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Ladataan... Poltetun Njallin saagaTekijä: Anonymous
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» 8 lisää Ei tämänhetkisiä Keskustelu-viestiketjuja tästä kirjasta. This is one of those books that I think need to re-read. There are too many characters, and their relationships change, from enemies into family by marriage. I also struggled with the culture. This is a story that is told for an audience who know the characters. They don't need an explanation for common knowledge. However, to show how a rich a homesteader is, a list of luxury items, and number of servants are listed. Its not an easy book, and the Penguin Edition was nicely annotated, however I found the family trees at the end to be mostly useless. "...Kol was counting out the silver...Kari rushed at him with his sword drawn and slashed at Kol's neck. Kol kept on counting, and his head said 'Ten' as it flew from his shoulders." "[Flosi] walked all the way to Rome, where he was accorded the great honour of receiving absolution at the hands of the Pope himself; he paid a large sum of money for it." The writing is so spare and to-the-point that it verges on comedy sometimes. I find the directness novel. No flowery language or wasted words. I guess that's the oral-tradition factor. A lot of HONOR and stoic dudes that are surprisingly fragile (in terms of masculinity, but also limbs and heads seem to get hacked off with ease). A multigenerational blood-feud that ends with two survivors of opposite factions becoming buds...as it should be, really. And there I end my review of the saga of the Burning of Njal. Here’s a family saga that makes the Hatfields and the McCoys seem like amateurs, genealogical narratives that make those in the Bible seem brief, and grisly descriptions of hand to hand combat that are the equal of the Iliad. In the introduction to this edition of the English translation by Bayerschmidt and Hollander, Þorsteinn Gylfason notes, “An Icelandic scholar of the eighteenth century said that all the sagas of the Icelanders could be summed up in four words, 'Farmers came to blows.'" But between these dismemberments are the stories of resentment and craftiness that precede the gore, and more fascinating to me, the legal suits and maneuverings in the Althing, the medieval Icelandic assembly, to award compensation to the families of the slain in exchange for a pledge of peace. Then after all parties were satisfied, the plotting of the next round of the vendetta starts just as soon as all have returned home. Equally fascinating to me is that in the middle of all this feuding and strife—in the year 1000 by our current calendar—everyone converts to Christianity, and then continues on exactly as they did as worshipers of the old Norse gods. ei arvosteluja | lisää arvostelu
Kuuluu näihin kustantajien sarjoihinSisältyy tähän:The Icelandic Sagas (tekijä: Magnus Magnusson) Islänningasagorna: samtliga släktsagor och fyrtionio tåtar: Njáls saga, Kämpar och äventyrare (tekijä: Kristinn Jóhannesson) Islændingesagaerne (tekijä: Annette Lassen) (epäsuora) Mukaelmia:The burning of Njal (tekijä: Henry Treece)
Considered to be one of the finest of the Icelandic sagas, "Njal's Saga" (or "The Story of Burnt Njal") was written sometime in the thirteenth century by an unknown author and is the longest and most developed of the sagas. The source material for the saga was historical but probably drawn largely from oral tradition. The story relates events that took place between 960 and 1020, involving blood feuds in the Icelandic Commonwealth. It features memorable characters like the noble warrior Gunnar of Hlidarendi, the lawyer Njall orgeirsson, and the mildly villainous Mord Valgardsson, whose motivations and passions are familiar to people of every age and locale. The saga is divided into three parts, which describe the friendship between Gunnar and Njal, the tragic consequences of revenge, and finally the retribution of Flosi and Kari. Themes of loyalty, marriage, family honor and vengeance permeate this beautifully written and timeless epic." Kirjastojen kuvailuja ei löytynyt. |
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I don't know how much the translator helped, but there were some seriously badass action scenes in this saga - heroes sliding on ice, catching spears and throwing them back, limbs flying everywhere. I wonder if it also counts as one of the earliest courtroom dramas, because legal intrigue is what we get in between the episodes of violence.
Characters' personalities and motives are typically understated as usual in such sagas. However you get intriguing glimpses of their natures, such as with Skarp-Hedin's enigmatic smiles.
Definitely one of my favourites of the genre, with action, intrigue, and drama in spades. (