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Ladataan... The Prince and the Pauper (Signet Classics) (alkuperäinen julkaisuvuosi 1881; vuoden 2002 painos)Tekijä: Mark Twain (Tekijä), Everett Emerson (Jälkisanat)
TeostiedotPrinssi ja kerjäläispoika (tekijä: Mark Twain) (1881)
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Kirjaudu LibraryThingiin nähdäksesi, pidätkö tästä kirjasta vai et. Ei tämänhetkisiä Keskustelu-viestiketjuja tästä kirjasta. Kuuluu näihin kustantajien sarjoihin — 28 lisää Sisältyy tähän:Great Masters Library: Mark Twain (tekijä: Mark Twain) Historical Romances: The Prince and the Pauper / A Connecticut Yankee in King Arthur's Court / Personal Recollections of Joan of Arc (tekijä: Mark Twain) The Prince and the Pauper & Those Extraordinary Twins (The Complete Novels of Mark Twain) (tekijä: Mark Twain) The Prince and the Pauper; A Connecticut Yankee in King Arthur's Court (Signet classics) (tekijä: Mark Twain) The Adventures of Huckleberry Finn/The Adventures of Tom Sawyer/The Prince and the Pauper (tekijä: Mark Twain) Mark Twain: Four Complete Novels (tekijä: Mark Twain) Tämä on uudelleenkerrottu:The Prince and the Pooch (tekijä: Caroline Leavitt) Mukaelmia:Lyhennelty täällä:Innoitti:The Prince and the Prosecutor (tekijä: Peter J. Heck) Sisältää opiskelijan oppaanDistinctionsNotable Lists
When young Edward VI of England and a poor boy who resembles him exchange places, each learns something about the other's very different station in life. Kirjastojen kuvailuja ei löytynyt. |
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Google Books — Ladataan... LajityypitMelvil Decimal System (DDC)813.4Literature English (North America) American fiction Later 19th Century 1861-1900Kongressin kirjaston luokitusArvio (tähdet)Keskiarvo:
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A case of mistaken identity leads to London street beggar Tom Canty trading places with his body double, Edward Tudor, Prince of Wales, hours before the latter ascends to become King Edward VI in January 1587. It has been adapted, retreaded and parodied many times throughout the last century, but most newer versions merely scratch the surface as a satire about class, while Mark Twain's focus is much deeper. In a key misadventure, Edward encounters a hermit who is as convinced he is an archangel as Edward is that he is king, but the hermit is supposedly really insane, whereas Edward is merely believed to be, which raises the question for modern audiences of young people obsessed with identity and how we identify: To what extent do we truly define our identity, and how much of it is built on the definitions of others? Twain himself toys with this notion of identity: A series of footnotes, many from David Hume's The History of England (1762), indicate not only the level of historical accuracy, but even how plausible the completely made-up story is. With a nod toward Jonathan Swift's wry sense of humor and Charles Dickens' fascination with the criminal element, this novel showcases Twain's range and eye for detail. ( )