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Nuoruuteni Pariisi (1964)

Tekijä: Ernest Hemingway

Muut tekijät: Katso muut tekijät -osio.

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioKeskustelut / Maininnat
9,013188884 (3.96)1 / 487
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. It is his classic memoir of Paris in the 1920s, filled with irreverent portraits of other expatriate luminaries such as F. Scott Fitzgerald and Gertrude Stein; tender memories of his first wife, Hadley; and insightful recollections of his own early experiments with his craft. It is a literary feast, brilliantly evoking the exuberant mood of Paris after World War I and the youthful spirit, unbridled creativity, and unquenchable enthusiasm that Hemingway himself epitomized.… (lisätietoja)
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Ryhmä ViestiketjuViestitViimeinen viesti 
 George Macy devotees: Hemingway's Finale.14 lukematonta / 14leccol, syyskuu 2014

» Katso myös 487 mainintaa

englanti (172)  espanja (5)  ruotsi (2)  portugali (1)  katalaani (1)  italia (1)  ranska (1)  heprea (1)  tanska (1)  hollanti (1)  brasilianportugali (1)  Kaikki kielet (187)
Näyttää 1-5 (yhteensä 187) (seuraava | näytä kaikki)
Reread after 20 years the book was some of EH's last and best writings. it shows. More memories than stories or essays these pages noted some of his days in Paris and Central Europe. Smooth and clear it gave proof to EH's comment about any man's life having the stuff of novels if well written. I enjoyed the Scribner Classic editions of Hemingway. Paperbacks with style. ( )
  JBreedlove | Mar 16, 2024 |
65. A Moveable Feast by Ernest Hemingway
OPD: 1964
format: 211-page Hardcover, dated 1964
acquired: 2006 read: Nov 20-24 time reading: 4:40, 1.3 mpp
rating: 5
genre/style: Memoir theme: TBR and Hemmingway
locations: Paris 1921-1926
about the author: (1899 – 1961, born in Oak Park, Illinois, outside Chicago) An American novelist, short-story writer, journalist, and the 1954 Nobel Prize Laureate.

This is such a terrific little book. A collection of sketches of his life in 1920's Paris among authors, cafes, his wife and horse racing. Poverty and hunger play a romantic role. The wine and spirits an evocative one, the way they are enjoyed and abused. This is Gertrude Stein's Lost Generation of American writers in Paris. And Hemmingway is in their midst, working with all of them. Stein, Ezra Pound, F. Scott Fitzgerald & Zelda, Ford Maddox Ford and others a brought to life with a permanence, with affection, humor and brutal critique. The sum affect was magical.

It's not a simple memoir. We don't know how much is factual, verse bad memory, vs outright fiction. And it's not nice. Hemmingway is pretty clear he's going to say what he says in a straightforward way, regardless of your feelings, or his own. What comes across is both mean and affectionate. He somehow creates a sense of brutal honesty that somehow comes out wonderful. There is magic whatever he's talking about. But when author's we know come up, it's riveting. It feels so honest. His affection for Fitzgerald feels so moving, that it was only after I finished the book that I realized how terribly he gutted the poor guy's personality. But the gutting was so thoroughly entertaining!

This book has come up a lot and reviews have a constant praise about them. So my commentary is just one of many before. I'll add one thing I missed in all those reviews - it's really short and flies by. You can read this on a lazy Sunday and never be bored until you put it down.

2023
https://www.librarything.com/topic/354226#8292413 ( )
  dchaikin | Nov 25, 2023 |
I challenge you to name one other book where Earnest Hemingway and F. Scott Fitzgerald compare penis size. ( )
1 ääni emmby | Oct 4, 2023 |
Is this fiction, or isn't it? Are not all memoirs fiction to some degree, based on fallible individual memory? Hemmingway said this is a work of fiction. Meant to evoke the time, the place and the people of that time. Was this a kindness on his part, to soften some of the stark words within? Perhaps. Whatever it is, he does a masterful job of taking the reader to the Paris of the 1920s. He gives insight into how and why he wrote the way he did. All very interesting and a book to keep on the shelf. ( )
2 ääni MrsLee | Sep 28, 2023 |
One of my favorite parts was a passage that described being on a writing-roll by him narrating from inside the scene, and you don't realize what he's doing until his writing gets interrupted. At first it wasn't clear, but when I realized what he was doing I got excited. I reread the passage, then read it aloud to N, and only then did I get enough of it to continue with the chapter.

Most of his name-dropping was lost on me, save for the Fitzgeralds and Gertrude Stein (whose name I recognize only because she was a friend of Hemingway's); because I didn't know them, his anecdotes and descriptions would fall a little flat. When he wrote about normal people, however, like his favorite waiter, they came to life. And naturally his descriptions of Paris itself were fantastic, written with true love and affection.







( )
1 ääni blueskygreentrees | Jul 30, 2023 |
Näyttää 1-5 (yhteensä 187) (seuraava | näytä kaikki)
Important note!: this review is of the edition that Hemingway's grandson revised because he didn't like the original's contents. Hotchner argues for ignoring this edition in favor of the original.

"The grandson has removed several sections of the book’s final chapter and replaced them with other writing of Hemingway’s that the grandson feels paints his grandma in a more sympathetic light. Ten other chapters that roused the grandson’s displeasure have been relegated to an appendix."

"All publishers, Scribner included, are guardians of the books that authors entrust to them. Someone who inherits an author’s copyright is not entitled to amend his work. There is always the possibility that the inheritor could write his own book offering his own corrections. Ernest was very protective of the words he wrote, words that gave the literary world a new style of writing. Surely he has the right to have these words protected against frivolous incursion, like this reworked volume that should be called “A Moveable Book.” I hope the Authors Guild is paying attention."
 
He is gentle, wistful, and almost nostalgic. One writer friend once described Hemingway to me as "that bully" and in many ways my friend was right. Hemingway had created his own public personae that included a brusque way of conducting himself; of a kind of machismo that would be called out for what it was these days; and an insensitivity to other people that bordered on the cruel. A lot of that 'Grace under pressure" is crap, and in his better moments, Heminway probably knew that. But the stories in A Moveable Feast belie all that. He remembers those days in Paris with a fondness and kindness that is remarkable, considering his usual public displays.
 
Ernest was very protective of the words he wrote, words that gave the literary world a new style of writing. Surely he has the right to have these words protected against frivolous incursion, like this reworked volume that should be called “A Moveable Book.”
 
For that voice of a shattered Hemingway alone, the new edition of A Moveable Feast is worth taking note of. Otherwise, what I'm calling the "classic" edition is the more coherent narrative.
 
"Though this may seem at first blush a fragmentary book, it is not so. It should be read as a novel, belongs among the author's better works and is, as 'mere writing,' vintage Hemingway."
 

» Lisää muita tekijöitä (91 mahdollista)

Tekijän nimiRooliTekijän tyyppiKoskeeko teosta?Tila
Ernest Hemingwayensisijainen tekijäkaikki painoksetlaskettu
Demanuelli, ClaudeKääntäjämuu tekijäeräät painoksetvahvistettu
Fritz-Crone, PelleKääntäjämuu tekijäeräät painoksetvahvistettu
Hemingway, MaryJohdantomuu tekijäeräät painoksetvahvistettu
Hemingway, PatrickEsipuhemuu tekijäeräät painoksetvahvistettu
Hemingway, SeánToimittajamuu tekijäeräät painoksetvahvistettu
Horschitz-Horst, AnnemarieÜbersetzermuu tekijäeräät painoksetvahvistettu
Saporta, MarcKääntäjämuu tekijäeräät painoksetvahvistettu
Schuck, MaryKannen suunnittelijamuu tekijäeräät painoksetvahvistettu
Storm, ArieKääntäjämuu tekijäeräät painoksetvahvistettu
Vandenbergh, JohnKääntäjämuu tekijäeräät painoksetvahvistettu
Wildschut, MarjolijnJälkisanatmuu tekijäeräät painoksetvahvistettu
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If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast. --Ernest Hemingway to a friend, 1950
Omistuskirjoitus
Ensimmäiset sanat
Huonoa säätäkin saimme kokea.
Sitaatit
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When I saw my wife again standing by the tracks...I wished I had died before I ever loved anyone but her.
But this is how Paris was in the early days when we were very poor and very happy.
Work could cure almost anything, I believed then, and I believe now. Then all I had to be cured of, I decided Miss Stein felt, was youth and loving my wife.
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Englanninkielinen Wikipedia (2)

Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. It is his classic memoir of Paris in the 1920s, filled with irreverent portraits of other expatriate luminaries such as F. Scott Fitzgerald and Gertrude Stein; tender memories of his first wife, Hadley; and insightful recollections of his own early experiments with his craft. It is a literary feast, brilliantly evoking the exuberant mood of Paris after World War I and the youthful spirit, unbridled creativity, and unquenchable enthusiasm that Hemingway himself epitomized.

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Perintökirjasto: Ernest Hemingway

Ernest Hemingway has a Legacy Library. Legacy libraries are the personal libraries of famous readers, entered by LibraryThing members from the Legacy Libraries group.

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Katso tekijän Ernest Hemingway kirjailijasivu.

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