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Ladataan... The San Veneficio Canon (vuoden 2005 painos)Tekijä: Michael Cisco
TeostiedotThe San Veneficio Canon (tekijä: Michael Cisco)
  
- Ei tämänhetkisiä Keskustelu-viestiketjuja tästä kirjasta. 4   paradoxosalpha | Oct 26, 2016 |  ei arvosteluja | lisää arvostelu
Struck by lightening, resurrected, cut open, and stuffed full of arcane documents, the Divinity Student is sent to the desert city of San Veneficio to reconstruct the Lost Catalog of Unknown Words. He learns to pick the brains of corpses and gradually sacrifices his sanity on the altar of a dubious mission of espionage. Without ever understanding his own reasons, he moves toward destruction with steely determination. Eventually he find himself reduced to a walker between worlds - a creature neither of flesh nor spirit, stuffed with paper and preserved with formaldehyde - a zombie of his own devising. The line twixt clairvoyance and madness is thinner than a razor blade. In 1999, The Divinity Student captured the attention of fans of dark fantasy everywhere, eventually winning the International Horror Guild Award for best first novel. Now, The Divinity Student has been paired with its sequel, The Golem, for a must-have book - The San Veneficio Canon. Michael Cisco has created a city and a character that will live in the reader's imagination long after this book has been read... Kirjastojen kuvailuja ei löytynyt. |
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 Google Books — Ladataan...LajityypitMelvil Decimal System (DDC)813Literature English (North America) American fictionKongressin kirjaston luokitusArvio (tähdet)Keskiarvo: (4.13)
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1
The book never clarifies its over-arching title, which allows the word "Canon" to be read either as an approved collection of scripture (the Holy Book which is the chief magical tool of the nameless Divinity Student and/or Cisco's book bearing the title) or as a minor clergyman (the Divinity Student himself). In his dream-like setting, Cisco has put into the foreground religious signifiers for places and persons: Seminary, Cathedral, Divinity Student, High Priest, etc. But the religion in question, while having some passing features and jargon of Christianity, is never specified in terms of creed or theology.
Although the book fairly thoroughly maintains a third-person omniscient narrator, there are two tiny uses of the grammatical first person in The Golem: "From horizon to horizon the only light comes from San Veneficio. I feel that spiced breath from mummified lungs once more" (130), and later--more tellingly--"her pointed* lips and nails are scarlet as the red of my binding" (182). The second of these suggests that the speaker is in fact a book; the Holy Book?
* Sic. This "pointed" would make more sense as "painted," and I suspect a typo.
The imagery of this text is kaleidoscopic. In fact, Cisco twice uses "kaleid" as a verb indicating the revolving transformation of light and vision. The Divinity Student who is--on some level, at least--the protagonist of both novels is occasionally horrifying, and becomes more than a little bit of a necromancer. The closing of The Golem embraces a type of metafiction that I identify with The Neverending Story, though certainly not in the juvenile register used by Ende! Despite that gesture at a summation, nearly any chapter of The San Veneficio Canon could stand alone as an enigmatic short story--no more enigmatic than the composite whole, really.