Fairytale

Jenkins has done an admirable job of adapting a classic work of literature to make it more accessible to contemporary readers. The major events of Gulliver's travels are recounted here, but the language has been simplified and updated. The lengthier descriptive passages have been eliminated, as have some of the complex political discussions. The adaptation is not as dark as the original; for example, in this conclusion, Gulliver is not completely repulsed by his wife and family. Despite these changes, this retelling retains the essence of the original work, primarily due to the careful choice of details and scenes portrayed. The streamlined story remains a lively adventure filled with bizarre and entertaining characters. Swift's satirical humor and irony are still evident, as are his political and humanitarian messages. Ridell's energetic illustrations provide the perfect complement to the multidimensional story; black-and-white drawings and colorful line-and-wash paintings enliven almost every spread. Humorous details, vivid facial expressions, and exaggerated perspectives and proportions visually project the tale's sense of adventure. While there is no substitute for the original, this is a satisfying first visit to the lands of Gulliver's travels. Ann Keay Beneduce's Gulliver's Adventures in Lilliput (Putnam, 1996) includes just one of Gulliver's trips and contains none of the ironic humor found here. The version adapted by James Dunbar is not as well written or as visually appealing as this edition but is worthwhile for the background information it provides.