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Shep's Army: Bummers, Blisters and Boondoggles

Tekijä: Jean Shepherd

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioKeskustelut
1521,367,866 (3.5)-
(Book). Disclaimer: No U.S. Military Personnel were harmed during the making of these fictional reminiscences. No warrior is more forgotten than he who has been left behind by the war department. Most men who have never tasted combat beyond the occasional fistfight on poker night quickly learn to lay low and zip the lip when battlefield stories are unfurled by the Purple Hearters at the dinner table. Except, of course, for our man Jean Shepherd. Fearless in his uncombativeness, he manfully fought his dearth of frontline duty with the weapons he wielded unmatched by even the most decorated dogface: rapid-fire griping and explosive laughter. Jean Shepherd was, and remains, a pervasive part of American culture. His quirky individuality was portrayed for posterity by Jason Robards in the play and film, A Thousand Clowns , written by Shep's close pal, Herb Gardner. Jack Nicholson embodied a Shepherd-like late-night radio talker in The King of Marvin Gardens . While in Network , by Paddy Chayefsky (another of Shep's comic cohorts), the television newscaster beseeches his listeners to open their windows and yell, "I'm mad as hell, and I'm not going to take this anymore," an unmistakable echo of Shepherd's radio habit of "hurling an invective" like a hand grenade out into the nation's air waves. Shepherd was a spiritual father to Garrison Keillor, Daniel Pinkwater, Bill Harley, Paul Krassner and Joe Frank. Tens of thousands of rabid fans stayed up past their bedtime with transistor radios stashed under their pillows to follow Shep's always unpredictable, usually extemporaneous, verbal forays into current events, social mores, idle thoughts, stories about his childhood in northern Indiana ("I was this kid, see..."), his army days, and his idiosyncratic take on his world-wide travels. Shepherd once bamboozled an innocent public, and gullible publishing world, by promoting a non-existent book ( I, Libertine ) and author (Frederick R. Ewing), then co-writing it with sci-fi author Theodore Sturgeon. It sold in best-seller numbers. Shepherd wrote nearly two dozen stories for Playboy and even interviewed the Beatles for the magazine. He published several best-selling books of his stories and articles; he appeared at Carnegie Hall, Town Hall, and in hundreds of jam-packed college auditoriums. Shep's Army is the first volume of new Shepherd tales to be published in a quarter century.… (lisätietoja)
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näyttää 2/2
While the book cover touts "Jean Shepherd's Never Before Published Army Stories", the fact is these are Jean Shepherd radio shows transcribed into book form. So, while that was a little disappointing, the stories do present themselves in the "voice" of Shepherd. His stories are good, the fake book jacket blurbs are not good. ( )
  bjkelley | Oct 27, 2017 |
The truly remarkable thing about Jean Shepherd’s writing is that it is totally believable. It doesn’t matter that he contradicts himself from one story to another. It doesn’t matter that you know in advance it’s not true. It doesn’t matter that he talks about soldiers listening to Elvis hits in 1942. The story is so conversational, so matter of fact, so believable, so human, you put everything aside and enjoy. This is an artist.

This book is a collection of his WWII army experiences, from basic training to deployment – a train ride away. (He never made it overseas.) They are adapted from radio stories, which Shepherd wisely thought was a bad thing to do – it took him ten years to refine his written storytelling style into the masterful art it is. The editor also wisely chooses not to second guess the master.

The stories grow in sophistication, much as the raw recruit grows in experience. At first, he calls his unit Company K, the 362 Airborne Mess Kit Repair Battalion. The sergeant calls his charges mens. But by the time we get to the story of the fourth of July parade, Shepard is getting bolder. He describes a four star general as having “campaign ribbons from his collarbone all the way down to his waist…. He just looked like a gigantic fruitcake” on the reviewing stand. Or army food: “Tremendous bowls of potato chips, the rubber potato chips the army used for amphibious work.” I’ll leave you to imagine what he meant by Rectal Cranial Inversion. By the time he’s in Code School, the total absurdity of it all is plainly on display.

My own favorite is USO Hospitality, the story of a family that invited him to Sunday dinner in Missouri. From their overstuffed, overformal home to their rigid politeness, it looked for all the world to be the most uneventful of all his stories. But after the pre-dinner sherry (his first alcohol) and the White Lightning (his second), and the lady of the house literally under the table, stewed pink, the whole thing is a joy to read and remember. It’s a turning point. It ushers in a funnier, sharper style of story that deepens as you read further into Shep’s Army. And you should. ( )
1 ääni DavidWineberg | May 31, 2013 |
näyttää 2/2
ei arvosteluja | lisää arvostelu
Sinun täytyy kirjautua sisään voidaksesi muokata Yhteistä tietoa
Katso lisäohjeita Common Knowledge -sivuilta (englanniksi).
Teoksen kanoninen nimi
Alkuteoksen nimi
Teoksen muut nimet
Alkuperäinen julkaisuvuosi
Henkilöt/hahmot
Tärkeät paikat
Tärkeät tapahtumat
Kirjaan liittyvät elokuvat
Epigrafi (motto tai mietelause kirjan alussa)
Omistuskirjoitus
Ensimmäiset sanat
Sitaatit
Viimeiset sanat
Erotteluhuomautus
Julkaisutoimittajat
Kirjan kehujat
Alkuteoksen kieli
Kanoninen DDC/MDS
Kanoninen LCC

Viittaukset tähän teokseen muissa lähteissä.

Englanninkielinen Wikipedia

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(Book). Disclaimer: No U.S. Military Personnel were harmed during the making of these fictional reminiscences. No warrior is more forgotten than he who has been left behind by the war department. Most men who have never tasted combat beyond the occasional fistfight on poker night quickly learn to lay low and zip the lip when battlefield stories are unfurled by the Purple Hearters at the dinner table. Except, of course, for our man Jean Shepherd. Fearless in his uncombativeness, he manfully fought his dearth of frontline duty with the weapons he wielded unmatched by even the most decorated dogface: rapid-fire griping and explosive laughter. Jean Shepherd was, and remains, a pervasive part of American culture. His quirky individuality was portrayed for posterity by Jason Robards in the play and film, A Thousand Clowns , written by Shep's close pal, Herb Gardner. Jack Nicholson embodied a Shepherd-like late-night radio talker in The King of Marvin Gardens . While in Network , by Paddy Chayefsky (another of Shep's comic cohorts), the television newscaster beseeches his listeners to open their windows and yell, "I'm mad as hell, and I'm not going to take this anymore," an unmistakable echo of Shepherd's radio habit of "hurling an invective" like a hand grenade out into the nation's air waves. Shepherd was a spiritual father to Garrison Keillor, Daniel Pinkwater, Bill Harley, Paul Krassner and Joe Frank. Tens of thousands of rabid fans stayed up past their bedtime with transistor radios stashed under their pillows to follow Shep's always unpredictable, usually extemporaneous, verbal forays into current events, social mores, idle thoughts, stories about his childhood in northern Indiana ("I was this kid, see..."), his army days, and his idiosyncratic take on his world-wide travels. Shepherd once bamboozled an innocent public, and gullible publishing world, by promoting a non-existent book ( I, Libertine ) and author (Frederick R. Ewing), then co-writing it with sci-fi author Theodore Sturgeon. It sold in best-seller numbers. Shepherd wrote nearly two dozen stories for Playboy and even interviewed the Beatles for the magazine. He published several best-selling books of his stories and articles; he appeared at Carnegie Hall, Town Hall, and in hundreds of jam-packed college auditoriums. Shep's Army is the first volume of new Shepherd tales to be published in a quarter century.

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