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The World of the Shining Prince: Court Life in Ancient Japan (1964)

Tekijä: Ivan Morris

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioMaininnat
5671239,734 (4.02)7
The World of the Shining Prince, Ivan Morris's widely acclaimed portrait of the ceremonious, inbred, melancholy world of ancient Japan, has been a standard in cultural studies for nearly thirty years. Using as a frame of reference The Tale of Genji and other major literary works from Japan'sHeian period, Morris recreates an era when woman set the cultural tone. Focusing on the world of the emperor's court-the world so admired by Virginia Woolf and others-he describes the politics, society, religious life, and superstitions of the times, providing detailed portrayals of the daily lifeof courtiers, the cult of beauty they espoused, and the intricate relations between the men and women of this milieu.… (lisätietoja)
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» Katso myös 7 mainintaa

englanti (11)  espanja (1)  Kaikki kielet (12)
Näyttää 1-5 (yhteensä 12) (seuraava | näytä kaikki)
This was one of the 2 favourite books of my grandmother’s childhood friend, Luisa, who taught Chinese and Japanese for a living. She gave me this book as a present when I was a teenager, and up to the last years of her life she always spoke about this book. I would never have read this book if it were not for her. This was the second time I read it, and once again I could not put it down. The writer does a wonderful job at making this book engaging and interesting, with a coherent analysis of a society that was very different from our own. I learned so many fascinating things reading this book. ( )
  Clarissa_ | May 11, 2021 |
There are lots of positive reviews of this on GR, so allow me to present the view for the prosecution. Morris's book is occasionally interesting, but there's very little here that you can't get better from reading the introductions and notes to the various Heian diaries, as well as the diaries themselves. Shining Prince is also a real period piece. It was first published in 1964, and reads like it was first published in some mythical 1954 when White People (other than Ivan Morris, of course) thought The Nips were all Emperor crazed psychopaths just waiting to Kamikaze down from the skies. If you think that, this book will be a very useful corrective. If you have a minimal understanding of history, however, you don't need to read this book. And oddly, if you don't have a minimal understanding of history, this book will be infuriating, because Morris feels obliged to explain the Heian period by comparing it to specific moments in European history. Was this like the Sun King? Yes and no. Was it like this German Emperor's court? Not really. Was it like the Medici?

Don't even get me started on the division he makes between "religion" and "superstition," which would be foreign to the entirety of the world's population outside protestant modernity.

None of this is really Morris' fault; he was writing for a specific audience. The educated layman (definitely 'man') of his time probably knew all about the Medici, and probably knew nothing about Japan. I suspect the educated layperson of our time is more likely to know about Japan than to have the kind of knowledge of European history needed to made all the analogies comprehensible.

Anyway, to restate: if you want to prepare yourself for Genji, which was my purpose in reading this book, you're better off reading the diaries in any responsible edition. Then cherry pick here. The chapters on religion (and "superstition") aren't bad, that on the cult of beauty is worth reading, and the chapter on the emperors might be worth looking at. Everything else you can get elsewhere without the 1950s baggage (again, I'm not accusing Morris of being racist or anything; the problem is that the audience he was writing to doesn't really exist anymore, and if it does, it shouldn't). ( )
  stillatim | Oct 23, 2020 |
Read 2017. ( )
  sasameyuki | May 15, 2020 |
Several years ago I read the entirety of The Tale of Genji, a novel written by Murasaki Shikibu in the eleventh century. It was a pretty big undertaking, but absolutely worth it. I love the novel. Ever since finishing The Tale of Genji for the first time, I've been meaning to read Ivan Morris' The World of the Shining Prince: Court Life in Ancient Japan. The volume takes its title from the hero of The Tale of Genji who is referred to as the shining prince due to his exquisite visage and exceptional character. In many ways, The World of the Shining Prince serves as a companion to The Tale of Genji as Morris explores the historical reality of the aristocracy of Heian-era Japan. The World of the Shining Prince was originally published in 1964. Beginning in 1994, later editions of the work also include an introduction by Barbara Ruch. I recently read and was rather impressed by another of Morris' works, The Nobility of Failure: Tragic Heroes in the History of Japan, and so was looking forward to reading The World of the Shining Prince even more.

In addition to the introductions, preface, appendices, bibliography, and topical index, The World of the Shining Prince examines a number of different aspects of tenth-century Japan, Heian court society, and The Tale of Genji within it ten chapters. Morris begins with a broad overview of the era in the first chapter, "The Heian Period." Though the Heian Period lasted from 782 to 1167, The World of the Shining Prince largely, but not exclusively, focuses on the 900s. The next chapter, "The Setting" looks at Heian architecture, city planning, and geography. From there Morris delves into more detailed analysis of Heian culture in the chapters "Politics and Society," "Religions," and "Superstitions." Next, attention is specifically turned to the Heian nobility and aristocracy. "The Good People and Their Lives" details day-to-day activities, amusements, and ceremonies while "The Cult of Beauty" looks at the particular aesthetics of the era. The eighth chapter, "The Women of Heian and their Relations with Men" outlines household and family structures as well as the place of romantic liaisons. The World of the Shining Prince concludes with chapters devoted to Murasaki Shikibu and to The Tale of Genji itself.

Although written more than five decades ago, The World of the Shining Prince has held up remarkably well. Admittedly, it is nearly impossible to write a completely objective cultural study--Morris' analysis is informed and influenced by his own cultural subjectivity. In the half-century since The World of the Shining Prince was written, Western thought and scholarly approaches to cultural analysis have also changed. (For example, as Ruch mentions in her introduction, views on gender politics and the relationship between religion and superstition has shifted over the years.) The World of the Shining Prince is a product of its time, but that doesn't at all diminish its value as a resource on Heian-era Japan, and more specifically on Japanese court life in the tenth century. Additionally, the volume is written with a general audience in mind. It is quite approachable, even for the average reader, and is engagingly written. Granted, the subject mater of The World of the Shining Prince is fascinating to being with.

Although Morris does provide some important general context within which he situates The World of the Shining Prince, the volume's scope is relatively narrow, concentrating on a very specific part of Heian society. However, this specificity also allows him to explore that subject from several different perspectives. Information about the Heian Period is somewhat limited, especially in regards to the lower classes, which is another reason that The World of the Shining Prince is so focused on the era's nobility. The Tale of Genji is a major source for Morris' study of the Heian-era Japan, as are other works of contemporary literature--The Pillow Book of Sei Shōnagon especially features prominently--as well as diaries and court records from the time period. The World of the Shining Prince is an extremely informative and absorbing work. It's more than just a companion to The Tale of Genji and reaches beyond its literary connections. The volume should appeal to anyone interested in learning more about classical Japanese history.

Experiments in Manga ( )
1 ääni PhoenixTerran | Aug 20, 2014 |
Davvero un gran bel libro.
Consigliato a chi ha già letto il Genji monogatari e anche a chi si appresta a farlo ma forse si sente intimorito dalla complessità del testo.
Questo saggio di Morris, oltre ad analizzare bene molti aspetti della Storia di Genji, aiuta il lettore ad addentrarsi con cura meticolosa, anche se non specialistica, nell'èra Heian della storia del Giappone, un periodo estremamente affascinante e complesso. ( )
  Kazegafukuhi | Aug 10, 2013 |
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In 784 the emperor gave orders that his capital should be moved from the temple city of Heijo (Nara), where it had been during most of the century, to Nagaoka, some thirty miles to the north. Like Heijo the new centre was to be modelled on the Chinese capital of Ch'ang-an; but, in accordance with the increased wealth of the island kingdom, it was to be on a far larger and grander scale than any previous town in Japan.
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The World of the Shining Prince, Ivan Morris's widely acclaimed portrait of the ceremonious, inbred, melancholy world of ancient Japan, has been a standard in cultural studies for nearly thirty years. Using as a frame of reference The Tale of Genji and other major literary works from Japan'sHeian period, Morris recreates an era when woman set the cultural tone. Focusing on the world of the emperor's court-the world so admired by Virginia Woolf and others-he describes the politics, society, religious life, and superstitions of the times, providing detailed portrayals of the daily lifeof courtiers, the cult of beauty they espoused, and the intricate relations between the men and women of this milieu.

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