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La ‰ferrovia sotterranea Tekijä: Colson…
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La ‰ferrovia sotterranea (vuoden 2017 painos)

Tekijä: Colson Whitehead, Martina Testa

JäseniäKirja-arvostelujaSuosituimmuussijaKeskimääräinen arvioKeskustelut / Maininnat
8,850451918 (4.04)1 / 745
Cora is a slave on a cotton plantation in Georgia. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Though they manage to find a station and head north, they are being hunted. Their first stop is South Carolina, in a city that initially seems like a haven. But the city's placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels.… (lisätietoja)
Jäsen:brunetto_64mb
Teoksen nimi:La ‰ferrovia sotterranea
Kirjailijat:Colson Whitehead
Muut tekijät:Martina Testa
Info:Roma, SUR, 2017
Kokoelmat:Oma kirjasto
Arvio (tähdet):
Avainsanoja:-

Teostiedot

The Underground Railroad (tekijä: Colson Whitehead)

Viimeisimmät tallentajatchellerystick, yksityinen kirjasto, MilyMG07, Cabask, Artur-Bobinski, Dunedin_Athenaeum, Rini55, edramey, Charudhankar
  1. 90
    Minun kansani, minun rakkaani (tekijä: Toni Morrison) (shaunie)
    shaunie: Morrison's masterpiece is a clear influence on Whitehead's book, and his is one of the very few I've read which bears comparison with it. In fact I'd go so far as to say it's also a masterpiece, a stunningly good read!
  2. 60
    Exit West (tekijä: Mohsin Hamid) (vwinsloe)
    vwinsloe: Both books use a magical means of transportation to illuminate the plight of refugees (runaway slaves in one and immigrants in the other.)
  3. 30
    The Known World (tekijä: Edward P. Jones) (lottpoet)
  4. 30
    Vesitanssija (tekijä: Ta-Nehisi Coates) (g33kgrrl)
    g33kgrrl: Two amazing authors, two different literary approaches to the underground railroad, two stories, one terrible time in US history.
  5. 30
    Homegoing (tekijä: Yaa Gyasi) (chwiggy)
  6. 20
    Underground Airlines (tekijä: Ben H. Winters) (elenchus)
    elenchus: That popular culture phenomenon of the uncanny twins, two works appearing together yet unrelated in authorship, production, inspiration. Why do they appear together? In this case, each is compelling enough to read based on their own, but for me irresistable now they've shown up onstage at the same time. Ben Winters's Underground Airlines a bizarro underground railroad, updated (for reasons left implicit) for air travel; Colson Whitehead's The Underground Railroad making the escape trail a concrete reality. Each also addresses our world, in between stations.… (lisätietoja)
  7. 20
    Twelve Years a Slave (tekijä: Solomon Northup) (charlie68)
    charlie68: Both describe the brutalities of slavery.
  8. 10
    Juuret (tekijä: Alex Haley) (charlie68)
  9. 12
    Oraakkelin kirja (tekijä: Philip K. Dick) (CGlanovsky)
    CGlanovsky: Disturbing Alternate Histories of America.
  10. 01
    Steal Away Home: One Woman's Epic Flight to Freedom - And Her Long Road Back to the South (tekijä: Karolyn Smardz Frost) (figsfromthistle)
  11. 06
    Tuulen viemää (tekijä: Margaret Mitchell) (charlie68)
    charlie68: A classic not a pc one but from a southern viewpoint.
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Ryhmä ViestiketjuViestitViimeinen viesti 
 Monthly Author Reads: April 2020: Colson Whitehead31 lukematonta / 31sweetiegherkin, elokuu 2020

» Katso myös 745 mainintaa

englanti (427)  espanja (5)  ranska (4)  saksa (4)  katalaani (3)  hollanti (2)  portugali (1)  latvia (1)  italia (1)  tanska (1)  merirosvokieli (1)  Kaikki kielet (450)
Näyttää 1-5 (yhteensä 450) (seuraava | näytä kaikki)
An intriguing and frequently horrifying look at the experience of slavery in the United States prior to the Civil War, from the point of view of the slaves, with an interesting fantastical spin. In reality, “The Underground Railroad” was a metaphor for the chain of sympathisers and safe houses who conveyed escaped slaves from the South to the northern states. In this book, that metaphor is imagined as reality — literal underground rail lines and steam engines carrying escapees north.

Though this award-winning book is definitely well worth reading, at the end I wasn’t entirely sure what this fantastical premise adds to the human story of the slaves and the appalling treatment they had to endure. It made me wonder, in fact, how much of the story was based in actual fact and what was part of a dystopian historical fantasy. I’m tempted to say most of it is based on solid, sordid fact, but without doing more research I don’t know.

Certainly on its own terms, the novel is heartbreaking as we follow the fortunes of Cora and Caesar attempting to escape from a plantation in Georgia. The chapters are interleaved with actual historical advertisements placed by slave-owners seeking the recovery of their escaped ‘property’. And there’s nothing more chilling than the way the slave-hunter Ridgeway continually and casually refers to an escaped slave as “it” rather than “he” or “she”, the same way as one might refer to an escaped horse. ( )
  davidrgrigg | Mar 23, 2024 |
An interesting, brutal and heart breaking book. I’ve seen some other reviews that call Cora unlikable or cold. Just don’t get it. She survives , and somehow, despite rape and torture, still cares if a child trusts her and rejoices in an almanac. Be prepared for a difficult journey, it is not sugar coated, but it is worth it ( )
  cspiwak | Mar 6, 2024 |
Extraordinary, horrifying and compelling and necessary. Thinking about the sort of sub-genre of works that this feels part of or adjacent to, books like Confessions of the Fox (fiction) and Wayward Lives, Beautiful Experiments (nonfiction) that address directly the tangled relationship of history, the inherently political nature of documentation or lack thereof, and the task of telling true and necessary stories. ( )
  localgayangel | Mar 5, 2024 |
This has been setting the Internet all abuzz and to a certain degree I understand it. It was in parts absolutely riveting, and endlessly dull. Well-written but a little too detached for my personal preference. I wavered between giving it a 4 or 3 star rating. I ended on 3 stars purely because it lacked the ability to generate depth of feeling in me. I just didn’t care enough about the characters, and I hated the abrupt ending. I wanted the main protagonist’s, Cora, story to end... if not happily then at least in a satisfactory manner. In short, a good book but I wanted more... MORE. ( )
  73pctGeek | Mar 5, 2024 |
When, seventy or so pages into a novel about slavery, the underground railroad of the title turns out to be a literal underground railroad, you know the author is approaching his subject from an altered and unique position. Either that or your history teachers in school really fucking let you down.

Lest one think that turning the underground railroad into an actual railroad is a turn towards the twee or kitsch, Whitehead gives the reader the full horror of the historical slave experience. After a traditionally brutal Georgia plantation experience to open, he takes the main character, Cora, on a hellacious journey across four states - and here Whitehead's altered take is even more front and center, for each state represents a different approach that white America has taken towards black America.

First Cora is taken to South Carolina, where negro uplift is the announced goal. Ex-slaves like Cora are provided housing and jobs, tutored and mentored by apparently caring and generous white folks. Labor policy is astonishingly progressive. It definitely appears to be a bizarro South Carolina, but underneath this apparent benevolence lurks another historical American sin, eugenics. The state has decided to solve its race problem through coerced sterilization and planned breeding, to "improve" the inferior African race while limiting its numbers.

Next Cora is taken to North Carolina, whose white population has decided to solve the race problem through extermination. Fearful of black uprisings and revenge, slavery is abolished and any blacks found in the state, and their white concealers, are lynched - sometimes on sight, and sometimes at weekly celebrations on the town squares. The black bodies are then hung from trees all along "Freedom Road", which runs through the state. This is the lynch mob taken as far as it can be taken.

Up next is Tennessee, which slumbers in fatalism and turns its head. A big part of the state has been burnt to the ground after a brush clearing fire gets out of hand, and towns warn outsiders to stay away because of yellow fever epidemics. Disaster and punishment seem arbitrary, and if you're dealt a bad lot, that's just the way the world is. No sense complaining... or agitating for something the world isn't fixed to give.

Finally Cora ends up in Indiana. Here things again seem pretty good at first. It's a free state, and on the Valentine farm upwards of a hundred or so African-Americans have established a sort of empowerment zone, with a library, schoolhouse, lectures and discussions, and a sturdy democratic governance. Its success is spreading as members buy neighboring land to establish their own farms. But white America cannot tolerate this in-community self-improvement either, and in a violent assault smashes the farm and scatters its survivors.

As may be evident by now, the characters here are by far secondary to the larger picture and history the novel is painting. Cora is the vessel to move through these scenes; other characters periodically play their roles, from the underground railroad station masters to the slave catcher Ridgeway, who stalks Cora throughout the book.

Ultimately the novel holds up a discomfiting mirror to America, as in the words of one character:
America, too, is a delusion, the grandest one of all. The white race believes - believes with all its heart - that it is their right to take the land. To kill Indians. Make war. Enslave their brothers. This nation shouldn't exist, if there is any justice in the world, for its foundations are murder, theft, and cruelty. Yet here we are."
Yep. Here we are. ( )
1 ääni lelandleslie | Feb 24, 2024 |
Näyttää 1-5 (yhteensä 450) (seuraava | näytä kaikki)
Der Roman des afroamerikanischen Autors Colson Whitehead über die Sklaverei in den USA des 19. Jahrhunderts kommt in deutscher Übersetzung nun gerade recht, um auf den heutigen Rassismus zu verweisen.
 

» Lisää muita tekijöitä (22 mahdollista)

Tekijän nimiRooliTekijän tyyppiKoskeeko teosta?Tila
Whitehead, Colsonensisijainen tekijäkaikki painoksetvahvistettu
塔, 円城Jälkisanatmuu tekijäeräät painoksetvahvistettu
Chauvin, SergeKääntäjämuu tekijäeräät painoksetvahvistettu
由依, 谷崎Kääntäjämuu tekijäeräät painoksetvahvistettu
Munday, OliverKannen suunnittelijamuu tekijäeräät painoksetvahvistettu
Testa, MartinaKääntäjämuu tekijäeräät painoksetvahvistettu
Turpin, BahniKertojamuu tekijäeräät painoksetvahvistettu
Vries, Willemijn deKertojamuu tekijäeräät painoksetvahvistettu

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The first time Caesar approached Cora about running north, she said no.
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. . . for justice may be slow and invisible, but it always renders its true verdict in the end.
‘I’m what botanists call a hybrid,’ he said the first time Cora heard him speak. ‘A mixture of two different families. In flowers, such a concoction pleases the eye. When that amalgamation takes its shape in flesh and blood, some take great offense. In this room we recognize it for what it is -- a new beauty come into the world, and it is in bloom all around us.’
Georgina said the children make of it what they can. What they don't understand today, they might tomorrow. 'The Declaration is like a map. You trust that it's right, but you only know by going out and testing it yourself.'
In another country they would have been criminals, but this was America.
She didn’t understand the words, most of them at any rate, but created equal was not lost on her. The white men who wrote it didn’t understand it either, if all men did not truly mean all men. Not if they snatched away what belonged to other people, whether it was something you could hold in your hand, like dirt, or something you could not, like freedom.
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Englanninkielinen Wikipedia

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Cora is a slave on a cotton plantation in Georgia. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Though they manage to find a station and head north, they are being hunted. Their first stop is South Carolina, in a city that initially seems like a haven. But the city's placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels.

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