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Thomas Bernhard (1931–1989)

Teoksen Haaskio tekijä

231+ teosta 14,240 jäsentä 321 arvostelua 129 Favorited

Tietoja tekijästä

Thomas Bernhard was born to Austrian parents in Holland and reared by his mother in the vicinity of Salzburg. His temperament and erratic health created difficulties for him as he grew up in a society governed by National Socialists. Bernhard found the alpine landscapes of his native Austria far näytä lisää more harsh than lyrical. The isolation of the characters in his novels is only slightly mitigated by friendship, generally only between men, and never by love. Yet many readers feel this lack of sentimentality gives Bernhard's work an epic power. (Bowker Author Biography) näytä vähemmän


Tekijän teokset

Haaskio (1983) 1,600 kappaletta
Wittgensteinin veljenpoika (1982) 1,042 kappaletta
Hakkuu : muuan mielenkuohu (1984) 973 kappaletta
Korrektur (1975) 913 kappaletta
Auslöschung : ein Zerfall (1986) 863 kappaletta
Betoni (1982) 800 kappaletta
Vanhat mestarit : komedia (1985) 796 kappaletta
Häiriö (1970) 614 kappaletta
Pakkanen (1963) 521 kappaletta
Das Kalkwerk (1970) 482 kappaletta
Der Stimmenimitator (1978) 452 kappaletta
Kyllä (1978) 421 kappaletta
Syy (1975) 307 kappaletta
Autobiographische Schriften (1986) 294 kappaletta
Palkintopuhetta (2009) 272 kappaletta
Muuan lapsi (1982) 241 kappaletta
Kellari : vetäytyminen (1976) 231 kappaletta
Heldenplatz (1988) 218 kappaletta
Hengitys : päätös (1978) 207 kappaletta
Gehen (1971) 171 kappaletta
Kylmyys : eristys (1981) 169 kappaletta
In der Höhe (1959) 160 kappaletta
Halvallasyöjät (1980) 159 kappaletta
Goethe Dies (2010) 136 kappaletta
Three Novellas (2003) 106 kappaletta
Amras (1964) 105 kappaletta
Prose (1967) 78 kappaletta
Ungenach (1968) 58 kappaletta
Vertellingen (1979) 57 kappaletta
Histrionics: Three Plays (1990) 56 kappaletta
Gesammelte Gedichte (1988) 50 kappaletta
Watten (1969) 46 kappaletta
Ereignisse (1988) 45 kappaletta
An der Baumgrenze (1969) — Tekijä — 44 kappaletta
Alte Meister: Graphic Novel (2011) 38 kappaletta
Der Italiener (1977) 35 kappaletta
Muizen, ratten en dagloners (1988) 29 kappaletta
Ritter, Dene, Voss (1984) 28 kappaletta
On Earth and in Hell: Early Poems (2012) 27 kappaletta
Der Theatermacher (1984) 26 kappaletta
Die Romane (Quarto) (2008) 25 kappaletta
Minetti (1988) 24 kappaletta
Thomas Bernhard: 3 Days (2016) 23 kappaletta
Der Kulterer (2000) 23 kappaletta
Die Macht der Gewohnheit (1974) 21 kappaletta
Ein Fest für Boris (1970) 20 kappaletta
Immanuel Kant (1978) 20 kappaletta
Midland in Stilfs (1973) 19 kappaletta
Les apparences sont trompeuses (1983) 18 kappaletta
Der Wetterfleck (1971) — Tekijä — 18 kappaletta
Relatos (1993) 18 kappaletta
Ave Virgilio (1981) 17 kappaletta
Am Ziel (1981) 17 kappaletta
Récits, 1971-1982 (2007) 16 kappaletta
Die Jagdgesellschaft (1974) 15 kappaletta
Der Ignorant und der Wahnsinnige (1972) 15 kappaletta
Teatro (1990) 13 kappaletta
Der Präsident (1975) 12 kappaletta
Werke 12. Erzählungen 2 (2006) 10 kappaletta
Amras et autres récits (1987) 10 kappaletta
Elisabeth II. (1987) 9 kappaletta
Tinieblas (1986) 9 kappaletta
Teatro 1. (2003) 8 kappaletta
Simplement compliqué (1997) 8 kappaletta
Thomas Bernhard. Ein Lesebuch (1993) 8 kappaletta
Spectaculum 25, in 3 Bdn. (1976) 8 kappaletta
Werke (2003) 8 kappaletta
Uitwissing : een verval (2022) 8 kappaletta
Werke 19. Dramen 5 (2011) 7 kappaletta
AUTOBIOGRAFIA (2014) 7 kappaletta
Briefwechsel (2009) 6 kappaletta
Hormigón ; Extinción (2012) 6 kappaletta
Die Salzburger Stücke (1975) 6 kappaletta
Ucuzayiyenler (2000) 5 kappaletta
Teatro 5. (2004) 5 kappaletta
In een tapijt van water (1997) 5 kappaletta
Sotto il ferro della luna (2015) 4 kappaletta
Yes; The Cheap Eaters (1980) 4 kappaletta
Duzelti (2011) 4 kappaletta
Die Berühmten (1976) 4 kappaletta
Über Thomas Bernhard (1970) 3 kappaletta
LA FORNACE (2022) 3 kappaletta
Kolme pienoisromaania (2016) 3 kappaletta
L'origine 3 kappaletta
Yurumek - Evet (2009) 3 kappaletta
Werke 21. Gedichte (2003) 3 kappaletta
Amras / Watten (2013) 3 kappaletta
Isabel II y tres dramolette (2006) 3 kappaletta
Suhrkamp BasisBibliothek : Thomas Bernhard : Amras (2006) — Text — 3 kappaletta
Hukkasaaja (2021) 2 kappaletta
Chodzenie ; Amras (2018) 2 kappaletta
Kirec Ocagi (2015) 2 kappaletta
Dramuscules (1997) 2 kappaletta
Röstimitatören (2022) 2 kappaletta
Mróz (2020) 2 kappaletta
Thomas Bernhards Salzburg (2022) 2 kappaletta
Immanuel Kant y Comida alemana (2005) 2 kappaletta
Spectaculum 24 (1976) 2 kappaletta
Der Italiener, 1 DVD (1973) — Screenwriter — 2 kappaletta
Metsaraiumine : erutus (2022) 2 kappaletta
Bitterhetens ild (1994) 2 kappaletta
La Mort d'August (2000) 2 kappaletta
Tres dramolette (2007) 2 kappaletta
Vidimost obmanchiva (1999) 2 kappaletta
Die Irren Die Häftlinge (1988) 2 kappaletta
Betão - eBook 1 kappale
Poremećaj 1 kappale
Dramaty. Tom 2 1 kappale
Dramaty 1 kappale
Kulterer 1 kappale
L'italiano 1 kappale
Dramen 1 kappale
POSESIONES, LAS (2014) 1 kappale
Relatos 1 kappale
Amras Watten - Bir Miras (2021) 1 kappale
Trevas 1 kappale
PAJ #13 1 kappale
Beautiful View 1 kappale
Spectaculum 32 (1980) 1 kappale
Prosa 1 kappale
Don (2015) 1 kappale
Undergeren 1 kappale
Las posesiones 1 kappale
Dramaty, tom I 1 kappale
Mráz (2007) 1 kappale
Kahramanlar Alani (2015) 1 kappale
כן 1 kappale

Associated Works

Found in Translation (2018) — Avustaja, eräät painokset36 kappaletta
Deutsche Lyrik : Gedichte seit 1945 (1961) — Avustaja — 9 kappaletta
Bibliothek Suhrkamp. Ein Lesebuch, Klassiker der Moderne (1989) — Avustaja — 8 kappaletta
Theater, Volume 30, Number 1 — Avustaja — 1 kappale
Fiction, Volume 6, Number 1 — Avustaja — 1 kappale
Fiction, Volume 1, Number 1 — Avustaja — 1 kappale
Fiction, Volume 2, Number 3 — Avustaja — 1 kappale
Form 8 — Avustaja — 1 kappale
Theater, Volume 15, Number 1 — Avustaja — 1 kappale

Merkitty avainsanalla




Die lieben Leiden der Künstler. Verkannt, vergessen oder einfach nur von sich selbst aus in den Hintergrund gerückt. Ganz gleich, was es ist. Aber leiden tun sie alle. Ob berühmt, vor einem großen Publikum, oder unentdeckt, nur von Freunden erkannt.
War es der Wahnsinn, welcher Wertheimer zu seiner Selbstmordtat hinreißen lies? Oder die Verzweiflung eines Künstler, der nie als solcher wirklich erkannt wurde und sich auch nie als Virtuose gesehen hat? Schwer zu sagen. Doch ist hier klar bewiesen, dass Genie und Wahnsinn sehr nahe bei einander lagen.… (lisätietoja)
Merkitty asiattomaksi
RoXXieSiXX | 40 muuta kirja-arvostelua | May 20, 2024 |
For those that like or love Bernhard this is a step into his world with a stronger autobiographical slant. Great writing, that provides insight into the forces of his past that shaped the writing itself.
Merkitty asiattomaksi
yates9 | 5 muuta kirja-arvostelua | Feb 28, 2024 |
A few days ago the book [b:The Basic Laws of Human Stupidity|49348225|The Basic Laws of Human Stupidity|Carlo M. Cipolla|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1595814345l/49348225._SX50_.jpg|358622] came across my desk. Living as I do in the vaccine-refusing epicenter of the US Delta variant surge of infection and of hospitals that are once again becoming overwhelmed, I couldn’t help feeling a note of sympathy with the book. Opening it up I read the first law: “Always and inevitably everyone underestimates the number of stupid individuals in circulation.” Here’s an author who probably read Thomas Bernhard.

I take it that all of Bernhard’s work is essentially variants of a theme, of which stupidity plays a large role. Stupidity is the spike protein of Bernhard’s worldview, always present as the details of the larger work change a bit. I have no idea if that claim works, by the way, but I’m leaving it. How does Bernhard put it across in Gargoyles?

I say to Huber: The republican death-throes are probably the most repulsive, the ugliest of all. Aren’t they, Doctor? I say: The common people are stupid, they stink, and that has always been so.

I have been reflecting, Doctor, on the stupidity of all phrases, on stupidity, on the stupidity in which man lives and thinks, thinks and lives, on the stupidity…

… has never come into conflict with the law and never will because the world is too stupid.

The prince said he was forever compelled to make a stupid society realize it was stupid, and that he was always doing everything in his power to prove to this stupid society how stupid it was.

The shattering thing,” he said, “is not the ugliness of people but their lack of judgment.”

Naturally this makes for an unhappy outlook. “As I go about, there is hardly a man I see who isn’t repulsive.” “He was used to sacrificing himself to a sick populace given to violence as well as insanity.” “It would be wrong to refuse to face the fact that everything is fundamentally sick and sad.”

Sometimes this is funny. Nothing is above the novel’s complaints: “If I send it now, at noon, I thought, it won’t reach Kobernausserwald until tomorrow morning. The postal system, the hopeless, ruined Austrian postal system.” Now there’s some pettiness. And here it reads like a parody of Grumpy Old Man: “We paid and left. In the restaurant a band of schoolchildren were being fed. They were given hot soup and admonishments not to make noise. What gruesome people these innocent creatures will inevitably become, I thought as we left the restaurant.”

Bernhard’s apparent horror of sex appears: “I once saw him naked by the river, together with his equally naked wife; I remember that infantile penis. There they were, indulging their pitiable Sunday connubiality behind the bushes, away from the clear water, where they thought they were alone and could indulge themselves in their revolting intimacies, succumbing to their stupor in the sunset.” That’s some pretty good and funny anti-eroticism, I have to admit.

If Bernhard’s debut novel [b:Frost|12203|Frost|Thomas Bernhard|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1537115859l/12203._SY75_.jpg|1244054] had one solitary note of optimism and grace, embodied by nuns caring for the ill, Gargoyles has its one note of optimism and grace located in nature:

I would climb the northern hills and let myself dream while contemplating the outward aspects of nature. Whenever I looked at it, I said, and from any perspective, the surface of the earth struck me as new and I was refreshed by it.

I liked this novel more than I did Frost, perhaps because it has more variety and hints of an actual plot to its largely one note hammering away. Bernhard’s third novel, I read, marks the start of his major work, so having served somewhat of a gruesome apprenticeship I look forward to the gruesome main event. After all, “We always want to hear something even worse than what we have inside of us,” as the prince said. Perceptive.
… (lisätietoja)
Merkitty asiattomaksi
lelandleslie | 16 muuta kirja-arvostelua | Feb 24, 2024 |
He thought, "Thomas Bernhard is mentioned as the most important post-war writer in German, is credited with ownership of a particular style, and is frequently referred to." He thought, "I shall read Bernhard's novels, starting with his first." He thought, "Bloody hell."

The cover blurb proclaims Frost to be "A blast of raw feeling." It's a blast of something, all right. 350 pages mostly consisting of a steady rant of complaints and invective, described by its admirers here - its admirers, mind - with words like "impenetrable" and "increasingly incomprehensible", which leaves me wondering, "do you people want something totally different than I do out of literature?"

There's not a plot so much as a vague gesture in that direction. A medical internist is sent by his superior to observe the doctor's brother for a month. The text does not have exchanges of dialogue but rather a few lines of this brother's directly spoken rants alternating with the internist's summary of the next few lines of the man's rants, and, repeat. A better recipe for boredom if this is not done well is hard to imagine.

Sometimes you can sort of chuckle at the rants. Of his fellow villagers: "The children had lice, the grown-ups had gonorrhea, or the syphilis that finally overwhelmed their nervous systems... Almost all of them have cankered lung lobes, pneumothorax and pneumoperitoneum are endemic. They have tuberculosis of the lungs, the head, the arms and legs." On rural folk: "That whole simple, pitiless world of thought, where simplicity and low-mindedness get hitched and ruin everything! Nothing comes from country people! Villages, morons in short sleeves! The country is no source anymore, only a trove of brutality and idiocy, of squalor and megalomania, of perjury and battery, of systematic extinction!" On the nature of humankind: "Where there is putrescence, I find I cannot breathe deeply enough. I always want to breathe in the odor of humanity, you understand."

For me, the human imagination is an aspect of "God created man in his own image," the imagination and creative impulse acts that bring us closer to God. But it's seen rather differently here: "The imagination is an expression of disorder, it has to be. In an ordered world, there would be no such thing as imagination, order wouldn't tolerate such a thing, imagination is completely alien to it. All the way here, I was asking myself what imagination is. I'm sure imagination is an illness. An illness that you don't catch, merely because you've always had it. An illness that is responsible for everything, and particularly everything ridiculous and malignant."

But then amazingly, about exactly halfway through the book, I found a few lines that counter the entire novel's essence. It's about a hospital attached to a chapel, nuns working as nurses. The internist reflects: "The sisters perform astonishing feats. Never get to bed before eleven, and are back from church already by five, having been heard singing there at half past four. Everywhere, the great white tulips of their bonnets, which manage to flower where everything is dark with despair, where everything else is bleak and bare and inimical."

Well, how un-Bernhardian seeming! A lone bright ray, surrounded by darkness.

So you see why I can't give it just 1 star, despite the fact that I skimmed near the end, and I hate skimming, it's the antithesis of my entire being, and I can't imagine recommending this book. Now, I wonder how I'll like his second novel...
… (lisätietoja)
Merkitty asiattomaksi
lelandleslie | 17 muuta kirja-arvostelua | Feb 24, 2024 |



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