Lily King
Teoksen Euphoria tekijä
Tietoja tekijästä
Lily King is an award-winning American novelist. She was born in 1963 and grew up in Massachusetts. She received her B.A. in English Literature from the University of North Carolina at Chapel Hill, and her M.A. in Creative Writing from Syracuse University. She has taught English and Creative näytä lisää Writing at several universities and high schools in the States and abroad. King's first novel, The Pleasing Hour was published in 1999, and was followed by The English Teacher and Father of the Rain. Her latest work, Euphoria, won the inaugural Kirkus Award for Fiction 2014, the New England Book Award for Fiction 2014 and was a finalist for the National Book Critics Circle Award. (Bowker Author Biography) näytä vähemmän
Image credit: Photo by Winky Lewis
Tekijän teokset
One Story 212: When in the Dordogne 3 kappaletta
Disturbing Behaviour 1 kappale
Associated Works
Merkitty avainsanalla
Yleistieto
- Syntymäaika
- 1963
- Sukupuoli
- female
- Kansalaisuus
- USA
- Asuinpaikat
- Massachusetts, USA
- Koulutus
- Syracuse University (MA - Creative Writing)
University of North Carolina at Chapel Hill (BA - English Literature) - Ammatit
- novelist
teacher - Palkinnot ja kunnianosoitukset
- Whiting Writers' Award (2000)
Jäseniä
Kirja-arvosteluja
Listat
Netgalley Reads (2)
Must-Read Maine (1)
Palkinnot
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Associated Authors
Tilastot
- Teokset
- 10
- Also by
- 1
- Jäseniä
- 5,706
- Suosituimmuussija
- #4,331
- Arvio (tähdet)
- 3.9
- Kirja-arvosteluja
- 319
- ISBN:t
- 127
- Kielet
- 9
- Kuinka monen suosikki
- 2
When I’m Dordogne is about a desire to belong and finding that thing (or person) that answers this question: “‘What makes your heart sing” (74)?: “I don't know how other people do it, not stay with the girl whose ankle socks made your stomach flip at age fourteen, whose wet hair smells like your past—the girl who was with you the very moment you were introduced to happiness” (95).
Hotel Seattle is about unfulfilled desires: While completely different tones, this story reminds me of a scene from SATC with Samantha and Richard and Smith: “When you grow up Catholic (mass, CCD, youth camps) with six brothers, a megalomaniac father, and a mother who is on her knees in prayer whenever you try to find her, it’s hard to scrape through all the voodoo layers to recognize you’re gay” (151).
The Man at the Door is so beautifully complicated and about the beautiful, terrible dichotomy of desire: “And with them came a feeling, a presentiment, that she would eventually destroy this good life, for wasn’t her need to write like her parents’ need to drink? A form of escape, a way to detach? And, like the alcohol, it weakened and often angered her, left her yearning for the kind of rare and extraordinary ability she’d never have” (222).
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