KotiRyhmätKeskusteluLisääAjan henki
Etsi sivustolta
Tämä sivusto käyttää evästeitä palvelujen toimittamiseen, toiminnan parantamiseen, analytiikkaan ja (jos et ole kirjautunut sisään) mainostamiseen. Käyttämällä LibraryThingiä ilmaiset, että olet lukenut ja ymmärtänyt käyttöehdot ja yksityisyydensuojakäytännöt. Sivujen ja palveluiden käytön tulee olla näiden ehtojen ja käytäntöjen mukaista.

Tulokset Google Booksista

Pikkukuvaa napsauttamalla pääset Google Booksiin.

Ladataan...

Four New Messages

Tekijä: Joshua Cohen

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioMaininnat
864312,644 (3.36)6
A quartet of audacious fictions that capture the pathos and absurdity of life in the age of the internet A spectacularly talented young writer has returned from the present with Four New Messages, urgent and visionary dispatches that seek to save art, sex, and even alienation from corporatism and technology run rampant. In "Emission," a hapless drug dealer in Princeton is humiliated when a cruel co-ed exposes him exposing himself on a blog gone viral. "McDonald's" tells of a frustrated pharmaceutical copywriter whose imaginative flights fail to bring solace because of a certain word he cannot put down on paper. In "The College Borough" a father visiting NYU with his daughter remembers a former writing teacher, a New Yorker exiled to the Midwest who refuses to read his students' stories, asking them instead to build a replica of the Flatiron Building. "Sent" begins mythically in the woods of Russia, but in a few virtuosic pages plunges into the present, where an aspiring journalist finds himself in a village that shelters all the women who've starred in all the internet porn he's ever enjoyed. Highbrow and low-down, these four intensely felt stories explain what happens when the virtual begins to colonize the real -- they harness the torrential power and verbal dexterity that have established Cohen as one of America's most brilliant younger writers.… (lisätietoja)
-
Ladataan...

Kirjaudu LibraryThingiin nähdäksesi, pidätkö tästä kirjasta vai et.

Ei tämänhetkisiä Keskustelu-viestiketjuja tästä kirjasta.

» Katso myös 6 mainintaa

englanti (3)  italia (1)  Kaikki kielet (4)
näyttää 4/4
Un Cohen ancora un po' acerbo

Questi quattro racconti lunghi scritti da Joshua Cohen qualche anno prima del successo del Libro dei Numeri sono piuttosto difficili da classificare. In un certo senso, tranne in parte l'ultimo, sono tutti centrati su di lui, o meglio su uno scrittore che sta facendo introspezione su ciò che è e ciò che vorrebbe fare. Il guaio è che Cohen è un funambolo con le parole (e la povera Claudia Durastanti ha dovuto fare un lavoraccio per renderlo così bene in italiano): il povero lettore si perde nelle divagazioni, e quando la trama ritorna brutalmente al punto di partenza uno si ritrova davvero spaesato. Tra i quattro racconti (o forse sono cinque, perché non ho mica capito quale sia il filo conduttore tra "Il letto" e "Com/Moc", o meglio quello che ho visto è molto esile) quello che mi è piaciuto di più è "Quartiere universitario", dove il narratore racconta di come qualche decennio prima uno scrittore che aveva pubblicato un bestseller ma non riusciva a scrivere un seguito passò un anno sabbatico a insegnare letteratura nell'università spersa in mezzo al nulla. In realtà il progetto di quell'anno fu tutta un'altra cosa: ma andando avanti nella lettura si scopre come il professore fosse davvero capace di leggere dentro le altre persone, e far tirare loro fuori la vera vocazione. Il libro merita anche solo per questo racconto. ( )
  .mau. | May 17, 2023 |
Then it covered itself with a shawl, tugged from a puddle in its lap--the fringe of that rug of bearskin, omnivorously soiled, full of thistle.

Joshua Cohen's collection of four longish stories sort of left me baffled. Mr. Wallace is dead and yet some keep praying and practicing as if only by inertia (or habit). Sorry for the parody of Nietzsche's Gay Science, but i was bit confused by this insistence of self-awareness. We see narrative repeatedly derailed by distraction, detail and the knowledge that fiction is but a brochure for but another virtual experience. Structure thwarts, I'm afraid as does someone screaming "I'm clever" throughout the performance. Every word in that sentence should be in quotes with a paragraph of footnoted explanation below this text. I don't know if the experiment is postdated or if I'm too fucking old for four stories exploring the dearth of the actual, the commodification of language and emotions. There is a pulse of the sentimental in the third piece The College Borough and it is by far my favorite.

Cohen is but a pup, albeit a wonderfully wordy one. I look forward to what the next decade provides.
( )
  jonfaith | Feb 22, 2019 |
I was lured to this by James Wood, who included this in the New Yorker top 2012 books.
The first story "Emissions" made me feel old and cranky. Sex, drugs, computer hacking -- sigh. So much energy. But so unpredictable. Great ending.
The second one, "McDonald's" is so intricately metafictional that it became a confusing morass of embryonic concepts. Some bits here and there are terrific, but overall, I want to shake him: "Just say it!"
"The Bed", being the first part of "Sent", was wonderful - almost a fairy tale of the life of a wooden bed as it lived through generations. But then the rest of it abruptly yanks you into something else and disintegrates into surrealistic bizarre fragmented scenes of Eastern European porn industry. WTF?
What is it when a preoccupation with sexual themes so surely marks the writer as male and young-ish?
Cohen is an acrobat of words and ideas. This will appeal to lovers of absurdist metafiction on steroids, but I think it still needs some maturation and refining.
( )
  TheBookJunky | Apr 22, 2016 |
I was lured to this by James Wood, who included this in the New Yorker top 2012 books.
The first story "Emissions" made me feel old and cranky. Sex, drugs, computer hacking -- sigh. So much energy. But so unpredictable. Great ending.
The second one, "McDonald's" is so intricately metafictional that it became a confusing morass of embryonic concepts. Some bits here and there are terrific, but overall, I want to shake him: "Just say it!"
"The Bed", being the first part of "Sent", was wonderful - almost a fairy tale of the life of a wooden bed as it lived through generations. But then the rest of it abruptly yanks you into something else and disintegrates into surrealistic bizarre fragmented scenes of Eastern European porn industry. WTF?
What is it when a preoccupation with sexual themes so surely marks the writer as male and young-ish?
Cohen is an acrobat of words and ideas. This will appeal to lovers of absurdist metafiction on steroids, but I think it still needs some maturation and refining.
( )
  BCbookjunky | Mar 31, 2013 |
näyttää 4/4
ei arvosteluja | lisää arvostelu
Sinun täytyy kirjautua sisään voidaksesi muokata Yhteistä tietoa
Katso lisäohjeita Common Knowledge -sivuilta (englanniksi).
Teoksen kanoninen nimi
Alkuteoksen nimi
Teoksen muut nimet
Alkuperäinen julkaisuvuosi
Henkilöt/hahmot
Tärkeät paikat
Tärkeät tapahtumat
Kirjaan liittyvät elokuvat
Epigrafi (motto tai mietelause kirjan alussa)
Omistuskirjoitus
Ensimmäiset sanat
Sitaatit
Viimeiset sanat
Erotteluhuomautus
Julkaisutoimittajat
Kirjan kehujat
Alkuteoksen kieli
Kanoninen DDC/MDS
Kanoninen LCC

Viittaukset tähän teokseen muissa lähteissä.

Englanninkielinen Wikipedia

-

A quartet of audacious fictions that capture the pathos and absurdity of life in the age of the internet A spectacularly talented young writer has returned from the present with Four New Messages, urgent and visionary dispatches that seek to save art, sex, and even alienation from corporatism and technology run rampant. In "Emission," a hapless drug dealer in Princeton is humiliated when a cruel co-ed exposes him exposing himself on a blog gone viral. "McDonald's" tells of a frustrated pharmaceutical copywriter whose imaginative flights fail to bring solace because of a certain word he cannot put down on paper. In "The College Borough" a father visiting NYU with his daughter remembers a former writing teacher, a New Yorker exiled to the Midwest who refuses to read his students' stories, asking them instead to build a replica of the Flatiron Building. "Sent" begins mythically in the woods of Russia, but in a few virtuosic pages plunges into the present, where an aspiring journalist finds himself in a village that shelters all the women who've starred in all the internet porn he's ever enjoyed. Highbrow and low-down, these four intensely felt stories explain what happens when the virtual begins to colonize the real -- they harness the torrential power and verbal dexterity that have established Cohen as one of America's most brilliant younger writers.

Kirjastojen kuvailuja ei löytynyt.

Kirjan kuvailu
Yhteenveto haiku-muodossa

Current Discussions

-

Suosituimmat kansikuvat

Pikalinkit

Arvio (tähdet)

Keskiarvo: (3.36)
0.5
1 1
1.5
2
2.5
3 6
3.5 1
4 5
4.5 1
5

Oletko sinä tämä henkilö?

Tule LibraryThing-kirjailijaksi.

 

Lisätietoja | Ota yhteyttä | LibraryThing.com | Yksityisyyden suoja / Käyttöehdot | Apua/FAQ | Blogi | Kauppa | APIs | TinyCat | Perintökirjastot | Varhaiset kirja-arvostelijat | Yleistieto | 204,239,113 kirjaa! | Yläpalkki: Aina näkyvissä