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Sparta

Tekijä: Roxana Robinson

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioMaininnat
1168233,584 (4.12)4
"[After four years in Iraq, Conrad Farrell returns to Katonah, New York], and he's beginning to learn that something has changed in his landscape. Something has gone wrong, though things should be fine: he hasn't been shot or wounded; he's never had psychological troubles. But as he attempts to reconnect with his family and his girlfriend and to find his footing in the civilian world, he learns how hard it is to return to the people and places he used to love"--Dust jacket flap.… (lisätietoja)
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Näyttää 1-5 (yhteensä 8) (seuraava | näytä kaikki)
Conrad Farrell returns from a tour of duty in Afghanistan and is no longer a Marine but finds life as a civilian difficult to live. The Conrad who joined the Marines is not the same person who returned. 375 pages of his angst, not being able to concentrate on tests, unable to behave "normally", unable to have personal relationships with family members/girlfriend. Finally decides to commit suicide - but younger brother talks him out of it. He gets better in the final TWO PAGES. Aargh! ( )
  sraelling | May 6, 2018 |
Roxana Robinson's SPARTA is gut-wrenching, heartbreaking literary fiction that kept me reading late into the night, And as I got closer and closer to the book's end, I began to dread what would come, was actually afraid for this young man, protagonist Conrad Farrell, and what he might do. Because he had become that real to me. Not a fictional character, but a real-life, flesh and blood human being, and one who was in deep trouble, tortured by unbearable "storms of anguish and grief and despair ... of guilt and shame."

With Marine Corps LT Conrad Farrell, a returning Iraq War veteran, Roxana Robinson has created a character who, while real enough as an individual - and vividly so - could also be construed as a composite of thousands of veterans irreparably damaged by the war. And so many of them, like Farrell, fail to seek help because they are still governed by the "suck it up" and "be a man" mindset drilled into them by their training.

Farrell comes from a comfortably upper-class background in Westchester County, and is a graduate of Williams College, where he studied the classics. His father is a professor, his mother a licensed social worker and therapist. It seems an unlikely background for a Marine officer, in this era of no draft and a professional military which comprises barely one percent of the population. But Conrad was drawn by that age old pull of wanting to test himself, and there was also some idealism, wanting to do something for his country. The Iraq War was not yet a reality when he signed up, but came soon after, and his long nightmare of combat, casualties, and his subsequent return to an uncaring general populace is documented here in a narrative so compelling and real that it will not just draw you in; it will break your heart.

It doesn't take Conrad long, upon his return home, to realize that he doesn't fit in, not with his loving family, not with his girl friend. Not anywhere. A veteran of numerous firefights and victim of IEDs, he is plagued by crippling headaches, bloody memories and horrifying flashbacks, and forced to admit, "The stuff in my head is permanent. It can't be erased." And only when thoughts of suicide become more frequent does he seek help, through an overburdened and indifferent VA Hospital system.

Robinson compares the rigid warrior codes and training of Sparta, the ancient Greek city-state, to those of the Marine Corps, and tells us -

"Sparta failed, in the end, because the energies of the state were directed only toward war ... The costs of war were great, both to the nation and to the soldiers. Sparta made young boys into warriors; it was left to the warriors to restore themselves to men."

Conrad Farrell's story is grim proof of the difficulty of effecting such a restoration.

Roxana Robinson's previous novel, which I have not read, is called COST. She could have easily used the same title for this book, with its heart wrenching descriptions of the human cost of our current wars. Robinson is a marvelous writer, and SPARTA is a book which cries out to be read. My highest recommendation.

- Tim Bazzett, author of the memoir, SOLDIER BOY: AT PLAY IN THE ASA ( )
  TimBazzett | Jan 30, 2016 |
Brilliantly told, heartbreaking without being hopeless...enlightening if you know someone fighting this same PTSD fight. ( )
  jimnicol | Sep 26, 2014 |
Inspired by the romanticized accounts of war in the ancient world, classics major Conrad Farrell joins the Marines in an attempt to enter into the venerable brotherhood of honor, sacrifice, and courage forged in the heat of combat. Explaining his decision to enlist, Conrad naively tells his parents, "The classical writers love war, that's their main subject. Being a soldier was the whole deal, the central experience . . . It seems like it's the great thing. The great challenge" (22). And so Conrad goes to Sparta--the nickname for the Marine military base in Haditha, Iraq. However, he also goes to Sparta in the figurative sense, learning that what gave greatness to the ancient Greek city-state famous for its military might was also the chink in its armor: when you surrender everything to war, you lose something intrinsic and necessary for the survival of the human spirit.

Sparta is not about Conrad's time in Iraq, although there are several well-written flashback sequences that give us insight into what Conrad endured as a soldier. Instead, it is a powerful novel focusing on what happens when a warrior returns home. What is his place when his service is done, when the mission is complete, and when what he found in war was not glory or purpose or righteousness, but waste and hypocrisy? Roxana Robinson does a superb job of delineating Conrad's slow descent into existential darkness, finding it increasingly impossible to reconnect to an America and a family so materially comfortable and willfully insular that it knows nothing of what his time in Iraq was like. As he tells his father, "It's hard to describe. It's like I can't get in here. It's as though I'm standing outside. I can see everyone in here, rushing around and doing things, and I can't get in" (240).

Conrad's training as a Marine defines him, leading to a single-minded determination to fight against the anxiety, the fear, and the rage on his own; to seek outside help would be a sign of weakness and failure. He begins to see himself as a man divided: there is the Conrad who existed before the war, the one everyone expects him to be, and the soldier who is so defined by combat that he cannot exist in a world without it. As it becomes more evident that he is losing the battle within himself, Conrad's plight is made all the more distressing when he begins to seek help from a disinterested and unforgivably slow VA. While I know that many VA clinics are run by compassionate, engaged medical professionals, it is just as true that many are indifferent or ill-equipped to handle the task of treating our veterans. That any man or woman who has been willing to sacrifice for our nation should have to wait months for needed medical treatment or tolerate a slow-moving bureaucracy is a shameful condemnation of our society's refusal to respect and honor the human cost of war.

Robinson's creation of a soldier's struggle is certainly admirable and, for the most part, surprisingly convincing given that it's written by a female author outside of the military. Her real strength lies in depicting the complexity of the relationships: the silent agony of his family, the confusion of his girlfriend, the awkward interactions with former friends, and the painful communications with his fellow Marines (many of whom are also struggling, but valiantly trying to hide it from their former lieutenant). In particular, the sibling bond between Conrad and his younger brother and sister (a bond forged of shared experience and damaged by Conrad's isolated time outside of that bond) struck me as genuine and authentic. Robinson is certainly to be commended for the beauty of the writing, as well as the light she sheds on the emotional toll of war. Despite this, it does sometimes feel a bit too studied, too researched; it doesn't (brace yourselves for what you should have known would be the inevitable Tim O'Brien comparison) make me feel the effects in the way that The Things They Carried does. And while Robinson is an impressive chronicler of the minutiae of daily life--the ever changing earrings worn by Conrad's sister, the flotsam and jetsam that inevitably end up on the kitchen refrigerator, the festive decor of a Christmas table--such details strike me as decidedly feminine; granted, Conrad's training has taught him to home in on details, but these still seem like the things that make up the lives of women and might be briefly noted and then discarded as irrelevant by a masculine mind.

A brief history lesson on the Iraq War and on military life in Sparta are awkwardly shoe-horned into the narrative in the beginning, but once Sparta finds its focus in the mind of Conrad, it is a powerful and necessary reminder that not every soldier who comes home without injury is, in fact, whole.

Cross posted at This Insignificant Cinder and at Shelf Inflicted ( )
  snat | Apr 14, 2014 |
Well written book about a returning Iraq veteran. Author gets inside his head and makes it believable. I really cared about what would happen to this guy. ( )
  Stevejm51 | Oct 17, 2013 |
Näyttää 1-5 (yhteensä 8) (seuraava | näytä kaikki)
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Englanninkielinen Wikipedia

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"[After four years in Iraq, Conrad Farrell returns to Katonah, New York], and he's beginning to learn that something has changed in his landscape. Something has gone wrong, though things should be fine: he hasn't been shot or wounded; he's never had psychological troubles. But as he attempts to reconnect with his family and his girlfriend and to find his footing in the civilian world, he learns how hard it is to return to the people and places he used to love"--Dust jacket flap.

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