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Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom

Tekijä: David duChemin

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioKeskustelut
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What if your image could only communicate one thing: one major idea, overarching theme, or driving emotion? If you identified this, you’d discover your vision for that image—the internal, invisible guiding principle that directs both how you capture the image and how you develop it in the digital darkroom. Without vision, you likely find yourself flailing both behind the camera and in front of the computer—indiscriminately shooting and arbitrarily moving sliders in hopes of stumbling upon something great every once in a while. With vision, you bring direction and intention to both the creation and development of all your images. Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom is about identifying your vision and using Lightroom’s Develop module to give voice—that outward expression—to your vision. Photographer David duChemin begins with the fundamentals of a vision-driven workflow, where he discusses everything from vision and style, to the importance of mood and color, to the crucial role of histograms and of getting the best possible digital negative to work with. After demonstrating how the Develop module’s tools affect the aesthetics of your image, duChemin then offers a straightforward approach to developing your images in accordance with your own personal vision: identify your intention, minimize the distractions, maximize the mood, and draw the viewer’s eye—all while leaving room for play and serendipity. Finally, duChemin applies this approach to 20 of his photographs as he takes you into his own digital darkroom and, beginning with the original RAW file, works step by step through the development of the final image.… (lisätietoja)
Viimeisimmät tallentajatbastibe, jmaee, tillmanj, joseHP, Kareltje_42, berezovskyi
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This is the second book by DuChemin I have read, and the umpteenth tutorial for Lightroom. What sets this book apart is that it not only describes what DuChemin does in Lightroom, but more importantly, *why* each step is taken.

The first part of the book delves deeply into DuChemin's thought process in general, somewhat more concisely than his other books. If you already read "Within the Frame", as I have, this first part doesn't offer many new ideas. Still, what is there is as insightful as ever.

The second part applies these ideas, concretely, in Lightroom, to twenty images. This is genius. It bridges the gap between theory and practice, something I missed in every single book (on crafts) I have read so far. I can not overstate the power of seeing how DuChemin implements his ideas in practice. It really made these ideas click for me in a way they hadn't in his other book I read.

And the funny thing is, I don't even like his style that much. But seeing how he creates his works made me think about how I would do it differently, which is honestly even more valuable than just nodding along in perfect agreement.

I think these ideas could be driven even farther. Maybe the "theory" sections could be integrated into the "application" part, with particularly fitting example images. Or maybe one could try to extract common "rules" or "tools", like "brightening faces using the adjustment brush" or "recovering blown skies with a grad filter", and then label these operations more explicitly in the workflows. This might even build to a photographer-specific "toolbox". This could tighten up the Lightroom sections a bit, which tended to be somewhat repetitive. And finally, some of the pictures seemed a bit redundant, as a similar picture had already been presented a few chapters earlier.

Still, none of this detracts from the fact that this was one of the most insightful, and effective, books on digital photography and RAW processing I have ever read. ( )
  bastibe | Apr 15, 2023 |
This is something of a Lightroom workbook. Duchemin begins with an excellent intro to his photographic/educational theme: Vision. Everything he publishes relates to Vision, and it is all helpful. This book begins with that summary, and then has an overview of Duchemin's postprocessing process in Adobe Lightroom. It's not an exhaustive how to, but a reflection from Duchemin's own style. Finally, Duchemin walks us through his postprocessing on 20 of his own images, step by step, and telling us why he chose to do what he did - all in pursuit of his photographic vision. I believe the book gives you access to those raw images so that you can follow along also, but I borrowed mine from the local library so I can't tell you that for sure.

All in all, I learned a few new tricks in Lightroom that I can use to craft my own photo vision. ( )
  patl | Feb 18, 2019 |
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What if your image could only communicate one thing: one major idea, overarching theme, or driving emotion? If you identified this, you’d discover your vision for that image—the internal, invisible guiding principle that directs both how you capture the image and how you develop it in the digital darkroom. Without vision, you likely find yourself flailing both behind the camera and in front of the computer—indiscriminately shooting and arbitrarily moving sliders in hopes of stumbling upon something great every once in a while. With vision, you bring direction and intention to both the creation and development of all your images. Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom is about identifying your vision and using Lightroom’s Develop module to give voice—that outward expression—to your vision. Photographer David duChemin begins with the fundamentals of a vision-driven workflow, where he discusses everything from vision and style, to the importance of mood and color, to the crucial role of histograms and of getting the best possible digital negative to work with. After demonstrating how the Develop module’s tools affect the aesthetics of your image, duChemin then offers a straightforward approach to developing your images in accordance with your own personal vision: identify your intention, minimize the distractions, maximize the mood, and draw the viewer’s eye—all while leaving room for play and serendipity. Finally, duChemin applies this approach to 20 of his photographs as he takes you into his own digital darkroom and, beginning with the original RAW file, works step by step through the development of the final image.

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