Picture of author.

Sergei Aksakov (1791–1859)

Teoksen Perhekronikka tekijä

29+ teosta 531 jäsentä 7 arvostelua 1 Favorited

Tietoja tekijästä

A close friend of Nikolai Gogol, Aksakov came from the old landholding nobility. His family background became the subject for a series of reminiscences written late in life. Their objective and precise description of the often brutal provincial existence, their insight and honesty about human näytä lisää psychology, as well as their eventful narratives have made them enduring classics of nineteenth-century prose. (Bowker Author Biography) näytä vähemmän
Image credit:
Courtesy of the NYPL Digital Gallery
(image use requires permission from the New York Public Library)

Sarjat

Tekijän teokset

Perhekronikka (1917) 268 kappaletta
A Russian Schoolboy (1856) 75 kappaletta
Years of Childhood (1858) 65 kappaletta
Semejnaja hronika (2013) 4 kappaletta
Izbrannoe 2 kappaletta
Perekonna kroonika 2 kappaletta

Associated Works

The Portable Nineteenth-Century Russian Reader (1993) — Tekijä, eräät painokset206 kappaletta
Rod and line (1929) — Avustaja, eräät painokset35 kappaletta
The Scarlet Flower [1952 film] (1952) — Original story — 2 kappaletta

Merkitty avainsanalla

Yleistieto

Virallinen nimi
Aksakov, Sergei Timofeevich
Muut nimet
Аксаков, Сергей Тимофеевич
Syntymäaika
1791-10-01
Kuolinaika
1859-05-12
Hautapaikka
Novodevichy Cemetery, Moscow, Russia
Sukupuoli
male
Kansalaisuus
Russia
Syntymäpaikka
Ufa, Russia
Kuolinpaikka
Moscow, Russia
Asuinpaikat
Moscow, Russia
Abramtsevo, Russia
Koulutus
Kazan University
Ammatit
Writer
Censor
Autobiographer
Suhteet
Gogol, Nikolai (friend & mentor)
Aksakova, Vera (daughter)
Aksakov, Konstatin Sergeyevich (son)
Aksakov, Ivan Sergeyevich (son)
Lyhyt elämäkerta
Sergei Aksakov was a 19th-century Russian literary figure remembered for his semi-autobiographical tales of family life, as well as his books on hunting and fishing. Born in Ufa, Russia in 1791, he was educated at the Kazan Gymnasium and then, in 1805 (in the first year after its founding), at Kazan University. Aksakov worked briefly in government service, from 1807 through 1811, before resigning and moving from St. Petersburg to Moscow. He volunteered for the militia and took part in the Campaign of 1812, before retiring to his family estate. In 1826 he moved to Moscow again, and worked for the Moscow Censorship Committee (1827-1832), before becoming an inspector at the Grand Duke Constantine School of Surveying in 1833, and the first director of the Constantine Geodetic Institute in 1835. He retired from the civil service in 1838.

Aksakov began publishing translations, reviews, and articles in the early 1820s. In 1832 he met Gogol, and became a devoted follower of the writer, whom he deemed a "a purely Russian genius." Gogol encouraged Aksakov in writing A Family Chronicle, which he began in 1840 and published in the late 1850s. In between he wrote and published the popular Notes on Fishing (1847) and Notes of a Hunter in Orenburg Province (1852). Gogol wrote Aksakov, in relation to these works, that "Your birds and fishes are more alive than my men and women." A member of the Slavophile movement, Aksakov hosted such authors as Gogol, Turgenev, and Tolstoy at his home in Abramtsevo. His sons, Konstantin and Ivan, were also notable members of the Slavophile movement, and his daughter, Vera Aksakova, was a well-known author. Aksakov died in 1859.

Jäseniä

Kirja-arvosteluja

Transports you back to 1799 Russia; in a vivid and simply written narrative, Aksakov recalls being sent away from his beloved family home to a distant boarding school. A harsh awakening, hysterical (?) episodes, his devoted mother travels to fetch him home...and a scarcely credible scene (to the 21st century reader) of having to get the school governor's permission before she can remove him in an almost law court type of hearing!
After a year at home - Aksakov recalls the scenery and the field sports - he returns to school and makes a better show of it this time round, shining at literature, and becoming massively interested in the theatre.
Very well written.
… (lisätietoja)
 
Merkitty asiattomaksi
starbox | May 21, 2019 |
Hm.  Sorry, I didn't care for this so much.  Diodorov's illustrations are not to my taste, and distracted me from the text.  The text was too long for the story it told, and too long for a picture book, but too short for consideration for a chapter book, imo.  And the girl never had a name.  If the many instances of the merchant's young daughter, the rare beauty" were abbreviated to 'Beauty' or "Flora" or something, it would have been a much shorter book.  I mean, after a couple dozen references, she's not so "rare" anymore....  However, it's a strong story, and Aksakov never did anything to ruin it, so, three stars overall."… (lisätietoja)
 
Merkitty asiattomaksi
Cheryl_in_CC_NV | 3 muuta kirja-arvostelua | Jun 6, 2016 |
This and the succeeding two volumes in the author's Family Chronicle trilogy form one of the masterpieces of 19th century Russian literature, largely overlooked outside Russia itself. A lightly-fictionalised account of the life of his grandfather around the turn of the 18th/19th centuries, Aksakov wrote the book half a century after the events he describes in it happened, and from the accounts of family members and others, since his grandfather died not long after the author was born. Neverthe less it is utterly alive and is an extraordinary evocation of the life of rural Russia at this time.… (lisätietoja)
2 ääni
Merkitty asiattomaksi
martin1400 | Aug 2, 2013 |
Surely one of the great neglected masterpieces of 19th century Russian literature. This and its companion volumes in the author's Family Chronicle trilogy are a truly remarkable account of life in provincial Russia in the early part of that century, seen through the eyes of a child but filtered through the consciousness of the adult Aksakov writing it down half a century later. Both passionate and perceptive, with wit and irony, he re-creates through the life of the growing child the world of the small rural gentry and peasantry in both its detail and its overall culture in a way that allows the reader to feel what it was like to be there at that time living that life.… (lisätietoja)
 
Merkitty asiattomaksi
martin1400 | Aug 2, 2013 |

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Yulia Ustinova Illustrator
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Boris Diodorov Illustrator
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Tilastot

Teokset
29
Also by
3
Jäseniä
531
Suosituimmuussija
#46,874
Arvio (tähdet)
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Kirja-arvosteluja
7
ISBN:t
56
Kielet
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Kuinka monen suosikki
1

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