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Mary Shelley (1797–1851)

Teoksen Frankenstein tekijä

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Tietoja tekijästä

Mary Wollstonecraft Shelley was born in England on August 30, 1797. Her parents were two celebrated liberal thinkers, William Godwin, a social philosopher, and Mary Wollstonecraft, a women's rights advocate. Eleven days after Mary's birth, her mother died of puerperal fever. Four motherless years näytä lisää later, Godwin married Mary Jane Clairmont, bringing her and her two children into the same household with Mary and her half-sister, Fanny. Mary's idolization of her father, his detached and rational treatment of their bond, and her step-mother's preference for her own children created a tense and awkward home. Mary's education and free-thinking were encouraged, so it should not surprise us today that at the age of sixteen she ran off with the brilliant, nineteen-year old and unhappily married Percy Bysshe Shelley. Shelley became her ideal, but their life together was a difficult one. Traumas plagued them: Shelley's wife and Mary's half-sister both committed suicide; Mary and Shelley wed shortly after he was widowed but social disapproval forced them from England; three of their children died in infancy or childhood; and while Shelley was an aristocrat and a genius, he was also moody and had little money. Mary conceived of her magnum opus, Frankenstein, or the Modern Prometheus, when she was only nineteen when Lord Byron suggested they tell ghost stories at a house party. The resulting book took over two years to write and can be seen as the brilliant creation of a powerful but tormented mind. The story of Frankenstein has endured nearly two centuries and countless variations because of its timeless exploration of the tension between our quest for knowledge and our thirst for good. Shelley drowned when Mary was only 24, leaving her with an infant and debts. She died from a brain tumor on February 1, 1851 at the age of 54. (Bowker Author Biography) näytä vähemmän
Erotteluhuomautus:

(ita) Please don't combine Shelley with Mary Shelley. Yes, some people will have entered books this way, but it more commonly refers to her husband the poet Percy Bysshe Shelley, with whom "Shelley" should also not be combined.

(eng) Please don't combine Shelley with Mary Shelley. There is more than one author with that surname.
Mary Wollstonecraft Shelley (1797-1851) was the author of "Frankenstein". Her mother, Mary Wollstonecraft (1759-1797) was the author of "A vindication of the rights of woman" and has a separate author page.

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Merkitty avainsanalla

Yleistieto

Virallinen nimi
Shelley, Mary Wollstonecraft Godwin
Muut nimet
Godwin, Mary Wollstonecraft (birth name)
Shelley, Mary Wollstonecraft
Syntymäaika
1797-08-30
Kuolinaika
1851-02-01
Hautapaikka
St. Peter's Churchyard, Bournemouth, Hampshire, Engeland, Verenigd Koninkrijk
Sukupuoli
female
Kansalaisuus
Yhdistynyt kuningaskunta
Maa (karttaa varten)
England, UK
Syntymäpaikka
Londen, Engeland, Verenigd Koninkrijk
Kuolinpaikka
Londen, Engeland, Verenigd Koninkrijk
Kuolinsyy
brain tumour
Asuinpaikat
Londen, Engeland, Verenigd Koninkrijk
Koulutus
at home
Ammatit
novelist
poet
editor
short story writer
essayist
Suhteet
Shelley, Percy Bysshe (echtgenoot)
Godwin, William (vader)
Wollstonecraft, Mary (moeder)
Palkinnot ja kunnianosoitukset
SF Hall Of Fame (Posthumous Inductee, 2004)
Lyhyt elämäkerta
Mary Wollstonecraft Shelley was born in London, the daughter of two major English intellectuals and writers, Mary Wollstonecraft and her husband William Godwin. She fell in love with Percy Bysshe Shelley, a married man and father, and scandalized society by eloping with him in 1814. Two years later, they were married and in 1818, she published her most famous work, her first novel: Frankenstein or The Modern Prometheus. She also wrote several other novels, including Valperga (1823) and The Last Man (1826), as well as numerous novellas, short stories, poems, plays, essays, and articles for periodicals of the day, travel books, and a biography of her husband. At the time of Shelley's death in 1822, she was regarded as a major novelist married to a minor poet, but she spent 30 years promoting his work to help him achieve lasting fame.

Jäseniä

Keskustelut

Terrible cover: Frankenstein, Good Show Sir! (maaliskuu 28)
Mary Shelley's Frankenstein, Gothic Literature (lokakuuta 2023)
Folio Archives 345: The Last Man by Mary Shelley 2012, Folio Society Devotees (lokakuuta 2023)
Folio Archives 310: Frankenstein by Mary Shelley 2004, Folio Society Devotees (helmikuu 2023)
Frankenstein LE 2022, Folio Society Devotees (joulukuu 2022)
OT: Question about the 1823 edition of Frankenstein, Folio Society Devotees (syyskuu 2022)
Frankenstein Bicentennial group read, 2018 Category Challenge (tammikuu 2018)

Kirja-arvosteluja

Købt i Kolding, som en trio af engelske bøger: Great Expectations, Frankenstein, Far from the Madding Crowd.
 
Merkitty asiattomaksi
Tonny | 713 muuta kirja-arvostelua | May 11, 2024 |
Not an easy read, given the verbosity of 19th century language and ideas, so don’t try to rush this seemingly short book. The critical introduction (by Maurice Hindle) in this Penguin Classic is also hefty, but worth persevering with. The backdrop to the novel’s themes is wild and romantic nature as in the description of the trek to Chamonix’s Mer de Glace (still impressive today, if one can get past the panoply of ski and tourist facilities). These dramatic features form an apt setting for discoveries and life-explorings, all rendered in a language of passion and extremes. It’s both a “mad scientist” story (the inventor going too far; referencing “Prometheus” and “Paradise Lost”) and an origin story as of a being experiencing our world from first principles (the tabula rasa concept that occurs in Locke and Rousseau’s thinking), set out in a glorious telling by the monster, a methodical but alike emotional account. All this energised sentiment and excess of “feelings wrought” recalls Goethe’s “Young Werther”, itself almost a source text for the Romantic spirit, and used as such by the Monster here who educates himself from a foundling parcel of key books. “The scenery of nature.. he loved with ardour.. The sounding cataract haunted him like a passion …” (p151). Epithets of evil are rampant in the narrative (monstrous, malignant, treacherous, wretched, malicious, hateful, hellish, hideous, daemon… to mention just a sample), flung out on sight of the “Monster” even before any actual misdemeanours have been committed, but as often for me, it’s hard to make the “baddie’s” motives or character convincing. Future film-makers of course have filled this gap.… (lisätietoja)
 
Merkitty asiattomaksi
eglinton | 713 muuta kirja-arvostelua | May 6, 2024 |
Nascido e criado na Suíça, Victor Frankenstein sempre foi ávido de conhecimento. Na universidade, embarca em uma complexa e profunda pesquisa sobre a definição da vida. Uma noite, como por milagre, chega a um processo que lhe permite fazer reviver a matéria morta. Trabalhando dia e noite, ele descobre como animar um corpo feito de pedaços de cadáveres humanos e consegue criar uma criatura sobre-humana.

Quando vê sua criatura, horrorizado com a figura monstruosa, grotesca, horrenda, Frankenstein foge, deixando sozinho o ser a quem dera vida. Começa então uma série de acontecimentos dramáticos, numa narrativa que leva às últimas consequências os sentimentos humanos de amor e ódio, desejo, carência, abandono, vingança.

O desfecho é comovente e nos faz refletir sobre a natureza humana, sua ambição desmedida, seu egoísmo. Publicado pela primeira vez em 1818, este é um belíssimo livro, tenso, rico, uma das obras mais admiradas da literatura mundial.
… (lisätietoja)
 
Merkitty asiattomaksi
Naves3516 | 713 muuta kirja-arvostelua | Apr 30, 2024 |
Contrary to popular belief, Frankenstein is not a book about a savage monster created by a crazed scientist who escapes to wreak havoc on unsuspecting nobodies. If anybody is the monster here, it's Victor Frankenstein himself, who has been given the power of a god to create a life, but doesn't consider the psychological flaws in the experiment. I see Frankenstein as more of a social novel than a horror novel in this respect. Shelley wants for the reader to sympathize with the Creature, not to condemn him like the cottagers do, who do so just because he's different. Frankenstein depicts the anti-Eden of new birth, a lonely soul without a companion, which is why the Creature rebels. The Creature is but a child without maturity or experience, summoned into a world which despises him, so how can we expect him to behave any differently?… (lisätietoja)
 
Merkitty asiattomaksi
TheBooksofWrath | 713 muuta kirja-arvostelua | Apr 18, 2024 |

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Also by
116
Jäseniä
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Suosituimmuussija
#238
Arvio (tähdet)
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ISBN:t
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