Pikkukuvaa napsauttamalla pääset Google Booksiin.
Ladataan... The Grail: From Celtic Myth to Christian Symbol (1963)Tekijä: Roger Sherman Loomis
- Ladataan...
Kirjaudu LibraryThingiin nähdäksesi, pidätkö tästä kirjasta vai et. Ei tämänhetkisiä Keskustelu-viestiketjuja tästä kirjasta. Loomis was one of the great Arthurian and Grail scholars of his age, but his commitment to proving the Celtic roots of Grail lore grows tiresome quickly in this book. It's as though you've been buttonholed at party by someone who won't stop until they've explained their theory about the Rosicrucians or fluoridation. There's much interest to be had along the way because the man knew his stuff, but it's not balanced account. I'm going start Richard Barber's book soon, which I understand is more restrained and thorough. ( ) I took a boring course in Arthurian legends in college. This was on the auxiliary reading list. When I finally got to reading it a decade after the course, I was blown away. This was the kind of material I had wanted in the course, a nuanced uncovering of the strands of myth in the multiple retellings of the Grail legend. Highly recommended Loomis provides a full examination of the development of the legends about the Holy Grail, from Chretien de Troyes onward. He does not avoid speculation, but he works in a conservative vein, and admits that his explanations are likely to disappoint those who want the stories to be rooted in sacramental Christianity ab origine, as well as those who fancy Cathar or heretical Templar secrets to be encoded into them (63). He does provide extensive passages in English translation from all of the early Grail romances, to the extent that these texts may occupy nearly as much of the book as his own theories. Those theories, as the subtitle suggests, center on the derivation of tropes and characters from Celtic myth. In every major medieval retelling of the legend, Loomis finds reinforcement of the Celtic elements, which he takes to be of ultimately Irish origin, conveyed through Welsh culture to Breton storytellers in France who were the original purveyors of Grail romance. He proposes that the double meaning of li cors as horn (the enchanted drinking horn of the Welsh hero Bran) and body (the body of Christ, ergo mass wafer) is the key to misunderstandings at the root of the strange transformation of heroic episodes and otherworld journeys in the direction of Christian sacramentalism (61). Loomis seems a little too willing to speculate--repeatedly!--that his medieval authors may have had a screw loose, when he becomes frustrated with the plot paradoxes and improprieties of the stories examined. In one hilarious instance, he declares of Robert de Boron, "he must have been drunk or subject to fits of dementia when he forecast an important role for the son of a virgin!" (233) Loomis, evidently a Christian on the basis of other remarks, must have slipped in composing this sentence, since I'm confident there is an "important role for the son of a virgin" he would not want to ridicule. (In Robert's tale, a celibate knight is supposed to have somehow sired an heir.) Still, the highlighting of such difficulties in the texts is a serious service rendered by Loomis, as is his stress on the bewildering variety of forms taken by the story and by the Grail itself. The "heathenish concept" of identifying the fertility of the land with the virility of its king is one that Loomis is happy to point out, cementing as it does a kinship between the "late, realistic and pious romance of Sone de Nansai" and the pagan legendry of Bran (145). He ultimately points to the Queste del Sant Graal and the Parzival as the versions most satisfying to pious Christian sentiment, but one cannot escape the implied conclusion that the Grail legends derive much of their appeal from a deep vein of pre-Christian wonder, compounded by healthy doses of hapless Christian confusion. näyttää 3/3 ei arvosteluja | lisää arvostelu
Kuuluu näihin kustantajien sarjoihin
The medieval legend of the Grail, a tale about the search for supreme mystical experience, has never ceased to intrigue writers and scholars by its wildly variegated forms: the settings have ranged from Britain to the Punjab to the Temple of Zeus at Dodona; the Grail itself has been described as the chalice used by Christ at the Last Supper, a stone with miraculous youth-preserving virtues, a vessel containing a man's head swimming in blood; the Grail has been kept in a castle by a beautiful damsel, seen floating through the air in Arthur's palace, and used as a talisman in the East to distinguish the chaste from the unchaste. In his classic exploration of the obscurities and contradictions in the major versions of this legend, Roger Sherman Loomis shows how the Grail, once a Celtic vessel of plenty, evolved into the Christian Grail with miraculous powers. Loomis bases his argument on historical examples involving the major motifs and characters in the legends, beginning with the Arthurian legend recounted in the 1180 French poem by Chrtien de Troyes. The principal texts fall into two classes: those that relate the adventures of the knights in King Arthur's time and those that account for the Grail's removal from the Holy Land to Britain. Written with verve and wit, Loomis's book builds suspense as he proceeds from one puzzle to the next in revealing the meaning behind the Grail and its legends. Kirjastojen kuvailuja ei löytynyt. |
Current Discussions-Suosituimmat kansikuvat
Google Books — Ladataan... LajityypitMelvil Decimal System (DDC)398.353Social sciences Customs, Etiquette, Folklore Folklore Real phenomena as subjects of folklore Humanity and human existenceKongressin kirjaston luokitusArvio (tähdet)Keskiarvo:
Oletko sinä tämä henkilö? |