Tämä sivusto käyttää evästeitä palvelujen toimittamiseen, toiminnan parantamiseen, analytiikkaan ja (jos et ole kirjautunut sisään) mainostamiseen. Käyttämällä LibraryThingiä ilmaiset, että olet lukenut ja ymmärtänyt käyttöehdot ja yksityisyydensuojakäytännöt. Sivujen ja palveluiden käytön tulee olla näiden ehtojen ja käytäntöjen mukaista.
In 1525, artist Susanna Horenbout is sent from Belgium to be Henry VIII's personal illuminator. After an attempt is made on Susanna's life, John Parker, the king's most lethal courtier, is charged with keeping her safe.Further attacks are made and Susanna and Parker realize that she unknowningly carries the key to a plot against the throne. With a gang of urchins, their wits and instincts, the two work through the layers of deceit at the court of the king.… (lisätietoja)
Susanna Horenbout travels from Belgium to England to join the court of Henry VIII as his personal painter. En route she unwittingly becomes entangled in a treasonous Yorkist plot and her life is in danger. She and her protector, John Parker, must discover who is behind the plot and who is trying to kill them.
There is lots to like in Diener's first novel. Susanna is a likable heroine, capable and assertive, yet without 21st century pretensions, and John Parker makes a very dashing male lead. I did appreciate the historical note at the end stating what was fact and what was fiction.
What let the book down imo was how Susanna walked from one attempt on her life into the next - the constant round of assasination attempts, abductions and muggings. People who like a lot of action with their historical fiction will like this, I didn't. The author clearly knows the time period, so I would have liked for her to mix it up a bit; as it was, we found ourselves in some alley every few pages, daggers and swords at the ready. I also would have liked to hear a bit more about Susanna's art, which I thought would have added a different dimension.
Because of the spacing between the lines the book is a lot shorter than the page count would suggest. This is the first book in a series and since the story isn't completely resolved, I will just have to get on with the next one.
Tiedot englanninkielisestä Yhteisestä tiedosta.Muokkaa kotoistaaksesi se omalle kielellesi.
To my husband, who supported me and never once thought I wouldn't achieve my dreams, and to my children, who have learned to repeat themselves with good grace when their mother is so deep in her work she doesn't hear them the first time.
Ensimmäiset sanat
Tiedot englanninkielisestä Yhteisestä tiedosta.Muokkaa kotoistaaksesi se omalle kielellesi.
"I am the keeper of Paradise, Purgatory and Hell."
Sitaatit
Viimeiset sanat
Tiedot englanninkielisestä Yhteisestä tiedosta.Muokkaa kotoistaaksesi se omalle kielellesi.
He lifted her fingers to his lips. "Not so lonely anymore."
In 1525, artist Susanna Horenbout is sent from Belgium to be Henry VIII's personal illuminator. After an attempt is made on Susanna's life, John Parker, the king's most lethal courtier, is charged with keeping her safe.Further attacks are made and Susanna and Parker realize that she unknowningly carries the key to a plot against the throne. With a gang of urchins, their wits and instincts, the two work through the layers of deceit at the court of the king.
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Michelle Diener on LibraryThing-kirjailija, kirjailija, jonka henkilökohtainen kirjasto on LibraryThingissä.
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(3.6)
2
Susanna Horenbout travels from Belgium to England to join the court of Henry VIII as his personal painter. En route she unwittingly becomes entangled in a treasonous Yorkist plot and her life is in danger. She and her protector, John Parker, must discover who is behind the plot and who is trying to kill them.
There is lots to like in Diener's first novel. Susanna is a likable heroine, capable and assertive, yet without 21st century pretensions, and John Parker makes a very dashing male lead. I did appreciate the historical note at the end stating what was fact and what was fiction.
What let the book down imo was how Susanna walked from one attempt on her life into the next - the constant round of assasination attempts, abductions and muggings. People who like a lot of action with their historical fiction will like this, I didn't. The author clearly knows the time period, so I would have liked for her to mix it up a bit; as it was, we found ourselves in some alley every few pages, daggers and swords at the ready. I also would have liked to hear a bit more about Susanna's art, which I thought would have added a different dimension.
Because of the spacing between the lines the book is a lot shorter than the page count would suggest. This is the first book in a series and since the story isn't completely resolved, I will just have to get on with the next one.
In short, liked it but didn't love it. (