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Rachel Bespaloff (1895–1949)

Teoksen War and the Iliad tekijä

9+ teosta 452 jäsentä 2 arvostelua

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Includes the name: Rachel Bespaloff

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Tekijän teokset

Associated Works

Camus: A Collection of Critical Essays (1962) — Avustaja, eräät painokset101 kappaletta
The Red Thread: Twenty Years of NYRB Classics: A Selection (2019) — Avustaja — 57 kappaletta
Readings on Homer (1997) — Avustaja — 15 kappaletta

Merkitty avainsanalla

Yleistieto

Syntymäaika
1895-05-14
Kuolinaika
1949-04-06
Sukupuoli
female
Kansalaisuus
Bulgaria (birth)
USA
Maa (karttaa varten)
Bulgaria
Syntymäpaikka
Nova Zagora, Bulgaria
Kuolinpaikka
South Hadley, Massachusetts, USA
Asuinpaikat
Geneva, Switzerland
Paris, France
Koulutus
Geneva Conservatory of Music (Diploma|Piano Performance|1914)
Ammatit
philosopher
college professor
pianist
choreographer
Suhteet
Pasmanik, Daniel (father)
Shestov, Lev (mentor)
Marcel, Gabriel (correspondent)
Halévy, Daniel (correspondent)
Sartre, Jean-Paul (correspondent)
Wahl, Jean (correspondent) (näytä kaikki 7)
Bloch, Ernst (teacher)
Organisaatiot
Mount Holyoke College
U.S. Office of War Information
Voice of America
Lyhyt elämäkerta
Rachel Bespaloff was born to a Ukrainian Jewish family in Bulgaria and spent her early childhood in Kiev before the family moved to Geneva, Switzerland. Her parents were Daniel Pasmanik, a Zionist writer-activist and physician, and his wife Debora Perlmutter, who held a doctorate in philosophy. Rachel studied dance and music and received a diploma in piano performance from the Geneva Conservatoire in 1914. She then moved to France and taught music at the Paris Opéra. She married Shraga Nissim Bespaloff, a Ukrainian businessman and had a daughter, after which she gave up her musical career. In 1925, she became a friend of the Russian philosopher Lev Shestov and after spending time with him and his friends, took up philosophy as a career. She became a leader in the areas of existentialism and phenomenology. Her first book was a collection of essays called Cheminements et carrefours (Paths and Crossroads), published in 1938. That year she began to re-read the Iliad, which her daughter was studying at school. In 1942, she fled the Nazis Occupation of France in World War II via Casablanca to the USA, where she worked for the French section of the Office of War Information before getting a job teaching French at Mount Holyoke College. There she continued her work as a philosopher and literary critic, and moved in intellectual circles. She published On the Iliad: A Study of Homer's Interpretation of Man in War and in Peace, written partly before the war, in 1947. She committed suicide at age 53 in 1949. Her correspondence with Gabriel Marcel, Daniel Halévy, Jean-Paul Sartre and others was published posthumously.

Jäseniä

Kirja-arvosteluja

This soaring and glorious meditation on the Iliad made me feel I’d learned something that only Simone Weil could teach me. In a way though it made me sad to read this essay, because I realized once again how few women write like this, absolutely sure of their superior intellect and expertise, and with absolute authority, and without a hint of apology for taking command of their thesis and telling the reader what’s what. No throat clearing clauses like “I’m not sure but” or “It’s possible that…”. Just a rush of knowledge written without doubt or equivocation.

Susan Sontag wrote this way. So did Gertrude Stein. Camille Paglia writes this way. In her case I disagree with most of what she writes but I still love what I would call her …a word comes to mind…see, here is the problem, the word that comes to mind is “I love her ballsy-ness.” My language for the act of writing with unapologetic authority is corrupted by a learned cultural sense that to write this way is inherently male. That's bad.
… (lisätietoja)
 
Merkitty asiattomaksi
poingu | Feb 22, 2020 |
Sophomoric patches, but some nuggets
 
Merkitty asiattomaksi
Patentnonsense | Jul 8, 2007 |

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Teokset
9
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Jäseniä
452
Suosituimmuussija
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Arvio (tähdet)
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Kirja-arvosteluja
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ISBN:t
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Kielet
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