Picture of author.

Bruce Sterling

Teoksen The Difference Engine tekijä

123+ teosta 19,465 jäsentä 332 arvostelua 71 Favorited

Tietoja tekijästä

Bruce Sterling is a recent winner of the Nebula Award and the author of the nonfiction book "The Hacker Crackdown" as well as novels and short story collections. He co-authored, with William Gibson, the critically acclaimed novel "The Difference Engine." He lives in Austin, Texas, with his wife and näytä lisää daughter. (Publisher Provided) näytä vähemmän
Image credit: Photographed at BookPeople in Austin, Texas by Frank Arnold

Sarjat

Tekijän teokset

The Difference Engine (1990) 5,886 kappaletta
Peililasit : cyberpunk-antologia (1986) — Toimittaja; Esipuhe; Avustaja — 1,609 kappaletta
Islands in the Net (1988) 1,463 kappaletta
Heavy Weather (1994) 1,192 kappaletta
Holy Fire (1996) 1,088 kappaletta
Distraction (1998) 1,069 kappaletta
Schismatrix Plus (1982) 1,028 kappaletta
Globalhead (1992) 743 kappaletta
Crystal Express (1989) 617 kappaletta
Kulkuri (1985) 603 kappaletta
Zeitgeist (2000) 582 kappaletta
A Good Old-Fashioned Future (1999) 557 kappaletta
Taistelija (1980) 528 kappaletta
The Zenith Angle (2004) 513 kappaletta
The Caryatids (2009) 350 kappaletta
Involution Ocean (1977) 342 kappaletta
Pirate Utopia (2016) — Tekijä — 182 kappaletta
Visionary in Residence: Stories (2006) 171 kappaletta
Black Swan (0221) 56 kappaletta
Gothic High-Tech (2011) 48 kappaletta
Twelve Tomorrows - 2014: Visionary stories of the near future (2014) — Toimittaja — 33 kappaletta
Kiosk (2008) 24 kappaletta
Swarm (novelette) (1982) 13 kappaletta
Red Star, Winter Orbit (1995) 13 kappaletta
Good Night, Moon (2010) 12 kappaletta
Dori Bangs [short fiction] (1989) 12 kappaletta
The Parthenopean Scalpel (2010) 10 kappaletta
Parco giochi con pena di morte (2001) — Tekijä — 10 kappaletta
The Blemmye's Strategem (2005) 9 kappaletta
Taklamakan (2001) 9 kappaletta
Les mailles du réseau 1 (1990) 8 kappaletta
Sunken Gardens (1984) 8 kappaletta
Les mailles du réseau 2 (1990) 8 kappaletta
Dinner in Audoghast 8 kappaletta
Cicada Queen (1983) 8 kappaletta
The Denial 7 kappaletta
Totem Poles (2016) 6 kappaletta
Green Days in Brunei 6 kappaletta
In Paradise 5 kappaletta
CAZA DE HACKERS, LA (2017) 5 kappaletta
The Lustration 4 kappaletta
Twenty Evocations (1984) 4 kappaletta
Spider Rose (short story) (1982) 4 kappaletta
Ivory Tower 3 kappaletta
The Little Magic Shop 3 kappaletta
White Fungus 3 kappaletta
The Peak of Eternal Light (2012) 3 kappaletta
Uvejr (1996) 3 kappaletta
Spook 2 kappaletta
Hollywood Kremlin (1998) 2 kappaletta
Slipstream {essay} 2 kappaletta
Hormiga Canyon [short fiction] — Tekijä — 2 kappaletta
Esoteric City 2 kappaletta
Deep Eddy 2 kappaletta
My Rihla 1 kappale
Instead of Work 1 kappale
Tall Tower 1 kappale
Telliamed 1 kappale
The Growthing 1 kappale
Colliding Branes 1 kappale
The Unthinkable 1 kappale
Loco 1 kappale
Goddess of Mercy 1 kappale

Associated Works

Neurovelho (1984) — Jälkisanat, eräät painokset22,990 kappaletta
Kapteeni Nemo ja Nautilus (1870) — Johdanto, eräät painokset18,245 kappaletta
Me (1921) — Esipuhe, eräät painokset8,391 kappaletta
Burning Chrome (1986) — Esipuhe, eräät painokset5,569 kappaletta
The Best Alternate History Stories of the 20th Century (2001) — Avustaja — 565 kappaletta
The Science Fiction Century (1997) — Avustaja — 529 kappaletta
The Year's Best Science Fiction: Twentieth Annual Collection (2003) — Avustaja — 489 kappaletta
The Year's Best Science Fiction: Sixteenth Annual Collection (1999) — Avustaja — 480 kappaletta
Cthulhu 2000 (1995) — Avustaja — 465 kappaletta
The Oxford Book of Science Fiction Stories (1992) — Avustaja — 446 kappaletta
The Year's Best Science Fiction: Eleventh Annual Collection (1994) — Avustaja — 431 kappaletta
The Big Book of Science Fiction (2016) — Avustaja — 411 kappaletta
The Ascent of Wonder: The Evolution of Hard SF (1994) — Avustaja — 392 kappaletta
Rewired: The Post-Cyberpunk Anthology (2007) — Avustaja — 385 kappaletta
The Year's Best Science Fiction: Eighth Annual Collection (1991) — Avustaja — 376 kappaletta
The Hard SF Renaissance (2003) — Avustaja — 343 kappaletta
Feeling Very Strange: The Slipstream Anthology (2006) — Avustaja — 307 kappaletta
The Book of Cthulhu (2011) — Avustaja — 300 kappaletta
Happily Ever After (2011) — Avustaja — 295 kappaletta
The Year's Best Science Fiction: Seventh Annual Collection (1990) — Avustaja — 280 kappaletta
Year's Best SF 4 (1999) — Avustaja — 260 kappaletta
Year's Best SF 2 (1997) — Avustaja — 260 kappaletta
Year's Best SF 8 (2003) — Avustaja — 255 kappaletta
The Year's Best Science Fiction: Sixth Annual Collection (1989) — Tekijä — 251 kappaletta
Semiotext(e) SF (1989) — Avustaja — 248 kappaletta
Hieroglyph: Stories and Visions for a Better Future (2014) — Avustaja — 241 kappaletta
Year's Best SF 11 (2006) — Avustaja — 234 kappaletta
The Year's Best Science Fiction: Third Annual Collection (1986) — Avustaja — 225 kappaletta
Edge of Infinity (2012) — Avustaja — 224 kappaletta
Patterns (1982) — Johdanto, eräät painokset212 kappaletta
Modern Classics of Fantasy (1939) — Avustaja — 206 kappaletta
The Year's Best Science Fiction: Fourth Annual Collection (1987) — Avustaja — 201 kappaletta
Modern Classics of Science Fiction (1991) — Avustaja — 201 kappaletta
The 1983 Annual World's Best SF (1983) — Avustaja — 199 kappaletta
Year's Best SF 15 (2010) — Avustaja — 198 kappaletta
The Year's Best Science Fiction: Fifth Annual Collection (1988) — Tekijä — 191 kappaletta
Year's Best SF 13 (2008) — Avustaja — 191 kappaletta
Tales of Old Earth (2000) — Esipuhe — 188 kappaletta
Future on Fire (1991) — Avustaja — 187 kappaletta
The Year's Best Fantasy and Horror: Third Annual Collection (1988) — Avustaja — 184 kappaletta
Wastelands 2: More Stories of the Apocalypse (2013) — Avustaja — 182 kappaletta
The Future is Japanese (2012) — Avustaja — 168 kappaletta
The Best Science Fiction and Fantasy of the Year Volume Two (2008) — Avustaja — 165 kappaletta
The Ultimate Cyberpunk (2002) — Avustaja — 151 kappaletta
Steampunk III: Steampunk Revolution (2012) — Avustaja — 150 kappaletta
A Science Fiction Omnibus (1973) — Avustaja — 148 kappaletta
Eclipse 1: New Science Fiction and Fantasy (2007) — Avustaja — 148 kappaletta
The Best Science Fiction and Fantasy of the Year Volume Five (2011) — Avustaja — 147 kappaletta
Lightspeed: Year One (2011) — Avustaja — 138 kappaletta
The Best Science Fiction and Fantasy of the Year Volume Six (2012) — Avustaja, eräät painokset137 kappaletta
The Wesleyan Anthology of Science Fiction (2010) — Avustaja — 133 kappaletta
The Year's Best Science Fiction: First Annual Collection (1984) — Avustaja — 131 kappaletta
Alien Contact (2011) — Avustaja — 128 kappaletta
Year's Best SF 17 (2012) — Avustaja — 127 kappaletta
The Best Science Fiction and Fantasy of the Year Volume Four (2010) — Avustaja — 126 kappaletta
Exploring the Matrix: Visions of the Cyber Present (2003) — Avustaja — 120 kappaletta
Hackers (1984) — Avustaja — 116 kappaletta
Futures from Nature (2007) — Avustaja — 113 kappaletta
The Good New Stuff: Adventure in SF in the Grand Tradition (1999) — Avustaja — 113 kappaletta
Universe 1 (1990) — Avustaja — 111 kappaletta
The Mammoth Book of the Best of Best New SF (2008) — Avustaja — 104 kappaletta
Cyberpunk handbook : the real cyberpunk fakebook (1995) — Esipuhe — 103 kappaletta
The Year's Best Science Fiction: Second Annual Collection (1985) — Avustaja — 100 kappaletta
Year's Best SF 18 (2013) — Avustaja — 92 kappaletta
The Nebula Awards Eighteen (1983) — Avustaja — 88 kappaletta
The Best Science Fiction of the Year #12 (1983) — Avustaja — 87 kappaletta
After the End: Recent Apocalypses (2013) — Avustaja; Avustaja — 87 kappaletta
Supermen: Tales of the Posthuman Future (2002) — Avustaja — 85 kappaletta
Nebula Awards Showcase 2005 (2005) — Avustaja — 82 kappaletta
Meeting Infinity (2015) — Avustaja — 80 kappaletta
Custer's Last Jump and Other Collaborations (2003) — Tekijä — 77 kappaletta
Isaac Asimov's Utopias (2000) — Avustaja — 69 kappaletta
Year's Best Fantasy 6 (2006) — Avustaja — 69 kappaletta
Nebula Awards 23 (1989) — Avustaja — 67 kappaletta
After Yesterday's Crash: The Avant-Pop Anthology (1995) — Avustaja — 66 kappaletta
Intersections: The Sycamore Hill Anthology (1995) — Avustaja — 65 kappaletta
Worldmakers: SF Adventures in Terraforming (2001) — Avustaja — 63 kappaletta
When the Music's Over (1991) — Avustaja — 63 kappaletta
Collected Stories (2009) — Avustaja — 61 kappaletta
Interzone: The 2nd Anthology (1987) — Avustaja — 60 kappaletta
Subterranean: Tales of Dark Fantasy 2 (2011) — Avustaja — 54 kappaletta
Futures Past (Flights) (2006) — Avustaja — 52 kappaletta
Under African Skies (1993) — Avustaja — 52 kappaletta
The Year's Best Fantasy Stories: 14 (1988) — Avustaja — 49 kappaletta
The Year's Best Fantasy Stories: 12 (1986) — Avustaja — 49 kappaletta
The Third Omni Book of Science Fiction (1985) — Avustaja — 47 kappaletta
Genometry (2001) — Avustaja — 46 kappaletta
Rock On: The Greatest Hits of Science Fiction & Fantasy (2012) — Avustaja — 39 kappaletta
The Seventh Omni Book of Science Fiction (1989) — Avustaja — 36 kappaletta
Universe 13 (1983) — Avustaja — 36 kappaletta
Chasing Shadows: Visions of Our Coming Transparent World (2017) — Avustaja — 35 kappaletta
The Orbit Science Fiction Yearbook: No. 3 (1990) — Avustaja — 32 kappaletta
Science Fiction: The Best of the Year, 2008 Edition (2008) — Avustaja — 32 kappaletta
Sense of Wonder: A Century of Science Fiction (2011) — Avustaja — 30 kappaletta
Drabble II: Double Century (1990) — Avustaja — 25 kappaletta
We, Robots (2010) — Avustaja — 23 kappaletta
Rayguns Over Texas (2013) — Johdanto, eräät painokset22 kappaletta
The Big Book of Cyberpunk (2023) — Avustaja — 20 kappaletta
Reading Science Fiction (2008) — Avustaja — 18 kappaletta
Arc 1.1: The Future Always Wins (2012) — Avustaja — 15 kappaletta
Polder: A Festschrift for John Clute and Judith Clute (2006) — Avustaja — 13 kappaletta
Lightspeed Magazine, Issue 11 • April 2011 (2011) — Avustaja — 12 kappaletta
The Unquiet Dreamer: A Tribute to Harlan Ellison (2019) — Avustaja — 12 kappaletta
Asimov's Science Fiction: Vol. 33, No. 6 [June 2009] (1909) — Avustaja — 12 kappaletta
Pwning Tomorrow (2015) — Avustaja — 11 kappaletta
Love, Death + Robots: The Official Anthology, Volume 2+3 (2022) — Avustaja — 11 kappaletta
Ikarus 2002 (2002) — Avustaja — 8 kappaletta
Arc 1.4: Forever alone drone (2012) — Avustaja — 7 kappaletta
Ikarus 2001. Best of Science Fiction. (2001) — Avustaja — 7 kappaletta
Subterranean Magazine Winter 2014 — Avustaja — 6 kappaletta
Into The Unknown: A Journey Through Science Fiction (2017) — Avustaja — 5 kappaletta
The New Ecology of Things (2007) — Avustaja — 4 kappaletta
Isaac Asimov's Science Fiction Magazin 36. Folge (1992) — Avustaja — 4 kappaletta
Lot : det bedste fra Fantasy & science fiction (1988) — Tekijä, eräät painokset3 kappaletta
Science Fiction Eye #12, Summer 1993 (1993) — Avustaja — 2 kappaletta
Supernovæ (1993) — Avustaja — 2 kappaletta
Science Fiction Eye #10, June 1992 — Avustaja — 1 kappale
Science Fiction Eye #07, August 1990 — Avustaja — 1 kappale
Science Fiction Eye #08, Winter 1991 — Avustaja — 1 kappale

Merkitty avainsanalla

Yleistieto

Jäseniä

Kirja-arvosteluja

Bruce Sterling’s second collection is very much of its time. The stories range in publication date from 1985 to 1992 and frequently deal with topics of the time: nuclear war and arms negotiation, the decaying Soviet Union, an Islam resurgent after the Iranian Revolution, and even Somalia warlords. In his prime, no other science fiction writer was as keyed into the strangeness of the world, especially outside of America and thought about the present and near future permutations of how technology, politics, and popular culture mix.

These stories, sometimes written with collaborators, take us back to a mostly vanished world, and are visions made obsolete by technology and political developments. But that’s the price you pay for using a journalist eye to describe the weird now and even weirder near future. As Sterling himself has remarked, his pure fantasy works are the ones most likely to endure, not his science fiction. And some of those fantasies are here along with one story that may have no fantastic elements at all. And, since Sterling seems to love his literary theories, there’s a fair amount of literary experimentation here, mostly successful.

And there’s almost always fun. Sterling is usually a funny writer. A mentally impoverished science fiction reader might not get past the staleness of intricately imagined futures that we already know will never be, but I have no problem with them.

“Our Neural Chernobyl” (1988) is one of those things I like, a presentation of the future told not through a conventional story but through a future history, news story, or piece of art criticism. Here’s it’s a review of Dr. Hotton’s eponymous book from 2056. Hotton takes up back to the days before scientists were main stream celebrities and were white-coated sociopaths with chips on their shoulders and not much in the way of social support. We hear how one such scientist, Bugs Berenbaum, employed by an illicit narcotics manufacturer, embarked on a genetic engineering project to get the human body itself to produce various street drugs. And, while he’s at it, why not make it an infectious modificationed. But his attentions soon turn to increasing the number of dendrites in the human brain.

He succeeds. Granted, he and the other suddenly appearing geniuses of the world go poetically mad and off themselves, but his work lives on in a plague that has mentally modified various animal species. America’s ranchers now have to contend with shakedowns by coyote packs. Raccoons have made parts of the country into no-go zones, and cats . . . Well, the reviewer argues with Hotton’s contention that cats have developed a new intelligence. One gets the impression, from Hotton’s description of the current situation, that perhaps the age of the sociopathic scientist is not over.

“Storming the Cosmos” (1985), written with Rudy Rucker, is a genuinely laugh out loud story, a secret/alternate history which gives us the real reason that the Soviets, initially ahead of America in the Space Race, lost. Set in 1957, it gives us mysticism, the Tunguska Event, the theory of Kazantsev (a real Soviet sf writer and ufologist) that Tunguska was the result of a crashed spaceship, and the role of the stukach (informer) in Soviet society. Our narrator, Nikita Iosifoch Globov, is such an informer,. He became one when he failed his test to be a metallurgist and ended up being assigned to a unit of real metallurgists involved in the Soviet space program. After informing on one Vlad Zipkin, Nikita draws the ire of Vlad’s boss and would-be lover Colonel Nina Bogulyubova. After Vlad gets out of treatment for his “antisocial tendencies”, the Colonel – who outranks Nikita in the KGB pecking order – orders Nikita to keep on Vlad since the Soviet space program needs his brilliance. Soon, Nikita finds himself and Vlad on an expedition to Tunguska to get that alien spaceship engine. It’s staffed almost entirely with informers because the real scientists don’t want them interfering with their work.

Weirdness will ensue in Siberia, and Lakia, the famous cosmonaut dog, will put in an appearance.

“The Compassionate, the Digital” (1985) is not, however, fun. It is, even though only eight pages long, remarkably tedious and a complete waste of space. I suppose it’s something of a joke story with the joke being that the world’s first true artificial intellience is created in the purported backwater of the Union of Islamic Republics in 2113. The story is the press announcement of the event.

Sterling didn’t invent the term “slipstream”, defined as a “category of non-genre fantasy books”, but midwifed through an interview with Richard Dorsett. “Jim and Irene” (1991) is such a story, and I liked it a lot. Jim is a wandering figure, an ex-Vietnam vet who repaired helicopters, who likes his gadgets and lives by robbing payphones. Irene is a Russian emigre who came to America with her Jewish physicist husband who is now dead. They encounter each other, by chance, in a Los Alamos laundromat. Their clothes are stolen, and the two pursue the robbers with Irene unexpectedly taking some shots at them with a .357 Magnum revolver. Fearing the cops will show up, Jim takes Irene out of town and a strange relationship ensues. Both are loners. Both are distrustful of their native countires, best epitomized in their discussion over SDI. Both sense, in their own way, that the days of centralized control in their countries is slipping away.

Irene rather likes meeting an American “gangster” even though she constantly thinks Jim is out to sleep with her and probably has AIDS, and Jim is glad for the change of pace. There will be high strangeness on their road trip before the ending in which the two have an epiphany about human connections and their place in the world.

Sterling seems to have an interest in literary theory and “The Sword of Damocles” (1990) is an amusing and clever story. Ostensibly, it’s about a writer (suspiciously like Sterling) who wants to tell us the classic story of the Sword of Damocles. Supposedly, he hates post-modernism but goes on to give us a very postmodern story with ironic undercuttings of his stated effort to tell a straight story. There’s even a guest appearance by Tim Powers and his wife Serena. At the end, Sterling ties the whole thing up with an observation about why we all live with a Sword of Damocles over our heads.

I suppose you could call “The Gulf Wars” (1988) either an historical fantasy or a slipstream tale. Sterling plays a clever trick by opening the story with two combat engineers, Halli and Bel-Heshti, in camp in the Middle East where they’re fighting on the Iranian side in the Iran-Iraq War. Then the scene smoothly changes to another pair of men, identically named, who are pioneers in the Assyrian army of Ashurbanipal which is besieging a city of Elamites. They are not the best of soldiers given they are illegally making beer in their tent. However, it’s their big day. Ashur is pleased that they were the ones who beheaded a noted rebel leader. As a reward, they are to be given Names. But, warns the priestly Baru from Ninevah, they are in magical peril before the ceremony is completed. And then the firebrand priest launches a human wave attack on the city at noon. This seems to be Sterling’s rumination on the timelessness of religious strife in this part of the world.

The “Shores of Bohemia” (1990) anticipates some of the themes of Sterling’s later Holy Fire in that it involves a world that is, it turns out, secretly run by a high-tech society, an “oppressive gerontocracy”. The city of Paysage turns out to be something like a small reservation of the 19th century in a world of genetic engineering and massive projects. Its inhabitants are quite long-lived and maintained by nanobots. Their sort of secular cathedral, the Enantiodrome, that the city has been working on is nearing completion. But its head architect, Rodolphe, is plagued by strange building materials showing up and the stranger return of Charles, his one-time friend and the old chief architect. But Charles left for the Conventions, the post-human society that really runs the world. And the Conventions aren’t going to leave Paysage alone in living their human centered lives. Perhaps the city serves some purpose for the high-tech Conventions.

It’s an interesting story but not one of the better ones in the book.

There aren’t actually any Somalia warlords in this book, but, in “The Moral Bullet” (1991 and co-written with John Kessel), America has turned into Somalia. In Raleigh, North Carolina, the warring groups have names like the Chamber of Commerce, the Library Defense League, the Brown Berets, the Raleigh Police Department, the Christian Faith Militia, Bellevue Terrace Watch Community, and the Popular Front for the Liberation of Robeson County.

Things are like this all over the country though there are now 95 million fewer Americans. What brought this state of affairs on? In a tradition going back to at least Edmond Haracourt’s “Doctor Augérand’s Discovery”, cheap immortality brought chaos. Here it ws the invention by Dr. Havercamp of Free Radical Endocrine Enhancer – FREE. No one trusted the government not to be corrupt and favor the wealthy and connected in distributing FREE fairly. When there’s a possibility the elite will steal your future life, you have to make your own connections. Civil trust and institutions collapsed. FREE became a currency.

Now the helicopters of Swiss peacekeepers fly overhead dropping leaflets looking for Dr. Havercamp. We follow an ostensible teenager (but then, with FREE, everyone looks younger than their true age), Sniffy, as he prowls Raleigh. We never are actually told Sniffy is Havercamp, but we get clues. And, when he hears a Swiss peacekeeper say that Havercamp is going to get the “moral bullet” when they find him, Sniffy is not about to turn himself over. While Kessel and Sterling reveal what the moral bullet is, the question of its desirability and morality is somewhat unresolved at the end, an ending which has the sociopathic Sniffy acting quite in character. The story probably would have been better at a longer length, but it’s still memorable.

Sterling puts in a strong and quite memorable entry into the Cthulhu Mythos with “The Unthinkable” (1991). In Geneva, a Soviet and American arms negotiator meet, old acquaintances over several decades of talk. But, as the conversation goes on, we learn this world has moved far beyond mere nuclear weapons. The two countries have weaponized the entities of the Mythos. The American negotiator is calling it quits to spend time with his new wife and child. But can you really escape the taint of such a life? It’s Lovecraftian horror as a metaphor for nuclear weapons.

“We See Things Differently” (1989) might be termed an exercise in what diplomats call “strategic empathy”, understanding why our foes look at the world the way they do. Its narrator is a journalist from the newly formed Arab Caliphate that defeated Iran, The USSR collapsed when Afghan rebels took out Moscow with a smuggled nuke, and America is on the ropes. It has deindustrialized, and, like a colony, mostly exports raw materials now. The exception is still its pop culture with a global market. Americans resent that the world they so generously aided is now exploiting it.

The journalist has come to America to interview Tom Boston, holder of a doctorate in political science and one-time unsuccessful candidate for public office. Now he leads a populist movement through his rock band. Its logo is the 13 Stars, its songs about the Founding Fathers and American Revolution, and its concerts promote voter registration. To the journalist, America is a land of lewd women, no sense of history, and ignorance about the outside world. But, in the fiery Boston, he sees an ascetic visionary that reminds him of Khomeni, a force that could revitalize America. It’s not exactly a surprise that the journalist isn’t what he seems.

We’ve come across the “hero” of “Hollywood Kremlin” (1990) before though later in its career. It’s Leggy Starlitz who we saw hanging around Finland in “The Littlest Jackal”. Starlitz is Sterling’s global gadabout, a scammer and smuggler. This story finds him in Azerbaijan at some unspecified time during the last days of the Soviet Union. Leggy is running a smuggling operation with a Russian military pilot stationed in Afghanistan. But, when they find out the locals have purloined the gas needed for the pilot’s return, a plot ensues that will take us through Communist Party corruption, the black market, and ethnic tensions between Moslems and Christian Armenians. Leggy is given to occasional larcenous obsession with objects, and here it’s the locally modified Levi jacket of the beautiful wife of the local Party head. (She runs the local black market to provide him with plausible deniability.)

While it was originally published in The Magazine of Fantasy & Science Fiction, it may be neither. On the other hand, maybe it’s an alternate history. While the USSR did leave Afghanistan in 1988, the story gives no date. I certainly don’t know much about Azerbaijan at the time except the mentions of KGB-led anti-corruption and anti-alcohol campaigns in The World Was Going Our Way.

I do know the story was a lot of fun.

Leggy is back in “Are You for 86” (1992). Here he finds himself helping some pagan feminists to smuggle the RU-486 abortion drug throughout America. Maybe, if he’s helpful, the two lesbian phone phreak feminist in tow, will let him see the daughter he begot on one. Sterling once, in some review of his I read, said that liberals and progressives shouldn’t be smug about their supposed technological sophistication compared to their political opponents. This story takes up that idea as Leggy and the women find themselves tangling with a sophisticated group of anti-abortion advocates. Here, Leggy casts his larcenous eye on a famous car in the Utah State Capitol grounds,

And we do get a bit of fantastic content when Leggy claims he can’t be filmed. And events back that up.

I was not looking forward to reading “Dori Bangs” (1992). It involves the famous rock critic Lester Bangs. I regard music criticism as a pointless literary exercise which has to fall back, unless it’s very technical, on colorful and inaccurate metaphors and variations of “sounds like”. I’ve certainly never read any Bangs and and a person I know, who is into rock journalism, regards Bangs as a colorful writer who really didn’t have much of value to say about music.

But I ended up liking this story. It’s a flat out, self-conscious piece that doesn’t even try to suspend our disbelief in the usual way. It is “a paper dream to cover the holes they left”. Those holes are not only the death of Bangs in 1982 but the death of underground cartoonist Doris Sedia in 1986.

This story is their future fantasy life together. Like their fellow Baby Boomers, they dropped out of the counter culture, made some money, and sort of become respectable here. They may not be happy together, but they do help each other

And, lest you thought in “We See Things Differently”, Sterling was exhibiting the Baby Boomer belief that rock music can change the world, a notion that shows up in strongly in Norman Spinrad works and John Shirely’s A Song Called Youth trilogy, that ain’t so here.

Doris has a realization that

"Art can’t Change the World. Art can’t even heal your soul. All it can do is maybe ease the pain a bit or make you feel more awake."

Some would say that’s cynical. I say it’s just Sterling characteristically avoiding platitudes.

And I say Globalhead is still very much worth reading more than 30 years later.
… (lisätietoja)
 
Merkitty asiattomaksi
RandyStafford | 7 muuta kirja-arvostelua | Mar 15, 2024 |
A wonderful book, an incredible world that steps in both as warning and vision of things to come.

I think, this book conveyd the clearest idea of humanist civilisation responsability and how messy it is as is shaped by our tools.
 
Merkitty asiattomaksi
yates9 | 19 muuta kirja-arvostelua | Feb 28, 2024 |
Internet of Things contrarian views from Bruce Sterling are more than a warning about the issues we open by transforming everyday objects into sensing machines. The book should shape the base criticism of IoT for any analysis of society and technology use in the future. The book is basically somewhere between a philosophical text and a manifesto, where the format can actually lead to confusion and makes some of the content easy to misunderstand.
In this book we miss the positive dream of IoT which is easy enough to access from popular culture, or many other texts.… (lisätietoja)
 
Merkitty asiattomaksi
yates9 | 10 muuta kirja-arvostelua | Feb 28, 2024 |
This collection is not “the best” of the author’s work but there are some amazing pieces and it is representative of his work though most of these are shorter sinpler world construction than in some of his novels.

I really enjoyed some, not at all others..
 
Merkitty asiattomaksi
yates9 | 1 muu arvostelu | Feb 28, 2024 |

Listat

Palkinnot

You May Also Like

Associated Authors

Lewis Shiner Contributor
William Gibson Contributor
Pat Cadigan Contributor
Rudy Rucker Contributor
Marc Laidlaw Contributor
John Shirley Contributor
Paul Di Filippo Contributor
Tom Maddox Contributor
Greg Bear Contributor
Rick Lieder Illustrator
Warren Ellis Contributor, Introduction
John Kessel Contributor
Paul Graham Raven Contributor
Karen Joy Fowler Introduction
Alex Gross Illustrator
John Schoenherr Illustrator
Gene Wolfe Contributor
Cory Doctorow Contributor
Peter Swirski Contributor
Lauren Beukes Contributor
Jason Pontin Contributor
Joel Garreau Contributor
Charles Stross Contributor
Ilona Gaynor Contributor
Jo Lindsay Walton Contributor
Ned Beauman Contributor
Pepe Rojo Contributor
Virgil Finlay Illustrator
Nick Harkaway Contributor
Annalee Newitz Contributor
Daniel Suarez Contributor
Paola Antonelli Contributor
小川 隆 Translator
Daniele Brolli Editor, Foreword
Nele Schütz Cover artist
Tony Randazzo Cover artist
Ian Miller Cover artist
Walter Brumm Translator
Aurelia Raffo Cover artist
Luis Royo Cover artist
Don Bolognese Cover artist
Eric Dinyer Cover artist
Holly Warburton Cover artist
Cliff Nielsen Cover artist
Trevor Scobie Cover artist
Danilo Ducak Cover artist
Peter Gudynas Cover artist
David Stevenson Cover artist
Richard Klaw Writer Of Added Commentary
Christopher Brown Contributor
Luigi Milani Translator
Michèle Albaret Traduction
Nozomi Ōmori Translator

Tilastot

Teokset
123
Also by
160
Jäseniä
19,465
Suosituimmuussija
#1,121
Arvio (tähdet)
3.8
Kirja-arvosteluja
332
ISBN:t
268
Kielet
19
Kuinka monen suosikki
71

Taulukot ja kaaviot