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Ladataan... The Writer Got Screwed (but didn't have to): Guide to the Legal and Business Practices of Writing for the EntertainmentTekijä: Brooke A. Wharton
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Kirjaudu LibraryThingiin nähdäksesi, pidätkö tästä kirjasta vai et. Ei tämänhetkisiä Keskustelu-viestiketjuja tästä kirjasta. A book for would-be screen writers, to help them navigate the shark-infested waters of the film industry. I read it as a playwright, so there were a great many things that did not apply to me, but the first few chapters, especially on copyright and protecting your work, can be important for any writer. The author, an entertainment lawyer, avoids the language of legalese,and in fact, translates some standard industry contracts into English for the rest of us, with her tongue pressed tightly into her cheek and more than a small bit of humor. The interviews with professionals, however, are not particularly helpful and appear to have been tacked into a short book to give it some heft and get it to full book size. The final chapter, on writing for cyberspace, is hopelessly out of date, since the book was released in 1996, and the industry has had some seismic shifts since that time. All in all, a valuable work, at least in parts, and while the list of contacts she gives at the end are also out of date, they do help by giving you some sort of idea what you should be looking for. ( ) This book is now joined by Wharton's website/blog: brookewharton.com(rated in top 10 for film blogs). Entertainment lawyer Brooke A. Wharton provides an authoritative and entertaining primer for the beginning entertainment writer not just on the legal and business issues of writing for the industry, but also on how to get a career jump-started. The first section covers copyright, libel, and contracts. The following section delineates the murky differences between the roles of agent, lawyer, and manager. The next section has a series of interviews with writers, agents, and a producer, all of whom help to enlighten us about the various writing jobs the industry offers, from film to television to cyberspace. Finally, there are lists of competitions, fellowships, internships, and agencies. näyttää 2/2 ei arvosteluja | lisää arvostelu
The Writer Got Screwed is the first book to untangle the legal and business aspects of writing for the entertainment industry. For the young TV production assistant waiting for his big break, the executive with a treatment tucked away in a bottom drawer, the techie targeting the new field of cyberspace writing, or anyone who is inspired to write screenplays, this book is an indispensable road map to success. Savvy Hollywood entertainment attorney Brooke Wharton explains the proper methods of protecting creative work, decodes the legal jargon the new writer is likely to encounter (and be unfamiliar with), gives practical advice on how to find representation, explains the pluses and minuses of obtaining an agent versus a lawyer or manager, shows how to read between the lines of a contract before signing, tells how to receive appropriate compensation for work, and advises how to avoid getting sued or screwed along the way. Top writers from film, television and the emerging field of interactive entertainment candidly reflect on their careers, giving valuable advice on how to pitch ideas and offering alternative paths to success. For example, Jane Anderson, writer of How to Make an American Quilt, reveals how she made the move from television to big screen, and Philip Lazebnik, screenwriter for Pocahontas, recalls the collaborative excitement that lured him -- despite myriad obstacles -- to write for feature animation. Useful resources, including a glossary and lists of agencies, competitions, fellowships, internships and legal organizations, make The Writer Got Screwed an essential addition to every writer's tool chest. Kirjastojen kuvailuja ei löytynyt. |
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Google Books — Ladataan... LajityypitMelvil Decimal System (DDC)384.830973Social sciences Commerce, Communications, Transportation Telecommunications (Telegraph, Internet, Cables, Broadcasting, Telephones, Movies) Motion picture industryKongressin kirjaston luokitusArvio (tähdet)Keskiarvo:
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