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Ladataan... BBC Proms 2020 : Prom 09 : Proms at ... City Halls, Glasgow [sound recording]Tekijä: BBC Radio 3, BBC Scottish Symphony Orchestra (Orchestra), Jay Capperauld (Säveltäjä), Stephen Hough (Piano), Richard Strauss (Säveltäjä) — 2 lisää, Ludwig van Beethoven (Säveltäjä), George Walker (Säveltäjä)
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Google Books — Ladataan... LajityypitMelvil Decimal System (DDC)780.784144The arts Music Music Education, research, performances Performances (concerts and recitals) Concerts in Europe Concerts in British Isles Southwestern Scotland Glasgow CityArvio (tähdet)Keskiarvo: Ei arvioita.Oletko sinä tämä henkilö? |
The concert opened with long-lived George Walker’s Lyric for Strings (1946), a musing piece in the mould of fellow-American Samuel Barber’s decade-earlier Adagio if without quite emulating it and despite a considerate and intense Glasgow performance. Fine artistry also informed the premiere of Jay Capperauld’s Circadian Refrains, which the Scotland-based composer (and saxophonist) says “has been written in direct response to the recent global lockdown implemented during the COVID-19 pandemic in an attempt to articulate the day-to-day experiences of lockdown in a musical setting.” Opening with ghostly knocking and eerie refrains, the ten-minute score (including winds and percussion) becomes restless and anguished, and in a state of emotional flux. It’s an arresting piece.
With Stephen Hough as soloist this Prom’s centrepiece was Beethoven’s B-flat Piano Concerto. Chauhan set a moderate tempo for the opening movement, which Hough seemed at-one with, exploring beyond the nippy sparkle (such a quality being reserved for the Finale, displaying an infectious bounce) with which this opener is more-often-or-not despatched. Such consideration was rewarding, a probing journey leading to Hough’s own likeable and in-keeping cadenza (as recorded on Hyperion as part of his complete LvB Piano Concertos) and coming into its own with a rapt realisation of the Adagio.
For an extra, Hough anticipated Metamorphosen by playing ‘Träumerei’, the fourth piece from Strauss’s Opus 9 Stimmungsbilder. The pianist’s delicate touch conveyed the music’s reverie in convivial fashion.