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Sex, Drugs, and Cocoa Puffs: A Low Culture…
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Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto (vuoden 2004 painos)

– tekijä: Chuck Klosterman

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioMaininnat
4,616821,784 (3.71)49
Over half a million copies sold! From the author of the highly acclaimed heavy metal memoir, Fargo Rock City, comes another hilarious and discerning take on massively popular culture--set in Chuck Klosterman's den and your own--covering everything from the effect of John Cusack flicks to the crucial role of breakfast cereal to the awesome power of the Dixie Chicks. Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane--usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but--really--it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.… (lisätietoja)
Jäsen:liniwy
Teoksen nimi:Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto
Kirjailijat:Chuck Klosterman
Info:Scribner (2004), Edition: Reprint, Paperback
Kokoelmat:Oma kirjasto
Arvio (tähdet):
Avainsanoja:social science, social commentary, drugs, music, transition, media influence, real world, non-fiction

Teoksen tarkat tiedot

Seksiä, huumeita ja kaakaomuroja : matalakulttuurin manifesti (tekijä: Chuck Klosterman)

  1. 10
    Pulphead: Essays (tekijä: John Jeremiah Sullivan) (MShock)
    MShock: Recommended for any Klosterman fan. I would describe Sullivan's writing as more literary and less humorous than Klosterman's, though just as insightful and entertaining. Like Klosterman, his essays run the gamut of popular culture: from Axl Rose to Hurrcane Katrina, to One Tree Hill.… (lisätietoja)
  2. 00
    Zombie Spaceship Wasteland (tekijä: Patton Oswalt) (ann.elizabeth)
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» Katso myös 49 mainintaa

Näyttää 1-5 (yhteensä 81) (seuraava | näytä kaikki)
I don't know why I keep trying to read essay collections. Once in awhile I find a gem, but usually they fall a bit short. This was not exception. Klosterman is a good writer and definitely has strong opinions pop culture, but it just didn't work for me as a whole. I kept skimming certain sections to see if they got more interesting, and jumping around for topics that jumped out at me. I just didn't care about his thoughts on Coco Puffs or Saved by the Bell. A few passages were brilliant and really spoke to me, but most if it just felt like pretentious fluff. ( )
  JustZelma | Dec 20, 2020 |
very readable, self-absorbed trash. it made me chuckle a couple times, but mostly it was idiotic. ( )
  reg_lt | Feb 7, 2020 |
This is my first reading of anything by Chuck Klosterman and for the most part I enjoyed it. He displays his vast knowledge of pop culture in ways that amuse, sometimes going for more laughs than others. Whatever he gloats over (Saved By The Bell, Mr. Kellogg, Axl Rose & more) he breaks down in inventive ways to reveal the mechanics of their power. My favorite essay involved his hanging out with a Gun’s N’ Roses cover band, pointing out the silliness of their dream but nicely managing never to make fun of it. Thankfully he admits to not being above the pull of pop culture otherwise the reader would have had the taste of a lie on their tongues essay after essay. I disagreed as much as I agreed with his conclusions but he made his points well enough that I could live with it. Personal tastes have to be lived with and can be as long as there is reciprocation. Sometimes the hipster veneer covers us all—that gloss of pretentious self importance composed of pop culture touchstones and being part of an advertisers favorite demographics—but it gets thinner the more you open your eyes. Youth and the misapplication of importance often go hand in hand. Some essays didn’t seem complete—specifically his take on breakfast cereals and his take on the Lakers/Celtics rivalry but on the whole the essays and their sharp introductions will provoke some laughs and thoughts. I’d be curious to read more…but I am not running out right this minute to find it. ( )
  KurtWombat | Sep 15, 2019 |
With the book “Sex, Drugs, and Cocoa Puffs” we are exposed to the wit and opinions of Chuck Klosterman. He has watched things and listened to things and he has opinions on all of those things. Some of these opinions make sense and I can understand, such as the ones where our relationships are being ruined by the ones we see on Television. However, there is another facet to all of this and that is that I don’t recognize a lot of the references. I grew up in the 1990s and while I watched cartoons and things when I was a child, I never really watched an episode of The Real World from MTV. For one, I never really cared about simulated reality or reality shows in general. I understand that this was the only way to get TV for a bit due to the Writer’s Strike that I had heard about, but I would then rather play a video game or something that has a plot behind it, even if that plot is something simple like Super Mario Brothers or The Legend of Zelda. For two, shows that had real, live people bored me when I was a child. Friends? I don’t know, didn’t really care all that much about that one. Seinfeld? Later on in life perhaps, but not when it was first airing. Home Improvement? I think he mentions this one in passing but didn’t wax poetic about it. I was more of a fan of the shows on Cartoon Network and Nickelodeon. It was probably something about my age demographic.

This Chuck Klosterman is a bit older than me, having been in college when I was a mere stripling of four. This makes his opinions and values slightly different from mine. I feed at the trough of current events and pop culture but I don’t really like to. I only watch a few things on television, I listen to music that I tend to like and not expand my horizons. For instance, this man has a burning hatred for Coldplay. This is revealed in the first essay and he tells you all the reasons. This girl he liked at the time could have slept with him at the Waldorf-Astoria but chose instead to fly out to Portland to view the first American Live Showing of Coldplay. Klosterman also hates the fact that they just put melodramatic lyrics to simple chords, calling them an inferior version of Travis, which is an inferior version of Radiohead. On the other hand, I don’t really mind Coldplay. I don’t really have a strong opinion on any musical act or artist. This might make one wonder why I even took this book out in the first place. Let me tell you the reason then; I was attracted by the cover. It was plain and somewhat boring with the words being placed in seemingly random positions. Also, I believe I have another book by Klosterman, but I don’t remember which one it is.

In any case, the book is interesting, and I did somewhat enjoy it. I don’t think myself and Klosterman would agree on much or that we would have good conversations, but this book was somewhat entertaining. I mean, Klosterman muses on tons of things that are locked in a relative period. He speaks of a span of time from the early nineties to the initial part of the new millennium. Since this book was printed in 2003 I can understand that. Had I read it when it first came out, maybe I would have gone with his opinions and been swayed by them. I mean, heck, I enjoyed Atlas Shrugged for a while. So then, this book was okay. It speaks to a generation in a manner that is engaging, but it wasn’t for me. ( )
  Floyd3345 | Jun 15, 2019 |
This book was great. Many of the reviewers need to a. Lighten up, and b. Stop trying to convince themselves that they aren't the very "hipsters" that they are scoffing at in their reviews. ( )
  kweber319 | May 13, 2019 |
Näyttää 1-5 (yhteensä 81) (seuraava | näytä kaikki)
ei arvosteluja | lisää arvostelu

» Lisää muita tekijöitä (1 mahdollinen)

Tekijän nimiRooliTekijän tyyppiKoskeeko teosta?Tila
Chuck Klostermanensisijainen tekijäkaikki painoksetcalculated
Plouhinec, Valérie LeTraductionmuu tekijäeräät painoksetvahvistettu
Sinun täytyy kirjautua sisään voidaksesi muokata Yhteistä tietoa
Katso lisäohjeita Common Knowledge -sivuilta (englanniksi).
Kanoninen teoksen nimi
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Alkuteoksen nimi
Teoksen muut nimet
Alkuperäinen julkaisuvuosi
Henkilöt/hahmot
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Tärkeät paikat
Tärkeät tapahtumat
Kirjaan liittyvät elokuvat
Palkinnot ja kunnianosoitukset
Epigrafi (motto tai mietelause kirjan alussa)
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Sol-ip-sism (sol' ip size' em), n. Philos. The theory that only the self exists or can be proved to exist.

-- The Random House College Dictionary,

Revised Edition
"I remember saying things, but I have no idea what was said. It was generally a friendly conversation.

-- Associated Press Reporter Jack Sullivan,

attempting to recount 3 A.M. exchange

we had at a dinner party and inadvertently

describing the past ten years of my life.
Omistuskirjoitus
Ensimmäiset sanat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
There are two ways to look at life. (Introduction)
No woman will ever satisfy me.
Sitaatit
Viimeiset sanat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
(Napsauta nähdäksesi. Varoitus: voi sisältää juonipaljastuksia)
Erotteluhuomautus
Julkaisutoimittajat
Kirjan kehujat
Tiedot englanninkielisestä Yhteisestä tiedosta. Muokkaa kotoistaaksesi se omalle kielellesi.
Alkuteoksen kieli
Canonical DDC/MDS
Over half a million copies sold! From the author of the highly acclaimed heavy metal memoir, Fargo Rock City, comes another hilarious and discerning take on massively popular culture--set in Chuck Klosterman's den and your own--covering everything from the effect of John Cusack flicks to the crucial role of breakfast cereal to the awesome power of the Dixie Chicks. Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation. Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane--usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but--really--it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.

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