documented love of Hesse and about my recent writing involving composers he rooted through the bookshelves in his house till he could find me this book, insisting upon the necessity of reading it. It's very much a book I needed at this time in my life, but then Hesse always seems to be that for me. I love that he talks about individualism and "the artist's way" somewhat cynically here. At times I feared he veered too much towards accepting the "art = suffering," but I think ultimately he's critical of that. Kuhn thinks deeply about what it means to be a creator, but he also thinks about what it doesn't have to mean. People keep telling him this is what an artist feels, this is what I know you feel but he repeatedly ends up finding that no, he doesn't feel what they are telling him he feels, he doesn't want the things they're telling him all artist's want, he doesn't see his experiences the way that they keep insisting he must see his experiences. I think the novel straddles the line and that my own bias brings it to one side rather than the other. I think if I were younger I would have read it and said: "I don't trust Kuhn's narration, I think he's lying to himself, he has suffered greatly and put it into his work and we can see that and he is only denying it." But that's exactly what the people around him say.

There's more that meant something to me in this book, but I don't think I can say it here, or say it yet. ( )
  likecymbeline | Apr 1, 2017 |
This early minor novel by Hesse is almost entirely predictable from the start. That's not to say it's a bad novel though. It is written in a wonderfully restrained style that makes it a little joy to read. The most disappointing thing about this novella is that when the predictable ending comes about it does so with more of a whimper than a bang. I was hoping for something more explosive in the end but perhaps that would be out of character with the rest of the book that is so very reined in. The side characters (basically all those apart from the narrator) could have been developed a lot more - that would really have helped to elevate this book to the next level and it's a shame, for once, that this isn't longer.

As it is Gertrude is a very nice short read, a great example of style, but it's that and not the story or characters that will remain with you afterwards. ( )
  DRFP | Apr 22, 2012 |
A melancholy tale of flawed love and existential angst. The pace is gentle, the characters are wonderful, and the philosophical musings lead absolutely nowhere. It reads like the work of a master storyteller who'd gotten to the end of a book before realising he hadn't had much to say. ( )
  Harclubs | Sep 8, 2011 |
Näyttää 1-5 (yhteensä 11) (seuraava | näytä kaikki)
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Englanninkielinen Wikipedia

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With Gertrude, Herman Hesse continues his life-long exploration of the irreconcilable elements of human existence. In this fictional memoir, the renowned composer Kuhn recounts his tangled relationships with two artists—his friend Heinrich Muoth, a brooding, self-destructive opera singer, and the gentle, self-assured Gertrude Imthor. Kuhn is drawn to Gertrude upon their first meeting, but Gertrude falls in love with Heinrich, to whom she is introduced when Kuhn auditions them for the leads in his new opera. Hopelessly ill-matched, Gertrude and Heinrich have a disastrous marriage that leaves them both ruined. Yet this tragic affair also becomes the inspiration for Kuhn's opera, the most important success of his artistic career.

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