Bice Curiger
Teoksen Flowers and Questions: A Retrospective tekijä
Tietoja tekijästä
Tekijän teokset
Birth of the cool : American painting from Georgia O'Keeffe to Christopher Wool (1997) 20 kappaletta
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Sigmar Polke, Fotografien: Staatliche Kunsthalle Baden-Baden, 11. Februar bis 25. Marz 1990 (German Edition) (1990) 11 kappaletta
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Album: On and Around, The Work of Urs Fischer, Yves Netzhammer, Ugo Rondinone, and Christine Streuli: Participating at… (2007) 4 kappaletta
Freie Sicht aufs Mittelmeer 5. Juni - 30. August 1998, Kunsthaus Zürich, 6. Oktober - 22. November 1998, Schirn… (1998) 3 kappaletta
Mon Cher... Urs Fischer (English and French Edition) 2 kappaletta
Public affairs : das Öffentliche in der Kunst ; [dieser Katalog begleitet die Ausstellung "Public Affairs. Von Beuys b (2002) 2 kappaletta
Sigmar Polke : alles flie t: die Photo Copie GmbH ; [diese Publikation basiert auf einem Vortrag, der am 3.11.2002 in… (2004) 2 kappaletta
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Tate etc. 1 kappale
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Parkett 82 1 kappale
Tate Etc. Issue 7, Summer 2006 1 kappale
Tate Etc. Issue 53, Autumn 2021 1 kappale
Tate Etc. Issue 4, Summer 2005 1 kappale
Fischli, Peter and David Weiss. 1 kappale
TATE ETC. ISSUE 15 1 kappale
Parkett No. 39 1 kappale
Nicole Eisenman and the Modernists. Köpfe, Küsse, Kämpfe: Cat. Kunsthalle Bielefeld/Aargauer… (2022) 1 kappale
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Parkett No 73 2005 1 kappale
Merkitty avainsanalla
Yleistieto
- Syntymäaika
- 1948
- Sukupuoli
- female
- Kansalaisuus
- Switzerland
- Syntymäpaikka
- Zürich, Switzerland
Jäseniä
Kirja-arvosteluja
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Associated Authors
Tilastot
- Teokset
- 77
- Jäseniä
- 464
- Suosituimmuussija
- #53,001
- Arvio (tähdet)
- 4.2
- Kirja-arvosteluja
- 6
- ISBN:t
- 80
- Kielet
- 6
Along with more than seventy of O’Keeffe’s paintings and drawings were photographs of her, notably those by her promoter and husband, Alfred Stieglitz. Although his figure studies contributed to a reductionist interpretation of her flower paintings, my take after reading the essays in this book is that these were not exploitation but that O’Keeffe worked with Stieglitz in forming her public persona. Her life, her work, and the photos interpret each other. Taken together, they present the image of an autonomous personality.
The essays by Bice Curiger, Carter Ratcliff, and Peter J. Schneemann reiterate this. While the reading “flowers equal genitalia” is too simplistic, it seems that O’Keeffe’s denial of this view should not be taken at face value either.
The book includes “Momentaufnahmen,” short reactions by sixteen artists. While most are positive, some indicate they admire the person and what she represents more than the work. This seems related to her delayed reception in Europe. Her work is too abstract to be representational, too representational to be abstract.
O’Keeffe has been a favorite since I first saw her paintings in the 1960s. I enjoyed the Zurich retrospective, a mix of familiar work and many I hadn’t seen before. And I’m glad I can revisit the exhibit through the pages of this book.… (lisätietoja)