Andrew Bannister

https://fromtheheartofeurope.eu/creation-machine-by-andrew-bannister/

Way back in 1989-90, as the world changed forever, I shared a house in Cambridge with a guy called Andrew. Years passed and we fell out of touch, and then it suddenly turned out that he was writing science fiction as a side gig from his environmental consultancy job, and we net for the first time in a quarter of a century at Eastercon in 2016. It is a small world sometimes.

This was his debut book, and I’m sorry to say that I’ve only now got around to reading it. It is jolly good. There are two and a half interlinked plots: one follows the memorable villain, the other the spunky heroine, with flashbacks to explain the history of her relationship with her AI guardian. Both villain and heroine are chasing abandoned ancient tech of mindblowing capability (the eponymous Creation Machine). It’s mostly space opera but leaps into cyberpunk at the end. I found it compellingly written, and I shall get the sequels in the trilogy – though I’m glad to say that this first volume is self-contained.… (lisätietoja)

Worthy of Your Attention: A Space Opera!

I was kindly given a copy of Stone Clock from author, Andrew Bannister (AB), in exchange for a review. From my perspective the timing could not have been better as I was just starting the first book in the trilogy, Creation Machine.

This trilogy is big picture space opera. I hate to compare an author's work with others, but it did have some flavour of Bank's Culture books and AB does convey the ideas of the current world's is based upon what has gone before. Although there were one or two times I was not quite sure what was going on (I genrally had an idea), the trilogy is very readable and with an interesting cast of characters. I especially liked The Bird.

Stone Trilogy was the best of the three books, with some great concepts, especially those relating to virtual realities, the speeds at which they run and huge timescales. All books have a host of landscapes which varied from the beautiful to the weird and I can only imagine that AB's imagination was in overdrive. The Spin itself is a great idea and in the end there is even logic to it's madness

In summary this is a fast-paced, accessible and fun conclusion to a great big universe of a space opera trilogy. There may even be room for a little more Spinning.

… (lisätietoja)

Although this is the author's first story, it isn't the first story he's had published, writing in all sorts of magazines but concentrating on science fiction topics and this is quite clear from this story, set in the Spin region of the Galaxy, set up hundreds of thousands of years ago and now largely ignored by the Galaxy as a whole. One of the more unpleasant civilisations to have grown up in the Spin is the self-proclaimed The Fortunate who have come into possession of an artefact used all those millennia ago to create the Spin and its artificial worlds and who's Final Prophet has deemed that the device should be used to conquer the rest of the Spin but the surrounding civilisations have other ideas.

Fleare Haas, daughter of the owner of the Haas Corporations, has fallen out with daddy to the extent of enlisting in the opposition, before being exiled to The Monastery where she awaits being ransomed back but she's rescued by one of her colleagues from the rebellion and they search out fellow survivors as they are fed the details of the artefact found by The Fortunate.

At first, the jumping around characters' timelines was a bit disconcerting but either I got used to this, or Bannister eased up on this as we got into the story. The story isn't explicitly marketed as the first in a series but I wasn't terribly surprised to find that there are more books in the timeline though it does more-or-less wrap itself up quite well… (lisätietoja)

This one seems to be getting quite a push from Bantam (they were giving away free ARCs at Eastercon). First impression… well, it’s very Banksian. And that can’t be bad. The action takes place in the Spin, an “artificial galaxy”, although no real sense of the size or scale of this galaxy is apparent in the book. The heroine, Fleare Haas, who struck me as very much in a smiliar vein to Banks’s Lady Sharrow, is the daughter of the plutocrat who pretty much runs the Hegemony, the Spin’s most powerful government. She tried fighting against him in a breakaway army, but that ended badly. As the book opens, she’s a prisoner of an enigmatic ruin on one of the Spin’s worlds. She’s then rescued by an ex-colleague who is a cloud of nanobots (one of the novel’s more inventive elements), because she’s needed to prevent the Hegemony from doing something stupid with a powerful artefact that may be left over from the machine that built the Spin. That artefact is currently in the hands of a brutal regime which occupies a handful of worlds in the centre of the artificial galaxy. It’s all very twenty-first century space opera, very readable, quite inventive, with a slight twist of Banks and a mordant, albeit far more sweary, wit… But it’s also a space opera universe in which capitalism runs everything, and slavery, torture and brutality seem the default setting… In fact, there are no redeeming features to the societies depicted in the Spin. And I have to wonder, why would someone write a book like this? It feels like an attempt to writer a grimdark space opera – but since I think grimdark is a horrible thing, I can think of no good reason why anyone would want to do the same in space opera. I suspect this book will do quite well, but I’ll not be bothering with the sequels.… (lisätietoja)