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Pere Gimferrer

Teoksen Fortuny tekijä

72+ teosta 455 jäsentä 9 arvostelua

Tietoja tekijästä

Includes the name: Pere Gimferrer

Tekijän teokset

Fortuny (1985) 58 kappaletta
Magritte (1986) 34 kappaletta
Dietari : 1979-1980 (1981) 23 kappaletta
Max Ernst (1977) 23 kappaletta
De Chirico (1988) 20 kappaletta
Arde el mar (1994) 17 kappaletta
L'agent provocador (1998) 17 kappaletta
The Roots of Miro (1993) 16 kappaletta
Toulouse-Lautrec (1990) 13 kappaletta
CINE Y LITERATURA (1985) 13 kappaletta
La poesia de J.V. Foix (1984) 12 kappaletta
Los raros (1985) 11 kappaletta
Amor en vilo (2009) 11 kappaletta
Mascarada (1996) 10 kappaletta
El vendaval (1988) 10 kappaletta
Interludio azul (2006) 9 kappaletta
Tapies and the Catalan Spirit (1974) 8 kappaletta
Alma Venus (2012) 8 kappaletta
El castell de la puresa (2014) 8 kappaletta
Foc cec (1973) 8 kappaletta
Dietari complet (1995) 8 kappaletta
Poemas (1962-1969) (1998) 7 kappaletta
L'Espai desert (1977) 7 kappaletta
Segon dietari : 1980-1982 (1982) 6 kappaletta
Hora foscant 5 kappaletta
El diamant dins l'aigua (2001) 5 kappaletta
La poesia catalana segons Pere Gimferrer (2008) — Toimittaja — 5 kappaletta
Radicalidades (1978) 5 kappaletta
Poesía 1970-1977 (1978) 3 kappaletta
Pere Gimferrer (2021) 3 kappaletta
24 poemas (1997) 3 kappaletta
Marinejant (2016) 2 kappaletta
La Calle de la guardia prusiana (2001) 2 kappaletta
The Catalan Poems (2019) 2 kappaletta
Primera y última poesía (2013) 2 kappaletta
Tornado (Spanish Edition) (2008) 2 kappaletta
Rapsodia (2011) 2 kappaletta
Miro Catalan Universel (1978) 2 kappaletta
Valències : 1971-1993 (1993) 2 kappaletta
Antologia poètica (1999) 2 kappaletta
Marea solar, marea lunar (2000) 1 kappale
Tàpies (1991) 1 kappale
Poemas 1963 1969 1 kappale
Nueve Poemas (2009) 1 kappale
Segundo dietario (1985) 1 kappale
No en mis ds : (2012-2016) (2016) 1 kappale
Dietario (Spanish Edition) (2002) 1 kappale
Miró y su mundo (1978) 1 kappale
3 i 4 VALÈNCIES 1 kappale
Miró, colpir sense nafrar (1978) 1 kappale
Borrasca 1 kappale
Espai desert 1 kappale

Associated Works

Parman kartusiaaniluostari (1839) — Kääntäjä, eräät painokset4,398 kappaletta
Sydämen oppivuodet (1869) — Kääntäjä, eräät painokset4,226 kappaletta
Obras completas (1974) — Esipuhe, eräät painokset125 kappaletta
Antologia poètica (1901) — Toimittaja, eräät painokset80 kappaletta
Arte Poetica: Seis Conferencias (Letras de Humanidad) (2001) — Esipuhe, eräät painokset49 kappaletta
The Dedalus Book of Spanish Fantasy (1999) — Avustaja, eräät painokset48 kappaletta
Poesies (1977) — Esipuhe, eräät painokset29 kappaletta
Suche nach einer Mitte (1980) — Jälkisanat, eräät painokset19 kappaletta
Obres completes. 1, Poesia (1901) — Esipuhe, eräät painokset15 kappaletta
El senyal de la pèrdua : escrits inèdits dels últims anys (2014) — Esipuhe, eräät painokset13 kappaletta
Palabra de America (2004) — Jälkisanat, eräät painokset10 kappaletta
Diccionari de sinònims i antònims (1993) — Esipuhe, eräät painokset6 kappaletta
Deu poetes d'ara : antologia (1996) — Tekijä, eräät painokset6 kappaletta
Spain's Great Untranslated (2013) — Avustaja — 6 kappaletta
Bocavulvari eròtic de la llengua catalana (1990) — Esipuhe, eräät painokset5 kappaletta

Merkitty avainsanalla


Kanoninen nimi
Gimferrer, Pere
Virallinen nimi
Gimferrer i Torrens, Pere
Maa (karttaa varten)
Barcelona, Catalonia, Spain



I've always been curious about how artists developed their works and the creative impulse. Initially I assumed that an artist carried some sort of art "thing" in their brains that enabled them to spontaneously produce an original work of art. But the more that I observed and studied artists and read about their sources of inspiration, the more i came to realise that, in most cases, they built on existing foundations. Occasionally there was some sort of revolutionary change ....such as cubism. But even then, when you dig into Picasso and Juan Gris you can see how they influenced each other (maybe Picasso taking more from Juan Gris' sculptural work) but their best work seemed to me to be the product of evolution. So it was with considerable interest that I studied the current book which is very much about the development of Jean Miro's works: mainly his paintings and prints but covering some of his sculptural work as well.
Whenever, I visited Barcelona in the course of my work, I made it a mission to visit the Juan Miro Fundacion. Because they rotated the works, I was often rather disappointed with what was on show.....but I guess it also gave me the chance to be exposed to a wide range of his work. I recall a friend from Barcelona explaining to me that much of his work was only slightly disguised erotica with hairy vulvas on prominent display ...and that this was not widely recognised but had been satirised by some performance artists in Barcelona itself. Be that as it may, I like a lot of Miro's art ....especially for his juxtaposition of bold sweeps of colour and black....and what Gimferra tries to bring out in this work is that these rarely sprang directly from the brush of Miro but there were antecedent works. Usually sketches, on paper. And sometimes there was a clear evolution of the work or it could be traced back to a photograph or another drawing. I recall, that when my son was in kindergarten at the American School of Madrid, that his great teacher (Stan) wrote to Miro and asked him to make a sketch that the kids could colour in. And, sure enough, Miro responded so our little five year olds could colour in a copy of an "original" Miro drawing. (I think Stan retained the original for "safekeeping"). I'm not sure if the coloured in version ever survived. But I've always had a soft spot for Miro after that experience. This is not the best collection of Miro's work though it does have some lovely examples of his work but it is really impressive for the way ddthat the author has painstakingly tried to connect the sketches and antecedent works with the finished objects and show the various developments. Yes...sometimes it's a bit too painstaking and boring but one can skip those bits. It's a large Poligrafia edition with high quality printing. Altogether a lovely book and i'm happy to give it five stars.
… (lisätietoja)
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