Pikkukuvaa napsauttamalla pääset Google Booksiin.
Ladataan... Black Like You: Blackface, Whiteface, Insult & Imitation in American Popular CultureTekijä: John Strausbaugh
- Ladataan...
Kirjaudu LibraryThingiin nähdäksesi, pidätkö tästä kirjasta vai et. Ei tämänhetkisiä Keskustelu-viestiketjuja tästä kirjasta. A survey of the use of blackface in various art forms in the United States in the 19th and 20th centuries; at least mostly, since the text moves a bit into "blaxploitation" and rap music, which I think is getting a bit off the beaten path. On the one hand, the author is a bit flip in certain instances, which can be a bit grating. Other times, I was deeply surprised to see him cut against the PC grain. There are portions of the book that are deeply interesting -- such as the advertisements chapter -- but I was a bit disappointed in the somewhat superficial look at individual vaudeville performers, like Lew Dockstader, or folks like Eddie Cantor and Al Jolson. Borderline recommended. ( ) This book has been too widely ignored due to the title, the cover, or being miscatagorized under "entertainment" because of its references to blackface, Al Jolsen, ect... But it is about so much more. This is a book on social sciences, human relations, discrimination/prejudice no matter what one's race is;, how Americans used to be to be able "to suck it up" & take a joke (Now, God forbid one make a joke about another race unless you are a professional comedienne!), of political correctness gone wrong, & American history in general. And it is written in such an unbiased tone that one cannnot tell the race of the author until the last section of the book. Everyone should read this book. näyttää 2/2 ei arvosteluja | lisää arvostelu
An exploration of race relations in American popular culture, focusing particularly on blackface--strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Strausbaugh shows that, nevertheless, its impact has been deep and longlasting. Strausbaugh illuminates truths about race rarely discussed in public, including: --American culture conforms neither to knee-jerk racism nor to political correctness. It is neither Black nor White nor Other, but a mix. --No history is best forgotten--however uncomfortable it may be to remember. The power of blackface to enrage and mortify Americans to this day is reason enough to examine what it still tells us about our culture and ourselves. --Blackface is still alive. Its impact and derivations--including Black performers in "whiteface"--can be seen all around us.--From publisher description. Kirjastojen kuvailuja ei löytynyt. |
Current Discussions-Suosituimmat kansikuvat
Google Books — Ladataan... LajityypitMelvil Decimal System (DDC)305.8960973Social sciences Social Sciences; Sociology and anthropology Groups of people Ethnic and national groups ; racism, multiculturalism Other Groups African Origin PacificKongressin kirjaston luokitusArvio (tähdet)Keskiarvo:
Oletko sinä tämä henkilö? |